Naziv kolegija: Shakespeare
Nastavnik: dr. sc. Tomislav Brlek, docent (Odsjek za komparativnu književnost)
ECTS-bodovi: 6
Jezik: engleski
Trajanje: 4. ili 6. semestar
Status: izborni kolegij
Oblici nastave: 1 sat predavanja, 2 sata seminara tjedno
Uvjeti za upis kolegija: položen Uvod u studij engleske književnosti ili Uvod u studij engleske književnosti 1 i 2
Kolegij je organiziran kao analiza djela Williama Shakespearea s posebnim obzirom na činjenicu da je pisano za kazališnu izvedbu. Kolegij se bavi pomnim čitanjem i analizom šest drama, uz diskusiju odabrane kritičke literature relevantne za interpretaciju tog aspekta. Glavni je cilj kolegija istaknuti središnje poetičke značajke Shakespeareova dramskog stvaralaštva, koje je od osobite važnosti u povijesti engleske književnosti, kao osnovu za upoznavanje i čitanje njegova opusa.
(http://theta.ffzg.hr/ECTS/Predmet/Index/5619 )
Syllabus: SHAKESPEARE
- Introduction
- Eliot, “Introduction”
- A Midsummer Night’s Dream
- Frye, On Shakespeare, 34-50
- Girard, Theater of Envy, 29-79; 167-173; 234-242
- A Midsummer Night’s Dream
- Kott, “Titania and the Ass’s Head,” ShOC, 171-190
- Kott, “The Bottom Translation,” BT, 29-68
- The Tempest
- Frye, On Shakespeare, 171-186
- Kott, “Prospero’s Staff,” ShOC, 237-278
- The Tempest
- Kott, “The Tempest, or Repetition,” BT, 69-106
- McGuire, “Shakespeare’s Tempest: Rhetoric and Poetics”
- Measure for Measure
- Frye, On Shakespeare, 140-153
- Stevenson, “Design and Structure in Measure for Measure”
- Measure for Measure
- Kott, “Head for Maidenhead, Maidenhead for Head: The Structure of Exchange in Measure for Measure”
- Schanzer, “Measure for Measure”
- Macbeth
- Kott, “Macbeth or Death-Infected,” ShOC, 68-78
- Byles, “Macbeth: Imagery of Destruction”
- Nevo, “Macbeth,” TF, 214-257
- Macbeth
- Knight, “Macbeth and the Metaphysic of Evil,” WF, 140-159
- Knight, “The Milk of Concord,” IT, 125-153
- Garber, “Macbeth: the Male Medusa,” GW, 116-165
- Richard III
- Kott, “The Kings,” ShOC, 3-46
- Campbell, “The Tragical Doings of King Richard III”
- Richard III
- Rossiter, “Angel with Horns: the Unity of Richard III,” AwH, 1-22
- Brooke, “Richard III (1593?)”
- Garber, “Descanting on Deformity: Richard III and the Shape of History,” GW, 39-68
- Coriolanus
- Knight, “The Royal Occupation,” IT, 154-198
- Nevo, “Coriolanus,” TF, 356-404
- Coriolanus
- Kott, “Coriolanus or Shakespearean Contradictions,” ShOC, 141-167
- Rossiter, “Coriolanus,” AwH, 235-252
- Brlek, “Ill Seen, Well Said”
READING LIST
Northrop Frye, On Shakespeare, ed. Robert Sandler (New Haven: Yale University Press, 1986)
Marjorie Garber, Shakespeare’s Ghost Writers: Literature as Uncanny Causality (London: Routledge, 1987; 2010) = GW
René Girard, A Theater of Envy: William Shakespeare (Oxford: Oxford University Press, 1991)
- Wilson Knight, The Wheel of Fire: Interpretations of Shakespearian Tragedy with three new essays (London: Methuen, 1930; 1962) = WF
- Wilson Knight, The Imperial Theme: Further Interpretations of Shakespeare’s Tragedies including the Roman Plays (London: Methuen, 1931; 1965) = IT
Jan Kott, Shakespeare Our Contemporary [1964], tr. Boleslaw Taborski (London: Routledge, 1991) =ShOC
Jan Kott, The Bottom Translation : Marlowe and Shakespeare and the Carnival tradition, tr. Daniela Miedzyrzecka and Lillian Vallee (Evanston, Ill.: Northwestern University Press, 1987) = BT
Ruth Nevo, Tragic Form in Shakespeare (Princeton: Princeton University Press, 1972) = TF
A.P. Rossiter, Angel with Horns and Other Shakespeare Lectures, ed. Graham Storey (London: Longmans, 1962), = AwH
_______________________
Tomislav Brlek, “Ill Seen, Well Said (On the Uses of Rhetoric in Julius Caesar and Coriolanus),” Studia Romanica et Anglica Zagrabiensia 43 (1998): 161-171
Nicholas Brooke, “Richard III (1593?),” Shakespeare’s Early Tragedies (London: Methuen, 1968), 48-79
Joan M. Byles, “Macbeth: Imagery of Destruction,” American Imago 39(1982)2: 149-164
Lily B. Campbell, “The Tragical Doings of King Richard III,” Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy (London: Methuen, 1947; 1964), 306-334
T.S. Eliot, “Introduction” in Knight, WF, xiii-xx
Jan Kott, “Head for Maidenhead, Maidenhead for Head: The Structure of Exchange in Measure for Measure,” Theater Quarterly 8.31 (1978): 18-24
Jerry D. McGuire, “Shakespeare’s Tempest: Rhetoric and Poetics,” American Imago 39 (1982)3: 219-37
Ernest Schanzer, “Measure for Measure,” The Problem Plays of Shakespeare (Routledge, 1963), 71-131
L. Stevenson, “Design and Structure in Measure for Measure,” Shakespeare: Measure for Measure: A Casebook, ed. C.K. Stead (London; Macmillan, 1971), 213-232
