{"id":96,"date":"2011-12-07T15:15:15","date_gmt":"2011-12-07T15:15:15","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=96"},"modified":"2015-02-10T13:27:06","modified_gmt":"2015-02-10T12:27:06","slug":"cool-britannia-britanska-drama-u-razdoblju-od-1956-do-2008","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=96","title":{"rendered":"Cool Britannia? Britanska drama u razdoblju od 1956. do 2008., 2011\/12"},"content":{"rendered":"

Naziv kolegija: Cool Britannia? Britanska drama u razdoblju od 1956. do 2008.<\/em>
Nastavnica: dr. sc. Tihana Klepa\u010d, vi\u0161i asist<\/span><\/strong>.<\/span>
ECTS bodovi<\/span><\/strong>: 6<\/span>
Jezik<\/span><\/strong>: engleski<\/span>
Trajanje<\/span><\/strong>: 1 semestar, 4. ili 6. semestar, 2011\/12<\/span>
Status<\/span><\/strong>: izborni kolegij<\/span>
Oblik nastave<\/span><\/strong>: 1 sat predavanja, 2 sata seminara tjedno<\/span>
Uvjeti za upis kolegija<\/span><\/strong>: upisan 4. ili 6. semestar<\/span><\/span><\/p>\n

Ispit<\/span><\/strong>: Kontinuirano pra\u0107enje. Studentice i studenti pi\u0161u seminarski rad (dio ocjene), aktivno sudjeluju u radu seminara (dio ocjene) te pi\u0161u dva kolokvija tijekom semestra. Ocjena se temelji na trajnom pra\u0107enju rada. Svi dijelovi ocjene moraju biti pozitivni da bi student\/ica dobio\/la zaklju\u010dnu ocjenu<\/span><\/span><\/p>\n

Opis kolegija<\/span><\/strong>: <\/span><\/span><\/p>\n

Kolegij sagledava britansku dramu u razdoblju koje zapo\u010dinje premijerom Osebornove Osvrni se gnjevno<\/em> i zavr\u0161ava Pinterovom smr\u0107u na Badnjak 2008. godine u svjetlu njezina doprinosa formulaciji britanskog nacionalnog identiteta. Prou\u010davaju\u0107i djela dolje navedenih autora istra\u017eit \u0107emo na\u010din na koji se britanski dramati\u010dar kroz tri generacije gnjevnih ljudi (izvornu u pedesetima i \u0161ezdesetima, drugu u devedesetima kroz dramaturgiju \u00abkrvi i sperme\u00bb, te tre\u0107u kroz Verbatim dramaturgiju\u2013 dokumentarni politi\u010dki teatar na po\u010detku 21. stolje\u0107a) odnosi prema imperijalnoj britanskoj metanaraciji, te nastojati ukazati na puknu\u0107a u do\u017eivljaju nacije kao Cool<\/em> Britanije. <\/span><\/p>\n

Cilj kolegija<\/span><\/strong>: Ukazati na ulogu britanske drame u formuliranju vi\u0111enja uloge Velike Britanije u postimperijalisti\u010dkom razdoblju. <\/span><\/span><\/p>\n

Sadr\u017eaj kolegija po tjednima:<\/span><\/strong><\/span><\/p>\n

1. TJEDAN <\/span><\/strong><\/span><\/p>\n

Ideja da knji\u017eevnost konstituira diskurse s pomo\u0107u kojih suvremeno doba tuma\u010di svijet (Marion Halligan, J. Hillis Miller)<\/span><\/p>\n

Preispitivanje metanaracija (Lyotard, White, Foucault)<\/span><\/p>\n

2. TJEDAN<\/span><\/strong><\/span><\/p>\n

Mo\u0107 i identitet (Hall, Bhabha, Anderson, Duara, Balibar, Spivak)
Odnosi mo\u0107i i pravo na reprezentaciju (Foucault)
Kraj metanaracija i relativizacija Istine (Baudrillard) <\/span><\/p>\n

3. TJEDAN<\/span><\/strong><\/span><\/p>\n

Povijesna kontekstualizacija dramaturgije \u00abgnjevnih mladih ljudi\u00bb, dramaturgije \u00abkrvi i sperme\u00bb, te Verbatim dramaturgije: Britanija u drugoj polovici 20. stolje\u0107a i u prvom desetlje\u0107u 21. stolje\u0107a
Utjecaj Samuela Becketta i teatra apsurda<\/span><\/p>\n

4. TJEDAN<\/span><\/strong><\/span><\/p>\n

Pokret \u00abgnjevni mladi ljudi\u00bb
John Osborne: Look Back in Anger, <\/em>1956
Sraz klasnih kultura s dominantnom temom bespomo\u0107nosti i ljutnje: otkri\u0107e da je idealizirana Britanija za koju se \u017ertvovalo tijekom rata la\u017ena, a s time u skladu formuliran nacionalni identitet izdaja.
Isje\u010dci iz televizijske adaptacije drame iz 1976. u okviru programa \u00abBBC Play of the Month\u00bb <\/span><\/p>\n

5. TJEDAN<\/span><\/strong><\/span><\/p>\n

Harold Pinter: The Dumb Waiter, <\/em>1960
Sraz individualnog i kolektivnog identiteta kroz politi\u010dku metaforu, tema \u00abVelikog brata\u00bb
Isje\u010dci iz intervjua s Michaelom Billingtonom i Karelom Reiszom <\/span><\/p>\n

6. TJEDAN<\/span><\/strong><\/span><\/p>\n

Edward Bond: Saved<\/em>, 1965<\/span>
Kulturno siroma<\/span>\u0161<\/span>tvo i frustracija mladih na socijalnoj pomo<\/span>\u0107<\/span>i<\/span>, pitanje <\/span> cenzure<\/span><\/span><\/p>\n

7. TJEDAN<\/span><\/strong><\/span><\/p>\n

Tom Stoppard: Rozenkrantz And Guildenstern Are Dead, <\/em>1966<\/span>
Sraz individualnog i kolektivnog identiteta u dru<\/span>\u0161<\/span>tvu u kojem su tradicionalne vrijednosti izvrnute<\/span>, <\/span> postmodernisti<\/span>\u010d<\/span>ka igra rije<\/span>\u010d<\/span>ima<\/span>, <\/span> reinskripcija britanskog kanona<\/span><\/span>
Isje\u010dci iz filma Rozenkrantz And Guildenstern Are Dead <\/em>(1990)<\/span><\/p>\n

8. TJEDAN<\/span><\/strong><\/span><\/p>\n

Kolokvij<\/span><\/p>\n

Tematika prekooceanske kolonizacije u britanskoj drami (Kidd, Tylor, Kipling) <\/span><\/p>\n

9. TJEDAN <\/span><\/strong><\/span><\/p>\n

Timberlake Wertenbaker: Our Country’s Good<\/em><\/span><\/p>\n

10. TJEDAN <\/span><\/strong><\/span><\/p>\n

Dramaturgija \u00abkrvi i sperme\u00bb (In-Yer-Face Theatre)
Sarah Kane: Blasted, 1995<\/em>
Tragedija povijesti
Usporedba recepcije s Look Back in Anger <\/em>i Saved<\/em><\/span><\/p>\n

11. TJEDAN <\/span><\/strong><\/span><\/p>\n

Mark Ravenhill: Shopping and Fucking, 1996<\/em>
Konzumerizam koji bri\u0161e sve moralne kodove
Snimka predstave izvedene u kazali\u0161tu &TD, Zagreb, premijera 7. svibnja 2004.<\/span><\/p>\n

12. TJEDAN <\/span><\/strong><\/span><\/p>\n

Verbatim dramaturgija: politi\u010dari na pozornici
David Hare: Stuff Happens<\/em>
Odnos prema britanskoj vanjskoj politici, igre mo\u0107i, reprezentacija i samoreprezentacija<\/span><\/p>\n

13. TJEDAN <\/span><\/strong><\/span><\/p>\n

Verbatim dramaturgija: drame o su\u0111enjima
Richard Norton \u2013 Tylor: Bloody Sunday: Scenes from the Saville Inquiry<\/em>
Postkolonijalna Irska<\/span><\/p>\n

14. TJEDAN <\/span><\/strong><\/span><\/p>\n

Zavr\u0161na diskusija.<\/span><\/p>\n

15. TJEDAN<\/span><\/strong><\/span><\/p>\n

Kolokvij. <\/span><\/p>\n

Literatura za kolegij:<\/span><\/strong><\/span><\/p>\n

John Osborne: Look Back in Anger<\/em>
Harold Pinter: The Dumb Waiter<\/em>
Edward Bond: Saved<\/em>
Tom Stoppard: Rozenkrantz And Guildenstern Are Dead<\/em>
Timberlake Wertenbaker: Our Country’s Good<\/em>
Mark Ravenhill: Shopping and Fucking<\/em>
Sarah Kane: Blasted<\/em>
David Hare: Stuff Happens<\/em>
Richard Norton \u2013 Tylor: Bloody Sunday: Scenes from the Saville Inquiry<\/em><\/span>
Christopher Innes: Modern British Drama: The Twentieth Century<\/em>, Cambridge University Press, 2002<\/span>
Simon Trussler: The Cambridge Illustrated History of British Theatre<\/em>, Cambridge <\/span> University Press<\/span>, 2000. <\/span><\/span><\/p>\n

Zbog nedostupnosti relevantnih izvora Cool Britannia? Reader 2010 <\/em><\/strong>sadr\u017ei i knji\u017eevnokriti\u010dke i knji\u017eevnopovijesne tekstove<\/span> preuzete iz sljede\u0107ih izdanja: <\/span> Eley<\/span>, <\/span> Geoff and Suny<\/span>, <\/span> Ronald Grigor<\/span> (<\/span>eds<\/span>.): <\/span> Becoming National A Reader <\/span><\/em> (1996), <\/span> Bhabha<\/span>, <\/span> Homi K<\/span>. (<\/span>ed<\/span>.). <\/span> Nation and Narration<\/span><\/em> (2002), Lyotard, Francois. The<\/em> Postmodern Condition: A Report on Knowledge<\/em> (1989 edition), Jean Baudrillard: Simulations<\/em> (1981), <\/span>John Smart: <\/span> Twentieth Century British Drama<\/span><\/em> (2002), <\/span> Colin Wilson: The Angry Years: The Rise and Fall of the Angry Young Men<\/em> (2007), Rebecca D’Monte and Graham Saunders: Cool Britannia? British political Drama in the 1990s<\/em> (2007), Alex Sierz: In-Yer-Face Theatre. British Drama Today<\/em> (2000), Will Hammond and Dan Stuart (ed): Verbatim Verbatim: Techniques in Contemporary Documentary Theatre<\/em> (2008). <\/span><\/span><\/p>\n

\u00a0<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Naziv kolegija: Cool Britannia? Britanska drama u razdoblju od 1956. do 2008.Nastavnica: dr. sc. Tihana Klepa\u010d, vi\u0161i asist.ECTS bodovi: 6Jezik: engleskiTrajanje: 1 semestar, 4. ili 6. semestar, 2011\/12Status: izborni kolegijOblik nastave: 1 sat predavanja, 2 sata seminara tjednoUvjeti za upis kolegija: upisan 4. ili 6. semestar Ispit: Kontinuirano pra\u0107enje. Studentice i studenti pi\u0161u seminarski rad […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-96","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/96","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=96"}],"version-history":[{"count":9,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/96\/revisions"}],"predecessor-version":[{"id":19094,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/96\/revisions\/19094"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=96"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=96"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}