Rujana Čimbur Bakić
Rujana Čimbur Bakić
Arhiva kolegija 11/12–preddiplomski studij
POPIS KOLEGIJA koji su se izvodili u ak. god. 2011/12 i silabusi (opisi kolegija)
Napomena: Kolegiji koji su označeni zvjezdicom * su se izvodili u ak. god. 2011/12, ali se više ne izvode
______________________________________________________________________________________
POPIS SVIH KNJIŽEVNIH KOLEGIJA KOJI SU SE IZVODILI u ak. god. 2011/12
1. godina
Uvod u studij engleske književnosti
2. i 3. godina:
Književni seminari: izbor iz ponude – 3. ili 5. (zimski) semestar 2011/12
(A=američka književnost, B=britanska književnost)
Američki postmodernizam i popularna kultura (Cvek) (A) (20. st.)
Američke šezdesete: književnost i kultura (Bašić) (A) (20 st.) *
Aspekti američkog romantizma (Šesnić) (A) (19. st.)*
Engleski romantizam (Gjurgjan)(B) (19. st.)
Irska kultura (Gjurgjan i gost profesor) (B) (20. st.)*
Počeci modernog romana u Engleskoj ranog 18. stoljeća (Polić) (B) (starija)*
Pretvaranje prostora u mjesto : rana australska književnost (Klepač) (B) (19. st.)*
Shakespeare (Ciglar Žanić) (B) (starija)
Srednjovjekovni izvori engleske renesansne drame (Petrić) (B) (starija)
Suvremeni američki roman (Grgas)(A) (20. st.)
Viktorijanska književnost : žanrovi i teme (Knežević)(B) (19. st.)
Viktorijanski roman – poetika i kulturna politika (Jukić) (B) (19. st.)*
____________________________________________________________________________________________________
Književni seminari: izbor iz ponude – 4. ili 6. (ljetni) semestar 2011/12
(A=američka književnost, B=britanska književnost)
Američki postmodernizam i popularna kultura (Cvek) (A) (20. st.)
Cool Britania? Britanska drama u razdoblju od 1956-2008 (Klepač)(B) (20. st.)
Engleski romantizam (Gjurgjan) (B) (19. st.)
Kanadska književnost i i kultura (Polić)(B) (20. st.)
Literature and the ‘Troubles‘ (O’Malley, gost profesor) (B)(20. st.)*
Nineteenth-Century American Short Fiction (Crow, Fulbright gost profesor) (A) (19. st.)*
Rat, rekonstrukcja, transformacija: američka književnost 1860-1914 (Šesnić) (A) (19. st.)
Shakespeare (Ciglar Žanić) (B) (starija)
Srednjovjekovni izvori renesansne drame (Petrić) (B) (starija)
Suvremeni američki roman (Grgas)(A) (20. st.)
Suvremena australska književnost i film (ažuriran sil.) (Polak) (B) (20. st.)
Viktorijanska književnost : žanrovi i teme (Knežević) (B) (19. st.)
___________________________________________________________________________________________
POPIS SVIH LINGVISTIČKIH KOLEGIJA KOJI SU SE IZVODILI u ak. god. 2011/12
1. godina
1. semestar
Suvremeni engleski jezik 1
Uvod u lingvistički studij engleskog jezika
2. semestar
Sintaksa engleskog jezika 1 – vrste riječi
Suvremeni engleski jezik 2
2. godina
3. semestar
Suvremeni engleski jezik 3
4. semestar
Analiza engleskih tekstova
Sintaksa engleskoga jezika II – rečenica
3. godina
5. semestar
Društva i kulture engleskoga govornog područja
Semantika engleskog jezika
6. semestar
Fonetika i fonologija
Prijevodne vježbe
Rat, rekonstrukcija, transformacija: američka književnost 1860-1914 (ARHIVA)
Naziv kolegija: Rat, rekonstrukcija, transformacija: američka književnost 1860-1914 (A, 19/20)
Instructor: Dr Jelena Šesnić
ECTS credits: 6
Language of instruction: English
Semester: Spring 2012, Spring 2017
Status: elective
Form of instruction: lecture (1 hour) + seminar (2 hours)
Enrollment requirements: Introduction into the Study of English Literature
Course description: In the seminar we shall cover a period in American Literature variousy designated as the Age of Realism and Naturalism or the Gilded Age. Many scholars argue that it is during this period that the United States turned into a modern nation due, primarily, to their unprecedented industrial and economic growth. We shall look at the implications of these huge transformations and their reverberations in some of the exemplary literary and non-literary texts of the period. The four sections we shall be examining in greater detail are the echoes of the Civil War; the perils and pitfalls of post-war Reconstruction effort, and the question of race; economic relations and the way these affect social relations; and, finally, the emergence of new identities, both in the public and the private sphere.
Course requirements: Regular attendance; participation in class discussions; in-class and home assignments; continuous evaluation (a mid-term and a final test, mandatory for all students); seminar paper (6-7 pp, 2000-2500 words, MLA style). It is essential to observe the deadlines set down for particular assignments; if not, this can adversely affect your grade. Grade breakdown: tests—50%; seminar paper—35 %; the rest (see above)—15 %.
Readings (subject to change)
Primary texts
Section 1: the Civil War and its aftermath
Herman Melville: from Battle Pieces (1866; selection of poetry)
Walt Whitman: from Drum-Taps and Memories of President Lincoln (1891-92; selection of poetry)
Rebecca Harding Davis: Waiting for the Verdict (1868; novel; selected chapters)
Section 2: The question of race and Reconstruction
Mark Twain: Pudd’nhead Wilson (1894; novel)
Charles Chesnutt: „The Wife of His Youth“ (1899; short story); „What Is a White Man?“ (1889; essay)
Section 3: Matters of the economy
Elizabeth Stuart Phelps: The Silent Partner (1871; novel)
Upton Sinclair: The Jungle (1906; novel)
Section 4: Emergence of new subjects
Abraham Cahan: „Yekl“ (1896; novella)
Ezra Pound: „Hugh Selwyn Mauberly“ (1920; poetry, selection)
(Note: most of the texts are available in digital form, or can be checked out from the library.)
Secondary readings
Hofstadter, Richard. Social Darwinism in American Thought (1944), Boston: Beacon P, 1992. (selection)
Sundquist, Eric. To Wake the Nations: Race in the Making of American Literature, Cambridge: Harvard UP, 1993. (selection)
Trachtenberg, Alan. The Incorporation of America: Culture and Society in the Gilded Age, New York: Hill and Wang, 1982. (selection)
Nineteenth-Century American Short Fiction
Naziv kolegija: Nineteenth-Century American Short Fiction
Undergraduate Elective
Nineteenth-Century American Short Fiction
Prof. Charles L. Crow
Thursday 11:45-12:30, D-5
Friday 2:45-4:15, A-123
charleslcrow@yahoo.com
Course requirements: regular attendance, and readings completed before class discussions. Two short essays of approximately 1000-1250 words each. Final examination.
Note 1: I welcome enthusiastic class discussion, including constructive disagreement, and conversations continued after class, in my office, and by e-mail.
Note 2: There may be some modification of this syllabus after the pace of the class is established.
Note 3: Most of these stories are available on the internet. In some cases it may be necessary to provide a copy for duplication.
Week 1. 8-9 March
Introductions. Overview of periods, issues in 19th century American literature and culture. A few American paintings shown to illustrate trends and themes. Two brief folk tales from non-white cultures represent voices to be heard later in the semester.
Charles Brockden Brown, “Somnambulism”
Washington Irving, “Rip van Winkle”
Week 2: 15-16 March
The “Dark Romantics” and their quarrel with Emerson.
E. A. Poe, “The Cask of Amontillado,” “Hop Frog.
Nathanael Hawthorne, “Alice Doan’s Appeal.” “Young Goodman Brown.”
Week 3: 22-23 March
From Romanticism to Realism
Herman Melville, “The Bell Tower,” “Bartleby the Scrivener”
Rebecca Harding Davis, “Life in the Iron Mills”
Week 4: 29-30 March
Harriet Prescott Spofford, “Circumstance”
S. L. Clemens (Mark Twain) “A True Story,” selection from “Old Times on the Mississippi.” “The Man That Corrupted Hadleyburg”
Week 5: 5-6 April
Two anti-war stories by realist masters.
Mark Twain, “The War Prayer”
W. D. Howells, “Editha”
Note: April 6 is Good Friday
Week 6: 12-13 April
The “American Girl” and women’s regional realism
Henry James, “A Bundle of Letters”
M. E. Wilkins Freeman. “The Revolt of Mother,’ “A Church Mouse”
Week 7: 19-20 April
Regional realism, continued
Sarah Orne Jewett, “A White Heron,” “The Foreigner,” “The Circus at Denby.”
Joel Chandler Harris, “The Wonderful Tar Baby,” “How Mr. Rabbit was too Sharp for Mr. Fox.”
Week 8: 26-27 April
Race and the South
Charles Chesnutt, “The Passing of Grandison” “The Sheriff’s Children,” “The Dumb Witness”
Paul Laurence Dunbar, “The Lynching of Jube Benson”
Week 9: 3-4 May
Race and the South, continued
Alice Dunbar Nelson, “Sister Josepha”
Grace King, “The Little Convent Girl”
George Washington Cable, “Jean-Ah Poquelin”
Week 10: 10-11 May
Kate Chopin’s Louisiana:
“Désirée’s Baby,” “The Story of an Hour,” “The Storm,” “A Pair of Silk Stockings,” “A Respectable Woman,” “A Gentleman of Bayou Teche.”
Week 11: 17-18 May
Naturalism and beyond.
Frank Norris, “A Deal in Wheat”
Stephen Crane, “The Monster”
Jack London, “To Build a Fire,” “South of the Slot”
Week 12: 24-25 May
Willa Cather’s Nebraska:
“Old Mrs. Harris,” “Neighbor Rosicky”
Week 13: 31 May-1 June
A feminist classic and a new voice.
Charlotte Perkin’s Gilman, “The Yellow Wall-Paper”
John M. Oskison, “The Problem of Old Harjo”
Week 14: 7-8 June
Thursday is Corpus Christi
Theodore Dreiser, “Typhoon”
Kulturni aspekti američkog neoliberalizma
Naziv kolegija: Kulturni aspekti američkog neoliberalizma
Nositelj: dr. sc. Stipe Grgas, red. prof.
Nastavnik: dr. sc. Sven Cvek, docent
ECTS-bodovi: 6
Jezik: engleski
Trajanje: 1 semestar
Status: Izborni
Oblik nastave: 1 sat predavanja i 2 sata seminara na tjedan
Uvjeti za upis kolegija: Upisan diplomski studij
Obaveze studenta: aktivno i redovito sudjelovanje u radu seminara; pismeni kolokviji kao način kontinuirane evaluacije; seminarski rad.
Sadržaj: Krećući od pretpostavke o neodvojivosti ekonomske, političke i kulturne sfere, kolegij nudi pregled glavnih društvenih procesa povezanih s razvojem neoliberalizma u SAD-u. Povijesni okvir kolegija omeđen je krizama 1973. i 2008. godine, odnosno postupnim okretanjem od keynesianske politike i usponom neoklasične ekonomije i ideja Čikaške škole od 1970ih do danas. Tematski, kolegij obuhvaća cjeline koje neoliberalizam stavljaju u odnos prema: liberalizmu, neokonzervativizmu, problematici prostora, demokratskoj politici, radu i trenucima krize. Naglasak je kolegija na kulturnim aspektima neoliberalizma, pa će se navedene teme obrađivati prvenstveno, ali ne isključivo, na književnom i filmskom korpusu.
Cilj: Upoznavanje studenata s razvojem neoliberalizma u SAD-u; kritičko promišljanje povijesnih procesa; upoznavanje s relevantnom kritičkom literaturom.
Literatura:
Primarna (izbor):
Jonathan Franzen, The 27th City
Bonnie Jo Campbell, The American Salvage
Don DeLillo, Cosmopolis
Po Bronson, Bombardiers
Izbor filmova i serija:
Harlan County U.S.A. (Barbara Kopple, 1976)
Blue Collar (Paul Schrader, 1978)
Roger and Me (Michael Moore, 1989)
Wall Street (Oliver Stone, 1987)
Bob Roberts (Tim Robbins, 1992)
Office Space (Mike Judge, 1999)
The Wire (David Simon, 2002-08)
When the Levees Broke: A Requiem in Four Acts (Spike Lee, 2006)
Generation Kill (Ed Burns, David Simon, Evan Wright, 2008)
Sleep Dealer (Alex Rivera, 2008)
Frozen River (Courtney Hunt, 2008)
Winter’s Bone (Debra Granik, 2010)
Take Shelter (Jeff Nichols, 2011)
Margin Call (J.C. Chandor, 2011)
In Time (Andrew Niccol, 2011)
Beasts of the Southern Wild (Benh Zeitlin, 2012)
The Big Short (Adam McKay, 2015)
UnREAL (Marti Noxon, Sarah Gertrude Shapiro, 2015)
Sekundarna:
– Nikhil Pal Singh, “Liberalism,” u Keywords for American Cultural Studies, ur. Bruce Burgett i Glenn Hendler, New York and London: NYU Press, 2007: 139-44.
– Michel Foucault, The Birth of Biopolitics: Lectures at the Collège de France, 1978-1979. New York: Palgrave Macmillan, 2008. (izbor)
– David Harvey, A Brief History of Neoliberalism, Oxford & New York: Oxford UP, 2007. (izbor)
– Jane L. Collins, Micaela di Leonardo and Brett Williams, ur. New Landscapes of Inequality: Neoliberalism and the Erosion of Democracy in America, Santa Fe: School for Advanced Research Press, 2008. (izbor)
– Wendy Brown, “American Nightmare: Neoliberalism, Neoconservatism, and De-Democratization,” Political Theory, Vol. 34, No. 6 (Dec., 2006), pp. 690-714.
– Jodi Melamed, “The Spirit of Neoliberalism: From Racial Liberalism to Neoliberal Multiculturalism,” Social Text, 89, Vol. 24, No. 4, Winter 2006.
Dopunska:
– Milton Friedman, Capitalism and Freedom. Chicago: University of Chicago Press, 1982 (1962).
– Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism. New York: Metropolitan Books, 2007. (izbor).
– Paul Krugman, “For Richer,” The New York Times, October 20, 2002.
– Lisa Duggan, The Twilight of Equality? Neoliberalism, Cultural Politics, and the Attack on Democracy. Boston: Beacon Press, 2003. (izbor).
– Thomas Frank, What’s the Matter with Kansas? How Conservatives Won the Heart of America. New York: Henry Holt and Company, 2005. (izbor).
Povijesni pregled razvoja fantastike u britanskoj književnosti (2012-13)
Naziv kolegija: Povijesni pregled razvoja fantastike u britanskoj književnosti
Nastavnica: dr. sc. Iva Polak, docent
ECTS-bodovi: 6
Jezik: engleski
Trajanje: 7. i 9. semestar
Status: izborni kolegij
Oblik nastave: 1 satpredavanja, 2 sata seminara tjedno
Uvjeti za upis kolegija: upisan sedmi semestar
Opis kolegija: Kolegij nudi pregled razvoja fantastike u okviru britanske književnosti, te pregled najvažnijih književno-kritičkih tekstova koji se bave problemom fantastike. Tekstovi koji pripadaju razdoblju starije engleske književnosti, srednjeg vijeka, renesanse i neoklasicizma analizirat će se sa stajališta fantastike kao tematske odrednice dok će se kasniji tekstovi, dakle od trenutka ustoličenja romana, proraditi u okviru fantastike kao specifičnog proznog žanra. Neka književna djela rade se zajedno s filmskim adaptacijama. Rasprava o fantastici potaknut će pitanja književne mimeze, retorike stvarnog i ne-stvarnog, te razloge rane pojave fantastike u književnosti i umjetnosti naprosto, te njeno supostojanje s umjetničkim realizmom. Analizi tekstova prethodit će uvođenje u odgovarajuću terminologiju, odnosno u problematiku mimeze, stvarnog/nestvarnog, fantastike, fantastičnog, fantastične književnosti i njezinih podžanrova.
Cilj: Osvijestiti usporedno postojanje fantastike od samih začetaka razvoja engleske, tj. britanske književnosti, mijenjanje značenja i značaja fantastike kroz književnost, te svjesnije uočavanje odrednica fantastične književnosti.
Studentske obveze: Ispunjavanje elemenata kontinuirane provjere znanja, koji se sastoje od redovitog pohađanje nastave, provjere čitanja primarne i sekundarne literature, pripreme za nastavu i pravovremene predaje seminarskog rada. Seminarski rad čini 70%, a ostali elementi kontinuirane provjere znanja 30% ocjene. Za prolaznu ocjenu nužno je ispuniti sve elemente kontinuirane provjere znanja.
Sadržaj kolegija po tjednima:
1. TJEDAN
Problem mimeze i kanona kroz povijest književnosti
Kratki film: Put na mjesec (Le voyage dans la lune), Georges Méliès (1902): promjenjivost SF-a
2. TJEDAN
Što je fantastično u fantastici. Uvod u teoriju žanra (Todorov/Chanady/Brooke-Rose)
3. TJEDAN
Problem fantastike u starijoj engleskoj književnost:
Beowulf, c. 8. st. (odabrani dijelovi) – kontekst starije engleske književnosti, problem impliciranog/ukodiranog čitatelja; herojski ili fantastični ep
4. TJEDAN
Fantastika u srednjem vijeku:
Geoffrey Chaucer, ‘The Nun’s Priest’s Tale’ (The Canterbury Tales) c. 1380-1400. – kontekst Chauserova razdoblja, srednjovjekovni oblici, basna, fantastika jednostavnog oblika
5. TJEDAN
Fantastika u renesansi
William Shakespeare, The Tempest, 1611 – problem romanse; gradba nadnaravnog; fantastične i SF reinskripcije
6. TJEDAN
William Shakespeare, A Midsummer Night’s Dream, 1595 – situiranje fantastike u “zeleni svijet” N. Fryea; čitanje kroz Todorova i Chanady
7. TJEDAN
Fantastika u neoklasicizmu
Jonathan Swift, Gulliver’s Travels (1726) (IV. putovanje) – uspostava romana, menipejska satira, fantastika i alegorija, problem četvrtog putovanja; usporedba filmskih adaptacija iz 1939, 1977 i 1996: lokacija iv. putovanja; problem utopije (Platon, Thomas More)
8. TJEDAN
Fantastika i viktorijana
Lewis Carroll, Alice’s Adventures in Wonderland (1865) – viktorijanska dječja književnost; smislenost Carrollovih ‘besmislenih stihova’; izvorište nadnaravnih elemenata
Raspodjela tema za seminarske radove.
9. TJEDAN
Rađanje SF žanra
H. G. Wells, The Time Machine (1895) – ‘nečisti’ SF; novum (D. Suvin)
[Film: The Time Machine (1960), redatelj: George Pal]
10. TJEDAN
Popularizacija SF žanra u Velikoj Britaniji i SAD-u
Ray Bradbury, Fahrenheit 451 (1953)– distopija, SF
[Film: Fahrenheit 451 (1966), redatelj: François Truffaut]
11. TJEDAN
J.R.R. Tolkien – epska/visoka fantastika; Tolkien o fantastici
12. TJEDAN
Tolkien nastavak
13. TJEDAN
Alasdair Gray, Lanark (1981) – fantastika i realizam; metafikcija, intertekstualnost, postmoderna
14. TJEDAN
Alasdair Gray, Lanark (1981) – nastavak
Primarna literatura:
Jonathan Swift, Gulliver’s Travels, IV voyage
Lewis Carroll, Alice’s Adventures in Wonderland
H. G. Wells, The Time Machine
Ray Bradbury, Fahrenheit 451
Alasdair Gray, Lanark
Književni tekstovi koji obuhvaćaju razdoblje do 18. stoljeća rade se samo u ulomcima. Pretpostavlja se da su studenti diplomskog studija anglistike tijekom preddiplomskog studija pročitali Oluju i San ivanjske noći W. Shakespearea.
Sekundarna literatura:
– Sandner, David (ur.). Fantastic Literature. A Critical Reader, Praeger, 2004. (izbor)
– Todorov, Tzvetan. The Fantastic. A Structural Approach to a Literary Genre, Cornell UP,1975.
– Chanady, Amaryll Beatrice. Magical Realism and the Fantastic: Resolved Versus Unresolved Antinomy, Garland Publishing Inc, 1985.
– Brooke-Rose, Christine. A Rhetoric of the Unreal. Studies in Narrative and Structure, Especially of the Fantastic, CUP, 1981. (izbor)
– Jackson, Rosemary. Fantasy. The Literature of Subversion, Routledge, 1981.
– Tolkien, J.R.R. The Monster and the Critics and Other Essays, HarperCollins, 2006. (izbor)
– Čapek, Karel. In Praise of Newspapers and Other Essays on the Margin of Literature, Allen&Uwin, 1951. (izbor)
Dodatni materijali dobivaju se na satu.
Vrednovanje jezične i komunikacijske kompetencije
DIPLOMSKI STUDIJ ANGLISTIKE – NASTAVNIČKI SMJER, od 2010/2011
DVOPREDMETNI STUDIJ
9. ili 10. semestar
Naziv kolegija: VREDNOVANJE JEZIČNE I KOMUNIKACIJSKE KOMPETENCIJE
Nositelj kolegija: dr. Marta Medved Krajnović, izv. prof.
Nastavnik: dr. Marta Medved Krajnović, izv. prof., Stela Letica Krevelj
ECTS-bodovi: 3
Jezik: engleski
Trajanje: 1 semestar
Status: izborni
Oblik nastave: 2 sata predavanja i 2 sata seminara
Uvjeti: —
Ispit: Kontinuirano praćenje i vrednovanje
Cilj: Studenti će steći uvid u problematiku definiranja i vrednovanja komunikacijske jezične kompetencije, izrade i standardizacije valjanih i pouzdanih jezičnih testova te ulogu i učinak koji vrednovanje i testiranje imaju na obrazovni proces i njegove sudionike. Okušat će se u izradi osnovnih tipova testova.
week |
Topics |
1 |
Introduction; Basic terminology (evaluation, assessment, testing) |
2 |
Purpose of assessment/testing; Characteristics of a good test; washback effect |
3 |
Types of tests and testing |
4 |
Defining the construct – communicative language competence; testing communicative competence |
5 |
Revision 1 |
6 |
Defining the construct – listening skill; testing the listening skill |
7 |
Defining the construct – reading skill; testing the reading skill |
8 |
Defining the construct – speaking skill; testing the speaking skill |
9 |
Defining the construct – writing skill; testing the writing skill |
10 |
Revision 2 |
11 |
Testing vocabulary |
12 |
Testing grammar |
13 |
Process of large scale, standardized tests development and analysis |
14 |
Language testing and second language acquisition |
15 |
Revision 3 |
Obvezna literatura:
Odabrana poglavlja iz sljedećih publikacija:
Bachman, L. F. i A. S. Palmer (1996). Language Testing in Practice: Designing and Devoloping Useful Language Tests. Oxford: OUP.
Bachman, L. F. (2004). Statistical Analyses for Language Assessment. Cambridge: CUP.
Bachman, L. F. i Kunnan, A. J. (2005). Statistical Analyses for Language Assessment Workbook. Cambridge: CUP.
Hughes, A. (2003). Testing for Language Teachers. CUP.
Dopunska literatura:
Odabrana poglavlja iz sljedećih publikacija:
Bachman, L.F. (1990). Fundamental Considerations in Language Testing. Oxford: Oxford University Press.
Bachman, L., Cohen, A. S. (ur.) 1998. Interfaces between Second Language Acquisition and Language Testing Research. Cambridge: CUP.
Cohen, Andrew D. (1994). Assessing Language Ability in the Classroom. Heinle & Heinle.
Council of Europe (2001). Common European Framework of Reference for Languages: Learning, Teaching, Assessment. Cambridge: Cambridge University Press
McNamara, T. (2000). Language Testing. Oxford, New York: OUP
Časopis: Language Testing
Američka književnost – diplomski ispit (opis)
DIPLOMA EXAMINATION IN AMERICAN LITERATURE
(study guide and reading list)
__________________________________________________________________________________________________
I. General guide
A – General Background
B – Writers and Books : The Reading List
C – Textbooks and Study Materials
II. Reading List
Studenti su dužni proučiti sve upute koje se nalaze pod General Guide prije nego počnu spremati ispit.
I. General guide
A. GENERAL BACKGROUND
The students are expected to have some basic knowledge of periods and movements in American literature and a summary notion of its historical background. In order to gain a sense of literary – historical perspective, students should read the introductions to the various sections in American literature. The Makers and the Making, Volumes I & II (subsequently M&M). A 246-page selection of literary-historical and critical material from M&M is available for photocopying in the Photocopy Shop in the basement to be used as a textbook by the students. The students should use it selectively, in accordance with the requirements set by this study guide, as well as their individual choices and preferences. As regards the texts of the M&M introductions, only the knowledge of the most outstanding historical events and personalities will be required: students should be acquainted with the prominent terms and notions concerning the history of American culture, which are outlined below. These outlines also contain names of writers, some of which do not appear on the reading list, but deserve to be known at least by name and general orientation. The material has been divided into five sections following in chronological order. A general knowledge of all of these is required : the student is expected to select for special study either Section II, III or IV.
I. Pre-national Literature (1620-1743) and An Emergent National Literature (1743-1826)
(M&M I, pp.1-17, 27-28, 34-35, 38-40, 82-86, 109-119, 120-125)
The first English settlers: Puritanism – Calvin, Luther : predestination : individual conscience : the habit of self-exploration : God’s covenant with man : manifest destiny : the sense of sin.
New England seen as New Jerusalem.
Early Puritan writing : the Great Awakening : the influence of the Age of Reason and the Enlightenment : Deism : the War of Independence : the Declaration of Independence.
Bradford, Winthrop, Mather, Bradstreet, Taylor, Edwards, Franklin, Jefferson, Bryant, Washington, Irving, Cooper.
II. A National Literature and Romantic Individualism (1826-1861)
(M&M Vol I, pp. 325-352)
The paradox of chattel slavery vs. belief in equality of all men : the proces of democratization : industrialization : abolitionism (334-335) : transcendentalism (338-351): the Civil War : the drive to the West and gradual settling of the continent : Boston and New England dominating literary life.
Poe, Hawthorne, Longfellow, Lowell, Beecher Stowe, Emerson, Thoreau, Melville, Whitman.
III. The New Consciousness (1861-1914)
(M&M, Vol II, pp.1197-1220, 1341)
Big industry and finance capitalism : achievements which “staggered the imagination” such as the transcontinental railway : the winning of the West : mass immigration from Europe : expansive optimism countered by disgust with the new order, and an impulse to reform : the Robber Barons vs. philantropy : Twain’s “Gilded Age” : the belted rise of realism and naturalism : local colour fiction : the novel as an art form (1215-17)
Dickinson, Bret Harte, Twain (Clemens), the “Muckrakers”, Howells, James, Wharton, Bierce, Crane, Norris, Upton Sinclair, London
IV. The Moderns : Founders and Beyond (1914-1945)
(M&M, Vol II, pp.1803-1829; 2043-2057)
The US becoming a world power : World War I : the “lost generation” : the “jazz age”: the Twenties, a time of “fluidity, of questioning and of experimentation”, also disillusionment and cynicism : prohibition : European intellectual influences (Freud, Frazer) : an intense reexamination of the role of art vis-a-vis a rising mass culture and a predominantly scientific climate of ideas : depression : leftist tendencies in the Thirtiest.
In literature the flow of realist and naturalist writing culminating in Dreiser’s An American Tragedy, the veering towards “modernism” in Hemingway, Doss Passos and Faulkner ; the new wave of social commitment in the writing of the Thirties ; the “nativist” and modernist trends in poetry ( the role of imagism and symbolism ).
Dreiser, Sherwood Anderson, Sinclair Lewis, Steinbeck, Doss Passos, Fitzgerald, Hemingway, Faulkner, Wright, Stein, Wolfe, O’Neill, Odets, Frost, Eliot, Pound, Williams, Stevens, Hart Crane, Cummings, Langston Hughes .
V. World War II to the Present
The students dealing with this period will rely on their own sources (Frederick R. Karl : American Fictions 1940-1980 ; Hoffman ad. : Harvard Guide to Contemporary American Writing; Hart ed.: The Concise Oxford Companion to American Literature ).
Significant in this period is the affirmation of Jewish writers and Black and women ( feminist ) writers ; reliance on black humour and the absurd ; wide and sometimes wild experimentation ; departures from realism into fantasy, fragmentation or self-conscious artifice.
Among the most notable writers of fiction : Robert Penn Warren, Eudora Welty, Flannery O’Connor, Carson McCullers, Bellow, Malamud, Roth, Mailer, Heller, Ellison, Baldwin, Nabokov, Barth, Pynchon, Updike, Vonnegut. Among the poets : Lowell, Roethke, Barryman, Ginsberg, Plath, Le Roy Jones ( Baraka ), Gwendolyn Brooks. In drama : Tennessee Williams, Arthur Miller, Albee, Shepard.
B. WRITERS AND BOOKS : THE READING LIST
Below, a revised and extended list of authors and texts is offered calling for more individual study and preparation. Making a selection from those writers on the reading list which are not obligatory, and perhaps adding some personal choices, each student will submit to his examiner his own typewritten list of the works he has read, underlining the period and the names and works of writers selected for special study.
This individual lists should contain no less than 25 items ( writers ); an “item” consists of one novel or a selection of poems not less than 300 lines, or a selection of essays or 2-3 plays. Of these, 12 are obligatory (underlined on the list ), and 13 can be selected from the reading list or from the writers listed in PART A ( this refers especially to those poets, whose names have not been repeated on the reading list ).
Of the 25 items ( writers ) on each student’s list, 10 writers should be singled out for special study ( five of them must be chosen from among the obligatory writers, and five from among others ). The student should read more than one item written by these 10 authors : anther novel ( with omissions ), a few short stories, some critical essays ( in the case of James, Pound or Eliot, for example ), as well as some criticism about them. It is suggested that at least some of these writers belong to the period the student is concentrating on.
C. TEXTBOOK AND STUDY MATERIALS
The principal textbook for the study of writers and their writing is the anthology AMERICAN LITERATURE, The Makers and the Making which, apart from the introductory texts mentioned above, also contains comprehensive texts on all the major writers ( with the exception of contemporary writers ). These are especially important for the period and writers selected for special study, and, to a lesser degree, for the five remaining obligatory writers. Other writers can be studied more superficially, either by more cursory reading in M&M or from other, more concise textbooks.
Principal textbooks and anthologies :
Marcus Cunliffe : The Literature of the United States
Brooks-Lewis-Warren : American Literature, The Makers and the Making
Bradley-Beatty-Long : The American Tradition in Literature
Povijest svjetske književnosti ( Mladost ), sv. VI
Hoffman : Harvard Guide to Contemporary American Literature
Eliott, ed.: Columbia Literary History of the United States
II. Reading List
READING LIST for the Diploma Examination in American Literature
Note : The standard required titles by individual writers, which are underlined as a rule, are sometimes followed by aditional readings of mostly shorter fiction. These titles are optional and others may be chosen instead. This list contains only titles by the major poets. For names of other poets whom students may wish to study ( basing their reading on selections in major anthologies ) see the lists in section A. The student’s personal list may contain under separate heading works by other writers which the students may know more superficially, and can talk about more informally, indicating the extent of their reading and the range of their interests.
A list containing a minimum of 25 writers should not have more than 5 novelists from Secton V, and not less than 5 poets.
1. Jonathan Edwards : Personal narrative : Sinners in the Hands of an Angry God, with a selection of other Puritan writings
2. Benjamin Franklin : Autobiography ( extracts ) and Thomas Jefferson : Declaration of Independence
3. E. A. Poe : 5 stories, 4 poems ; Philosophy of Composition
- The Black Cat
- The Cask of Amontillado
- The Complete Poems of Edgar Allan Poe
- The Gold-Bug
- The Murders in the Rue Morgue
- The Narrative of Arthur Gordon Pym of Nantucket
- The Pit and the Pendulum
- The Purloined Letter
- The Tell-Tale Heart
- Tales (1845 ed.)
4. Nathaniel Hawthorne :
· The Scarlet Letter
· The Birthmark
· Young Goodman Brown
· Ethan Brand
· Rappaccini’s Daughter
· The Gentle Boy
· Wakefield
· The Minister’s Black Veil
· The Snow-Image: A Childish Miracle [a machine-readable transcription]
· My Kinsman, Major Molineux
5. Herman Melville : Moby Dick, ( with some omissions ), Billy Bud, Benito Cereno, Bartleby the Scrivener
6. Ralph Waldo Emerson : Nature, Self-Reliance, The American Scholar and Henry Thoreau : Walden (extracts)
7. Walt Whitman : Crossing Brooklyn Ferry, Song of myself ( extracts )
8. Emily Dickinson : 15 poems
9. Mark Twain : The Adventures of Huckleberry Finn; The Man that Corrupted Hadleyburg, Fenimore Cooper’s Literary Offences or some other extracts from M&M
10. William Dean Howells or Edith Wharton : one of the major novels
11. Henry James : The portrait of a Lady or The Ambassadors or The Golden Bowl or The Wings of the Dove or What Maisle Knew or The Princess Casamassima ; The Real Thing, The Jolly Corner, The Pupil, The Figure in the Carpet, The Lesson of the Master, The Beast in the Jungle ; The Art of Fiction, and the Prefaces ( extracts ), other critical and autobiographical writings
12. Stephen Crane : The Red Badge of Courage ; The Open Boat, The Blue Hotel
13. Theodore Dreiser : An American Tragedy ; Sister Carrie; the Cowperwood Trilogy ( The Financier, The Titan, The Stoic )
14. F. Scott-Fitzgerald : The Great Gatsby ; Tender is the Night, The Crack-Up
15. Ernest Hemingway : The Sun Also Rises or A Farewell to Arms or In Our Time plus 10 more stories
16. William Faulkner : The Sound and the Fury or Light in August or Sanctuary or Absalom, Absalom! or Go Down Moses; Barn Burning, A Rose for Emily, Dry September, That Evening Sun
17. John Doss Passos : USA Trilogy ( with omissions ); Manhattan Transfer
18. Sinclair Lewis : Babbitt ; Main Street
19. James D. Farrell : Studs Lonigan
20. John Steinbeck : Grapes of Wrath
21. Nathanael West : The Day of the Locust; Miss Lonelyhearts
22. Robert Frost : ten major poems ( not less than 500 lines )
23. T. S. Eliot : The Love Song of Alfred J. Prufrock, The Waste Land, Ash Wednesday ; Tradition and the Individual Talent, The Metaphysical Poets
24. Ezra Pound : Hugh Selwyn Mauberley ( 1-5 and Evoi ), Portrait d ùne femme, River Merchant’s Wife : extracts from letters and essays
25. William Carlos Williams : The Red Wheelbarrow, A Sort of Song By the Road to the Contagious Hospital, Yachts etc.
26. Eugene O’Neill : 2-3 Plays
Contemporary writers :
27. Saul Bellow : Herzog, Humboldt’s Gift
28. Vladimir Nabokov : Lolita
29. Bernard Malamud : The Assistant and Stories from The Magic Barrel
30. Philip Roth : Portnoy’s Complaint
31. Ralph Ellison : Invisible Man
32. John Updike : Rabbit, Run ; The Centaur, Couples
33. Norman Mailer : The Naked and the Dead , Armies of the Night
34. Joseph Heller : Catch 22, Something Happened
35. K. Kesey : One Flew Over The Cuckoo’s Nest
36. Tennessee Williams : The Glass Menagerie, A Streetcar Named Desire
37. Edward Albee: Who’s Afraid of Virgiania Woolf + two plays
38. Arthur Miller : The Death of a Salesman + two plays
39. Sam Shepard : three plays
Students are also encouraged to read according to their own choice works by other more recent writers such as: Thomas Pynchon, Toni Morrison, Alice Walker, E.M. Doctorow, Paul Auster, Raymond Carver, Kurt Vonnegut, James Baldwin, Carson McCullers, Flannery O’Connor, Eudora Welty, Donald Barthleme, John Barth, Truman Capote, Don DeLillo, William Gladdis, Allen Ginsberg, John Hawkes, Jack Kerouac, Jerzy Kosinsky, Jay McInarney, N. Scott Momaday, Joyce Carol Oats, Lesli Marmon Silko, Tom Wolfe, etc.
Web links prepared by Ana Naglic
Četvrta godina-opis kolegija (i diplomski)
Course Description – 4th YEAR OF STUDY
Prerequisites for enrolling in the fourth year of study:
-
English language III
-
British culture and civilization and/or American society
-
Syntax (word classes and sentence)
SHAKESPEARE
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: written
-
Course description: The course deals with the dramatic work of William Shakespeare. Special emphasis is given both to the literary-historical context of Shakespeare’s plays as well as to their contemporary relevance in various reading communities. From the point of view of literary-historical methodology, consideration is also given to Shakespeare’s texts in their relation to Renaissance vs. Mannerist poetics. On examples of several selected plays (tragedies, comedies, romances) students are introduced to various historical and theoretical models of interpreting Shakespeare’s texts.
-
Objective: The aim of the course is to introduce students to the literary-historical position and the canonical status of William Shakespeare within English literature and culture as well as with his cultural position across a variety of different cultures. Special emphasis is given to the changes in response and interpretation of Shakespeare’s works which these works undergo in historically and culturally different contexts.
HISTORY OF ENGLISH
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: written
-
Course description: The course deals with the development of English from the earliest period to the present day. The changes, maintenance and spread of English are viewed against the socio-cultural background. Structural changes on the leves of pronunciation, grammar and vocabulary are interpreted using the tools of the most important linguistic theories.
-
Objective: The aim of this course is to introduce students to the development of the English language and the linguistic and social factors influencing this development. Furthermore, the course aims at presenting certain theoretical interpretations of language change.
CROATIAN-ENGLISH, ENGLISH-CROATIAN TRANSLATION
-
ECTS Credits:PED 2 (half TEFL); PED 2 (full TEFL); DAD 3; PEJ 3; DAJ 3
-
Language: English
-
Duration: VII and VIII semester
-
Status: mandatory
-
Course type: practical language exercises
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: written
-
Course description: Translation of literaty and non-literary texts from and into Englsih. The translated texts are studied and discussed in class. Attention is focused on lexical and syntactic aspects, particularly those presenting difficulties between a given pair of languages. Elements of style and discourse are also considered. The students’ progress is measured by continuous assessment and a final written exam.
-
Objective: The aim of this course is to introduce students to the basic strategies and procedures in translating general texts from and into English, to introduce them to various monolinguial and bilingual dictionaries in order to enable them to translate on their own.
TEACHING ENGLISH AS A FOREIGN LANGUAGE
-
ECTS credits: PED 1 (half TEFL); PED 3 (full TEFL); PEJ 5,5;
-
Language: English
-
Duration: Two semesters (5th and 6th or 7th and 8th)
-
Status: Mandatory
-
Course type: 2 hours of lectures, 2 hours of seminars, 2 hours of teaching practice
-
Prerequisites: Completed prerequisites for enrolling in the third year of study
-
Examination: Oral. The student must complete two sets of school-based teaching practice and three seminar assignments before taking the exam.
-
Course description: The course focuses on relevant issues from second language acquisition theory and research as well as foreign language teaching methodology. The topics included range from the four language skills, classroom observation, cognitive and affective learner variables, IT in language teaching to theories of second language acquisition and learning and history of teaching methods. An interdisciplinary approach is used to explore both the theoretical and practical aspects of the issues covered.
-
Objective: The aim of this course is to introduce students to the key concepts of the FL learning/teaching process and to enable them to build up a coherent framework as a basis for effective future practice.
THE METAPHYSICAL POETS AND MILTON
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: one to two short oral presentations and a written exam
-
Course description: This course in the history of ideas points out the fact that Milton can be read as one of the Metaphysicals. The course mostly deals with the poetical works of John Donne, George Herbert, Andrew Marvell, Henry Vaughan, early Milton and Paradise Lost. It is not concerned only with the similarities in the use of rhetorical and poetical figures in these poets but with the fact that they share a very complex world picture based on both the presuppositions of the medieval and Renaissaance ideas, on the Bible and classical myth, as well as on astrology and alchemy in creating their poetical language.
-
Objective: The purpose of the course is to point out that these authors present the last expression of the Elizabethan world picture in the process of its desintegration and that, therefore, there are very many similarities to be found between the 17th and the 20th century English literature.
MODERN WOMEN’S WRITING IN ENGLISH
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: one to two short oral presentations and a written exam
-
Course description: This seminar will concentrate on the works of authors such as Mary Shelley, Charlotte Perkins-Gilman, Emily Dickinson, Sylvia Plath, Adrienne Rich, Virginia Woolf, Doris Lessing, Margaret Drabble, Angela Carter, Fay Weldon, Margaret Atwood, Emma Tennant, Anita Brookner, Helen Fielding and others. We shall read these texts in the context of the mainstream modernist or postmodernist writings, discussing their narrative strategies and ideological implications. A few representative feminist theoretical and critical texts and the issues they raise will also be read.
-
Objective: The aim of the seminar is to outline the history of women’s writing, examining the ways in which some of the representative female authors have introduced new topics, subverted the canon, and expressed female point of view.
CONTEMPORARY AMERICAN NOVEL
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: one to two short oral presentations and a written exam
-
Course description: The course presents a wide array of developments in American fiction after the Second World War and then focuses on an important decade: the turbulent and Sixties and some of their most prominent experimental writers who are also representative of the second half of the 20th century: Vladimir Nabokov (Lolita), Saul Bellow (Herzog), Joseph Heller (Catch-22), Norman Mailer (An American Dream), Kurt Vonnegut Jr. (Slaughterhouse-Five), and especially Thomas Pynchon (The Crying of Lot 49).
-
Objective: The aim of the course is to place these writers and works in a wider network of anti-realist and post-modernist developments, stressing their reliance on metatextuality, grotesque, black humour, paradox and absurdity, allegory, word-play etc., with the help of contemporary critical theory and a careful reading of individual texts.
ENGLISH BAROQUE POETRY
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: one oral (written) report, written exam
-
Course description: The course is concerned with English poetry of the earlier 17th century (late Shakespeare, Metaphysical poets, Cavalier poets, John Milton). The poetry is viewed in the light of its post-Renaissance features, i.e. it is construed of as a national variant of European Baroque movement. Basing on the comparison with the poetics of the Renaissance period the distinctive characteristics of Baroque poetics are studied on a selection of English poetic texts of the period.
-
Objective: The aim of the course is to introduce students to the dominant literary currents in English post-Renaissance poetry. It is the aim to shed light and make more accessible many of the formerly hidden features and meanings of this poetry by introducing the concept of Baroque as a literary-historical period and by acquainting students with its distinctive features.
NEW LITERATURES IN ENGLISH: AUSTRALIAN LITERATURE AND FILM
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: requirements for third year of studies
-
Examination: one oral report, written exam
-
Course description: The course deals with 20th century Australian literary and visual texts in the light of postcolonial theory. Textual strategies especially representative for the construction and affirmation of Australian cultural identity are studied on selected examples. Special attention is drawn to their difference in relation to the texts of metropolitan (English) culture.
-
Objective: The aim of the course is to introduce students to one of the literatures using English language as its medium, but deriving from a radically different narrative location. The aim is to awaken students’ cross-cultural awareness and to draw their attention to the significant differences between metropolitan and post-colonial literatures and cultures which are due to the differences in their respective socio-political and cultural contexts.
THE MODERN ENGLISH NOVEL
-
ECTS Credits: PED 2 (half TEFL); PED 1,5 (full TEFL); DAD 2; PEJ 2; DAJ 3,5
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: One to two short presentations, a 12- to 15-page paper, and written exam.
-
Course description: Sub specie of the history of ideas. Roughly speaking from E. M. Forster, Joseph Conrad to D. H. Lawrence, Aldous Huxley, Virginia Woolf. The course is meant to follow a redefinition of the nature and function of fiction based on a radical change of view about what is significant in human experience and knowledge of life.
-
Objective: The purpose of the course is to point out that the age of experiment in the modern English novel was not so much the result of the quest of originality and change for its own sake but of a crisis in civilization. In this respect the course explores the impact of the ideas of Schopenhauer, Bergson, Freud, and Jung on the modern novel, with the purpose of pointing out that the changes in the form of fiction were brought about by the radical criticism of the nineteenth century value system.
4TH YEAR LINGUISTIC SEMINAR: SYNTAX
-
ECTS Credits: PED 1 (half TEFL); PED 0,5 (full TEFL); DAD 1; PEJ 1,5; DAJ 1
-
Language: English
-
Duration: 2 semesters
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: There is no examination. The students get assignments (5 per semester minimum). By anaylizing a number of sentences, they have to establish some syntactic features of the language in question.
-
Course description: This seminar gives an overview of coding and behavioral properties of grammatical relations in various languages. This is mostly done within the theoretical framework of Role and Reference Grammar which puts semantics at the core of syntactic analysis. The students are also introduced to some basic features of various linguistic theories of formal and functional orientation.
-
Objective: The aim of this seminar is to critically examine some of the existing theoretical frameworks through example taken from various languages and to enable the students to independently perform syntactic analyses of certain type of constructions.
HISTORY OF ENGLISH SEMINAR
-
ECTS Credits: PED 1 (half TEFL); PED 0,5 (full TEFL); DAD 1; PEJ 1,5; DAJ 1
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: requirements for third year of studies completed prerequisites for enrolling in the fourth year of study
-
Examination: A paper on one of the topics dealt with in the course
-
Course description: The course focuses on reading, translation and analysis of selected Old English, Middle English and Early Modern English texts. Additionally, papers on the theoretical aspects of the Histry of English are read and analyzed in class. The students are required to work individually and present a seminar work on a selected topic at the end of the year.
-
Objective: The aim of the seminar is to introduce students to analytical procedures in studying OE and ME texts, on the basis of theory acquired in the History of English course. Students work individually.
LANGUAGE SEMINAR: VARIANTS OF ENGLISH
-
ECTS Credits: PED 1 (half TEFL); PED 0,5 (full TEFL); DAD 1; PEJ 1,5; DAJ 1
-
Language: English
-
Duration: VII and VIII semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed prerequisites for enrolling in the fourth year of study
-
Examination: A paper on one o the topics dealt with in the course.
-
Course description: See course description for Variants of English
-
Objective: The aim of the seminar is to introduce students to the basic research procedures in the variants of English.
DIPLOMA EXAMS
– Starija engleska književnost (word.doc)
– Moderna britanska književnost (word.doc)
Treća godina-opis kolegija
Course Description – 3rd YEAR OF STUDY
Prerequisites for enrolling in the third year of study:
-
English language II
-
Semantics
-
English Neo-Classicism and Romanticism
-
Victorian literature
MODERN AMERICAN FICTION
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: One to two short presentations, a 12- to 15-page paper, and written exam.
-
Course description: The course concentrates on the major American fiction writers between 1880 and 1930, covering the period of realism-naturalism and modernism, the former characterizing the literature preceding World War I , the latter following in its aftermath incorporating significant thematic and narrative-stylistic innovations. In the course the students read and discuss six novels and a few short stories by the leading writers of these periods: Stephen Crane, Henry James, Theodore Dreiser, Kate Chopin, William Faulkner, F.S. Fitzgerald and Ernest Hemingway.
-
Objective: The aim of the course is to make students aware of literary-historical changes and the principal ideological and formal differences between these literary movements by studying some outstanding fictional works written between 1880 and 1930.
LITERARY SEMINAR III: AMERICAN LITERATURE
-
ECTS credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V i VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: One to two short presentations, a 12- to 15-page paper, and written exam.
-
Course description: The course is taught by a visiting professor, and the description and objectives change.
BRITISH MODERNIST NOVEL: POSTCOLONIAL THEMES
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: One to two short presentations, a 12- to 15-page paper, and written exam.
-
Course description: In this course we discuss postcolonial topics in the modernist novel. Our reading includes novels by H. Rider Haggard, Rudyard Kipling, Joseph Conrad, James Joyce, E.M. Forster, Rabindranath Tagore, and D.H. Lawrence. We also look at texts by some important postcolonial critics and theorists, and the pertinence of their methods and arguments in the study of the modernist novel.
-
Objective: This course is meant to allow students to think about the modernist novel in the important historical context of colonialism. That is why class discussions involve historical as well as specifically literary topics. An important pedagogic part of this course is the writing of an analytical essay, an exercise in both close reading and rhetorically persuasive writing.
BRITISH MODERNISM
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: All texts discussed in the seminar should be read thoroughly in advance. A 10-page seminar paper should be handed in by the end of the first semester. At the end of the second semester students are required to take a written exam based on the materials studied in the course. The duration of the exam is 90 minutes.
-
Course description: In the first term Irish Modernism will be studied. We shall discuss some cultural and political features of the period, and read closely the works of W. B. Yeats, James Joyce, and Samuel Beckett. In the second term we shall study the texts of Joseph Conrad, Virginia Woolf and D. H. Lawrence as paradigmatic of Modernism and then compare them to more contemporary texts by George Orwell, W. H. Auden, Julian Barnes and Helen Fielding. In addition, we shall look into the most relevant critical interpretations of these works and evaluate their critical methodology.
-
Objective: The aim of this seminar is to examine Modernism as a literary movement, concentrating on the paradigmatic stylistic features of the period, as opposed to Romanticism, Realism, and Postmodernism. Special attention will be given to the new understanding of time and subjectivity as well as to the new Modernist understanding of the interrelation between the political and the personal.
THE GROTESQUE IN THE MODERN ENGLISH AND AMERICAN LITERATURE
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: One to two short presentations, a 12- to 15-page paper, and written exam.
-
Course description: The course discusses the grotesque element in modern English and American fiction and in the work of two predecessors, Lewis Carroll and E. A. Poe. The authors to be discussed are Flannery O’Connor, early Aldous Huxley, Lewis Carroll and E. A. Poe with references to Kafka, Thomas Mann, Miroslav Krleža, Albert Camus. The preoccupation with the chaotic, the absurd and the grotesque in the 20th century fiction is the subject matter of this course and it will be discussed in the light of both literary and philosophical theories.
-
Objective: The purpose of the course is to present the fear or angst characterizing the modern sensibility.
AMERICAN SOCIETY
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: lecture
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: written
-
Course description: The course deals with the development of American society from a historical perspective, looking particularly at its political system, culture and civilization and the modern era. Special attention is payed to the way in which the United States are presented in the media such as newspapers, films and television.
-
Objective: The aim of this course is to introduce students to the basic foundations on which the American society has been built, starting with its earliest settlment to the present day. Understanding these foundations is a key to understanding the present day developments in American politics and culture.
BRITISH CULTURE AND CIVILIZATION
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: lecture
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: One written exam at the end of the second term.
-
Course description: The course (two semesters) consists of two parts. The first part studies the history of the British Isles from the Reformation down to the later twentieth century, focusing on the development of the parliamentary system, religion, the economy, art and architecture. The second part deals with contemporary Britain: its political institutions and other aspects of public life such as the educational system, the law, the media, and internetional relations with special regard to the European Union.
-
Objective: The aim of this course is to braoden the students’ knowledge of Great Britain, and introduce them to the functioning of British everyday and social life.
SYNTAX (WORD CLASSES)*
-
ECTS Credits:PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: written
-
Course description: The course consists of two parts. The first part deals with the problems in the definiton of word classes and with the morphological and syntactic potential as the base for dividing words into classes. The second part deals with analysis of phrases (NP, VP, Adj. P, Adv. P, PP), laying particular emphasis on the verb phrase, and with complementation of verbs and adjectives.
-
Objective: The course is closely linked to the syntax (sentence) course. It aims at providing the students with an insight into the principles of syntactic analyses of different linguistic schools, and acquainting them with the field of English syntax.
SYNTAX (SENTENCE)*
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: written
-
Course description: The course presents a systematic study of the main elements of the syntactic description of English: the concept of syntax, the concept and definition of the sentence, types of clauses and sentences, sentence elements, word order in the sentence, transformational tests of the syntactico-semantic relations beetween parts of sentences, intra-sentential processes (coordination, elipsis, negation), main and subordinate clauses, types of subordinate clauses according to function and according to meaning. The supra-syntacic level of description: textual sequencing of sentences and elements of textual cohesion, distribution of information within the sentence and within discourse.
-
Objective: The aim of the course is to bring to the students attention the main conceptual and terminological prerequisites for the description of language at the syntactic level. The knowledge thus gained will help the student understand the mechanisms of any language, but the focus in this case is on the syntax of English with contrastive insights in relation to Croatian.
* students take Syntax parts of speech and sentence courses together. These courses combined have the number of credits shown.
ENGLISH LANGUAGE III
-
ECTS Credits: PED 1,5; DAD 1,5; PEJ 3; DAJ 2,5
-
Language: English
-
Duration: V and VI semester
-
Status: mandatory
-
Course type: exercises
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: written, which consists of six words or expressions to be explained or put in an appropriate context, 5-6 sentences whose underlined parts are to be paraphrased, and two essays of approximately 200 words, based on texts read in class. Duration: 90 minutes.
-
Course description: Numerous articles taken from British and American newspapers and magazines are read and analyzed. They are centered around the following topics: law/crime, politics, health/nutrition, education, business/economy, arts. Each topic is dealt with during a period of three to four weeks.
-
Objective: The aim of the course is to enrich students’ vocabulary, to raise their awareness of the linguistic content of the text (grammar, constructions), encourage them to state their opinion in class, and to produce coherent, grammatically and stylistically correct texts based on those read in class.
THIRD-YEAR TRANSLATION
-
ECTS Credits: PED 1,5; DAD 1,5; PEJ 3; DAJ 2,5
-
Language: English
-
Duration: V and VI semester
-
Status: mandatory
-
Course type: practical language exercises
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: Written translation (75 minutes) into English of a general language text, usually a newspaper article on politics, crime, business or culture of approximately 150 words. The student can either take two examinations towards the end of each semester, or one after the end of spring semester (in June)
-
Course description: The course is designed to heighten the students’ analytical awareness of the translation process as various translation strategies and procedures are put to practice and later discussed in class. During the two semesters, the students acquire and perfect their translation skills, and are equipped with some key vocabulary connected to various topics (politics, crime, business and culture).
-
Objective: The course aims at enabling the students to translate general language texts such as authentic newspaper articles on various topics (politics, crime, business and culture), into the foreign language (English).
WRITING SKILLS
-
ECTS Credits: PED 0,5; DAD 1; PEJ 1; DAJ 2
-
Language: English
-
Duration: V and VI semester
-
Status: mandatory
-
Course type: practical language exercises
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: two 1-hour written exams, one at the end of each semester
-
Course description: This course is a constituent part of English III. Students will learn the basics of academic writing style as taught at the college level in English-speaking countries. This includes different rhetorical patterns such as comparison, contrast, classification and division and persuasion.
-
Objective: The aim of this course is to teach students the basics of academic writing. Specific attention will be given to essay writing and the technical aspects of writing a research paper.
TRANSLATION SEMINAR
-
ECTS Credits: PED 1; DAD 1; PEJ 2; DAJ 2
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: In order to get credit the students are required to hand in three short written reports per semester, consisting of analyses of translations.
-
Course description: The seminar provides an opportunity for a deeper study of some of the topics covered in the translation theory course. See Course description under Translation theory.
-
Objective: The aim of the seminar is to introduce students to analytical procedures in studying translation on the basis of theoretical concepts acquired in the Translation theory course. Students work in groups.
DISCOURSE ANALYSIS
-
ECTS Credits: PED 1; DAD 1; PEJ 2; DAJ 2
-
Language: English
-
Duration: V i VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: Final paper based on the student’s own research and analysis
-
Course description: The course introduces the major approaches to the analysis of discourse and their applications to real texts. Special attention is paid to spoken language, as well as particular linguistic issues such as gender differences, forms of address etc. Theoretical framework and practical approaches introduced in the course include speech act theory (J. Austin and J. Searle), interactional sociolinguistics (D. Hymes), conversation analysis (S. Eggins and D. Slade), etc.
-
Objective: The general aim of the course is to develop the students’ awareness of discourse as a linguistic phenomenon and the problems encountered in its analysis as well as to introduce students to the basic techniques of writing a linguistic research paper.
SYNTAX SEMINAR
-
ECTS Credits: PED 1; DAD 1; PEJ 2; DAJ 2
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: In order to get credit students are required to hand in three short written reports per semester, consisting of analyses of translations.
-
Course description: The seminar provides an opportunity for a deeper study of some of the topics covered in the syntax (sentence) course. See Course description under Syntax (sentence).
-
Objective: The aim of the seminar is to introduce students to analytical procedures in studying syntax on the basis of theoretical concepts acquired in the Syntx (sentence) course. Students work in groups.
THIRD YEAR SEMINAR: 20TH CENTURY BRITISH LITERATURE
-
ECTS Credits: PED 2,5; DAD 2; PEJ 3; DAJ 3
-
Language: English
-
Duration: V and VI semester
-
Status: elective
-
Course type: seminar
-
Prerequisites: completed requirements for enrolling in the third year of study
-
Examination: One to two short presentations, a 12- to 15-page paper, and written exam.
-
Course description: First semester: An anthology with notes is provided covering the main poets and periods of 20th c. poetry in Britain: Thomas Hardy, W.B. Yeats, poetry of WWI, the generation of the thirties, post-WW II, Dylan Thomas, Ted Hughes, Sheamus Heaney. Semester two: discussion of some of the capital works of modernism and postmodernism in UK. Five (six) novels selected from the works of D.H.Lawrence, Virginia Woolf, A. Huxley, Graham Greene, A. Byatt, Salmon Rushdie, Julian Barnes.
-
Objective: To present some of the capital works of 20th c. British prose and poetry and the context in which they were written. The seminar is a direct preparation for the diploma exam in 20th c. British literature as outlined in the Department’s Guide to Studies.
Druga godina-opis kolegija (i izborni)
COURSE DESCRIPTION – 2nd YEAR OF STUDY
Prerequisites for enrolling in the second year of study:
English language I
Introduction to the linguistic study of English and Phonetics and Phonology
Introduction to the study of English literature
ENGLISH LANGUAGE II
-
ECTS Credits: PED 2; DAD 1,5; PEJ 3; DAJ 4
-
Language: English
-
Duration: III and IV semester
-
Status: mandatory
-
Course type: practical language exercises, tutorials
-
Prerequisites: completed prerequisites for enrolling in the second year of study, regular attendance in order to take the final exam.
-
Examination: Written examination (grammar, vocabulary, composition), followed by an oral exam on grammar.
-
Course description: a) Reading and analysing short stories,essays and articles with a special emphasis on lexico-grammatical and cultural aspects of the texts. In class discussions students discuss meaning, express critical views and write essays on assigned topics. b) Students study complex grammatical structures, namely phrases and clauses and how these are used to realize different communication goals. The course deals with a practical analysis of English sentences which aims at raising the students overall oral and written competence in the language.
-
Objectives: Raising students’ oral and written competence by mastering complex grammatical structures and building up vocabulary. Broadening students’ experience and knowledge of culture through reading selected texts.
ENGLISH NEO-CLASSICISM AND ROMANTICISM
-
ECTS Credits: PED 3; DAD 3; PEJ 4,5; DAJ 4
-
Language: English
-
Duration: III and IV semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: Completed prerequisites for enrolling in the second year of study.
-
Examination: At the end of the second term students have to take an oral exam based on lectures and required readings.
-
Course description: In the course we shall discuss the most prominent features of Neo-Classicism and Romanticism, studying the works of A. Pope, J. Swift, D. Defoe, H. Fielding, W. Blake, W. Wordsworth, S. T. Coleridge, P. B. Shelley, M. Shelley, J. Keats, and others. A variety of critical approaches (new-critical, post-structuralist, new-historicist, feminist, postcolonial, etc.) are introduced in an attempt to study these works from different aspects.
-
Objective: The aim of the course is to examine Neo-Classicism and Romanticism as the periods in which the notions of language, subjectivity, the relationship between man and nature, as well as that of art and reality have been redefined, marking the beginning of modernity.
SEMANTICS
-
ECTS Credits: PED 3; DAD 3; PEJ 4,5; DAJ 4
-
Language: English
-
Duration: III and IV semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: completed prerequisites for enrolling in the second year of study
-
Examination: written, duration 60 minutes
-
Course description: The aim of this course is to introduce students to different ways of approaching the complex phenomenon of meaning. The course is divided into three major parts: the semantics of the individual lexeme, relationships between lexemes on the paradigmatic level and the relationship between semantics and syntax. Course topics also range from traditional semantic terminology such as homonymy, synonymy, polysemy etc. to new trends in cognitive semantics.
-
Objective: The aim of this course is to introduce students to different ways of approaching the complex phenomenon of meaning.
VICTORIAN LITERATURE
-
ECTS Credits: PED 3; DAD 3; PEJ 4,5; DAJ 4
-
Language: English
-
Duration: III and IV semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: completed prerequisites for enrolling in the second year of study
-
Examination: written exam
-
Course description: The course is a survey of Victorian literature, covering representative Victorian texts in the genres of fiction, poetry, and non-fictional prose. The course examines major thematic concerns in Victorian literature, related to issues of gender, class, industrialization, social reform, progress, religion, professionalization of literature, etc. Attention is also paid to current approaches in Victorian criticism, represented by a selection of critical essays.
-
Objective: The aim of the course is to familiarize students with this lively and important period in British literary history through a careful examination of representative works from the period, and a discussion of the main historical and aesthetic parameters of Victorian literature.
COGNITIVE LINGUISTICS
-
ECTS Credits: PED 3 (2. year), PED 2,5 (3. year); DAD 3 (2. year), DAD 2 (3. year); PEJ 4,5 (2. year), PEJ 3 (3. year); DAJ 4 (2. year), DAJ 3 (3. year)
-
Language: English
-
Duration: 2 semesters
-
Status: elective
-
Course type: lecture
-
Prerequisites: Semantics
-
Examination: oral
-
Course description: The aim of this course is to introduce students to the basic theoretical framework of cognitive linguistics. Course topics range from basic notions such as categories, prototypes, scenes, frames, etc. to the cognitive approach to metaphor and cognitive grammar. Students are required to do concrete analyses on the above topics contrastively between English and Croatian.
-
Objective: The aim of this course is to introduce students to the basic theoretical framework of cognitive linguistics.
SOCIOLINGUISTICS
-
ECTS Credits: PED 3 (2. year), PED 2,5 (3. year); DAD 3 (2. year), DAD 2 (3. year); PEJ 4,5 (2. year), PEJ 3 (3. year); DAJ 4 (2. year), DAJ 3 (3. year)
-
Language: English
-
Duration: 2 semesters
-
Status: elective
-
Course type: lecture
-
Examination: written
-
Course description: The course presents a survey of selected topics in micro- and macrosociolinguistics. It discuses the concepts of linguistic and social structure and the influence of society on language and vice versa. Students are introduced to the basic notions connected with language varieties (language, dialect, sociolect, vernacular), followed by an outline of the standardization process, and a critical analysis of the “doctrine of correctness” in English. Other topics covered in the course include stiles and registers, multilingualism, minorities and language and pidgins and creoles.
-
Objective: The aim of this course is to introduce students to the concept of language as a set of varieties, which are used according to social context.
TRANSLATION THEORY
-
ECTS Credits: PED 3 (2. year), PED 2,5 (3. year); DAD 3 (2. year), DAD 2 (3. year); PEJ 4,5 (2. year), PEJ 3 (3. year); DAJ 4 (2. year), DAJ 3 (3. year)
-
Language: English
-
Duration: 2 semesters
-
Status: elective
-
Course type: lecture
-
Examination: written, 90 minutes
-
Course description: The course has two parts: the first deals with the general theoretical issues in translation, and the second with particular features of the translation process with a special emphasis on translation from Croatian to English and vice verca. The topics covered in the first part include the concept of theory and the concept of translation, modelling of the translation process, types of translation theories, translation equivalence and contrastive correspondence, levels of contrastive description and translation, types of translation, culture in translation. The second part focuses on different levels of translation – phonological, lexical, syntactic, discourse. The course ends with a short discussion of oral translation, simultaneous and consecutive.
-
Objective: The aim of the course is to acquaint the students with the theoretical approach to linguistic mateorial – in this case traslated texts. The topics covered in the course provide theoretical underpinnings for practical translation work, just as actual translation work is a prerequisite for the scholar study of the phenomenon of translation.
VARIANTS OF ENGLISH
-
ECTS Credits: PED 3 (2. year), PED 2,5 (3. year); DAD 3 (2. year), DAD 2 (3. year); PEJ 4,5 (2. year), PEJ 3 (3. year); DAJ 4 (2. year), DAJ 3 (3. year)
-
Language: English
-
Duration: two semesters
-
Status: elective
-
Course type: lecture
-
Examination: written
-
Course description: The theme of this course is the spread of English, its geographcal and social varieties, standard and non-standard. The course also briefly deals with with English as a second language (e.g. in India) and English-based creoles. The description covers accent, grammar, vocabulary, and style, as well as standardization practice, status in society, and attitude towards varieties.
-
Objective: The aim of this course is to introduce students to the variety of Englishes throughout the world, and to develop a their sensitivity for differences in the living language.
Prva godina-opis kolegija
COURSE DESCRIPTION – 1st YEAR OF STUDY
ENGLISH LANGUAGE I
ECTS Credits*: PED 4; DAD 5; PEJ 7,5; DAJ 9
Language: English
Duration: I and II semester
Status: mandatory
Course type: practical language exercises, tutorials
Prerequisites: Regular attendence is required in order to take the exam.
Examination: In order to take the written and oral examination the student must have reported on 4 books, 20th century fiction, presenting the book in terms of content, meaning, character analysis and vocabulary. It also requires the student’s attendance and continuous work in classes throughout the academic year. The examination consists of a written and an oral part. The written part of the examination is a prerequisite for the oral part. Both parts of the examination assess the students’ acquisition of the material done in class and the work done individually.
Course description: The course aims at heightening the students’ awareness of the working of the English language, generalizing and classifying their knowledge of English grammar attained so far, practising forms and structures that may cause errors on account of mother tongue interference. Students are also taught all possible ways of using teaching materials, handbooks and disctionaries. In the course of working on the language, short stories of contemporary writers are read, discussed, analyzed and the vocabulary practiced in different contexts and translations. Short stories covering various social and cultural areas are also exploited to teach different cultural aspects of English-speaking countries.
Objective: Practical and systematic acquisition of the fundamental features of the modern English language and develeopment of abilities to make use of different grammars, manuals, textbooks and other learning materials with the aim of building up a basis for a wider and deeper knowledge of the current English language.
*Note: credits refer to the following: double major english for teaching (PED); double major english (DAD); single major english for teaching (PEJ), double major english (DAJ).
INTRODUCTION TO THE STUDY OF ENGLISH LITERATURE
ECTS Credits: PED 3,5; DAD 3; PEJ 5,5; DAJ 5
Language: English
Duration: I and II semester
Status: mandatory
Course type: seminar, lecture
Prerequisites: none
Examination: Written and/or oral examinations at the end of term.
Course description: The reading for this introduction to literary study involves two kinds of texts. On the one hand, there is a selection of literary texts which belong to different literary genres, and which are representative of different periods in British and American literary history. On the other hand, the reading includes a selection of critical and theoretical texts, designed to provide an an overview of representative critical and theoretical approaches, especially from the 20th century.
Objective: This course is designed as an introduction to the methods and terminology of literary study and an examination of several representative literary texts, with the aim of allowing students to develop fundamental skills of reading critically. Emphasis is placed on class discussions and active class participation.
INTRODUCTION TO THE LINGUISTIC STUDY OF ENGLISH
-
ECTS Credits: PED 3,5; DAD 3; PEJ 5,5; DAJ 5
-
Language: English
-
Duration: I and II semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: none
-
Examination: written
-
Course description: The course deals with the basic linguistic concepts, a short historical overview of modern linguistics, and language analysis. It begins by introducing students to linguistic definitions of language, the basic semiotic features of language as a system (double articulation, creativity, arbitrary nature of language, cultural transfer and media transferrability) and to the basic tenets of linguistics as the scientific study of language. The historical overview provides a selection of concepts from structuralist and generativist linguistics. Finally, the structure of English is analyzed by means of linguistic concepts, on the following levels: phonology (phonetics), morphology, syntax, semantics, pragmatics, language history.
-
Objective: The aim of the course is to introduce students to the linguistic analysis of language with examples from English.
ENGLISH PHONETICS AND PHONOLOGY
-
ECTS Credits: PED 3,5; DAD 3; PEJ 5,5; DAJ 5
-
Language: English
-
Duration: I and II semester
-
Status: mandatory
-
Course type: lecture
-
Prerequisites: none
-
Examination: written
-
Course description: The course is an introduction to the most important theoretical concepts of phonetics and traditional and generative phonology. First, students are given an overview of the basic concepts of phonetics, with a special accent on articulation of the English RP and General American sounds, and are introduced to the phenomena occuring in English connected speech. Next, there is a short overview of the suprasegmental elements of English. Finally, students are introduced to the basic tenets of generative phonology, illustrated on simple Croatian and English examples. In the course, the students will read and analyze the structure of a phonological paper.
-
Objective: The aim of the course is to provide students with a broad theoretical foundation in the field of phonetics and phonology, which will enable further reading in these areas. Moreover, its aim is to introduce students to articulatory differences between English and Croatian, and provide them with a systematic overview of these differences. Finally, students will be introduced to new areas of research in the field of phonology by reading a paper on modern phonological issues, with a special accent on critically analyzing its structure and content.