SYLLABUS
Naziv
kolegija:
Moderna anglofona ženska književnost
2010/11.
Dr. sc. Ljiljana Ina
GJURGJAN, red profesor
MODERNA ANGLOFONA ŽENSKA
KNJIŽEVNOST
Ljetni semestar 2010/11.
Pon 14.45-16.15. ut. 13.15
– 14, A 105
Britanska/ američka moderna
književnost
Naziv kolegija:
Moderna anglofona ženska književnost
Jezik:
engleski
Trajanje:
1 semestar
Status:
izborni/unutarnja izbornost/
Oblik nastave:
1 sat predavanja i 2 sata seminara tjedno
Uvjeti:
upisan 4/6. semestar, položen uvod
Ispit:
Kontinuirano praćenje. Tijekom seminara studenti/ce trebaju izraditi jedan
seminarski rad te ga prezentirati na satu. Rad u seminaru, seminarski rad te dva
kolokvija konstitutivni su dio završne ocjene.
Sadržaj:
Seminar polazi od propitivanja tradicionalne reprezentacije ženskosti (F.S.
Fitzgerald, The Great Gatsby) zatim analizira pomake u načinu
reprezentacije žene i uspostavljanju ženskoga očišta u djelima V. Woolf, Sylvie
Plath te Adrienne Rich. U pripovijetkama D. Lessing, F. Weldon, A.S. Byatt i A.
Carter iščitavamo strategije subverzije kanonizirane vizualizacije i
konceptualizacije ženskosti. Tekstovi Gwendolyn Brooks i Zore Neale Hurston
oprimjeruju potrebu da se govori o feminizmima, radije nego o feminizmu. U
završnom dijelu propituje se način na koji kultura oblikuje ideju ženskosti.
Temeljem definicija rodnosti J. Lacana i J. Butler analizirat ćemo mehanizme
pomoću koji se M. Monroe ustoličuje u ikonu ženskosti. U završnom dijelu
propitat ćemo prezentaciju žene u suvremenoj kulturnoj produkciji na primjeru
filmskih verzija Dnevnika Bridget Jones i Đavo nosi Pradu.
Cilj:
Svrha kolegija je
kulturalno i historiografsko promišljanje rodnih odnosa. Kolegij na taj način
osposobljava polaznice/ke za bolje razumijevanje kulture te ih osvještava za
problematiku rodnih odnosa i kulturološku semiozu.
Week One: tjedan Theoretical Background
C. Belsey and J.
Moore: “Introduction: The Story So Far”
Week Two::
Conceptualization of Woman in Traditional Fiction
F.S. Fitzgerald:
The Great Gatsby – inserts from the film
Judith Fetterley:
The Resisting Reader: A Feminist Approach to American Fiction, Indiana UP 1978,
Week Three:
Woman’s Voice
V. Woolf: Mrs.
Dalloway (film), To the Lighthouse, Notes from Cideb edition “T o the Lighthouse
“ “V.Woolf and the Death of Modernism”,
Bonnie Kime
Scott: Digging out Mrs. Dalloway (u: B. K. Scott: Refiguring
Modernism, vol. 2: Postmodern Feminist Readings of Woolf, West, and Barnes)
Week Four:
Feminist Subversions / Female Identity,
1.
Sylvia Plath: The Bell Jar, Daddy, Tulips, inserts
from the film Sylvia, Jacqueline Rose: On Not Being Able to Sleep,
London, Chatto and Windus, 2003, str. 49-72, Sandra M. Gilbert: «A Fine, White
Flying Myth: The Life/Work of Sylvia Plath» u Gilbert i Gubar (ur.):
Shakespeare’s Sisters: Feminist Essays on Women Poets, Indiana UP, 1979.
Week Five:
Dorris Lessing: To Room Nineteen
The Hours
(inserts form the film)
Week Six:
Fay Weldon:
Weekend
A.S. Byatt:
Medusa’s Ankles, from The Djiin in The Nightingale’s Eye
Angela Carter:
The Company of Wolves, Sally Keenan “Angela Carter’s the Sadeian Woman: Feminism
as Treason”,Angela Carter (ed. Alison Easton) pp. 20-35
Week Seven:
Feminisms
Adrienne Rich:
selected poems, from Twenty-One Love Poems
Adrienne Rich:
“When We Dead Awaken”
Gwendolyn
Brooks: “The Mother”
Zora Neale
Hurston: “How It Feels to Be Colored Me”
Week Eight:
Mid-term EXAM
Week Nine, Week
Ten; New Women’s Writing – the case of Ireland
Evan Boland ,
“The Other Woman and the Novelist, “Anna Liffey”, “Ode to Suburbia, Suburbian
Woman”, In Her Own Image
Claire Keegan “A
Quare Name for A Boy”
Anne Enright from
A Portable Virgin,
Anne Fogarty:
“Faultlines: The Reception of Poetry by Irish Women”
Week Eleventh The
Cultural Construction of Female Identity:
inserti iz filma Andrew
Dominika Blonde, MacCannell: «Marilyn Monroe Was not a Man», Diacritics,
summer 1997, vol. 17,no. 2. Andy Warhol: Marilyn Monroe portofolio.
Laura Mulvey: «Visual
pleasure and Narrative Cinema», Film Theory and Criticism, Slavoj Žižek: «Passionate
Attachments» to Dis-Identification». «The Most Sublime of Hysterics: Hegel with
Lacan»
Week Twelfth,
Week Thirteen : How Far Have We Got?
Bridget Jones
Diary, The Devil Wears Prada (films)
Week Fourteen
EXAM
Popis literature:
OBVEZATNA
- V. Woolf: To the Lighthouse
- Sylvia Plath: The Bell Jar
Tekstovi u
Readeru (dostupan u fotokopiraonici Fakulteta kao Žensko pismo, prof.
Gjurgjan)
DOPUNSKA
1.
Catherine Belsey – Jane Moore (ur.): The Feminist Reader:
Essays in Gender and the Politics of Literary Criticism, MacMillan Press
Ltd, 1997.
2.
Julie Rivkin – Michael Ryan: Literary Theory: An
Anthology, Blackwell, 1998, str. 527-777
3.
Toril Moi: Sexual/Textual Politics: Feminist Literary
Theory, Methuen, 1986
4.
*** Contemorary Women’s Writing, Oxford Journal, Humanities
5.
*** The Norton Antology of Theory and Criticism
