{"id":86,"date":"2011-10-06T10:20:23","date_gmt":"2011-10-06T10:20:23","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=86"},"modified":"2015-02-10T13:26:59","modified_gmt":"2015-02-10T12:26:59","slug":"shakesp-preddipl","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=86","title":{"rendered":"Shakespeare"},"content":{"rendered":"

Naslov kolegija<\/strong>: Shakespeare
<\/em>Nastavnica<\/strong>: dr sc. Janja Ciglar-\u017dani\u0107, red. prof.<\/span>
ECTS-bodovi<\/strong>: 6 bodova.<\/span>
Jezik<\/strong>: engleski<\/span>
Status<\/strong>: izborni kolegij.<\/span>
Trajanje<\/strong>: 1 semestar (III ili V semestar)
<\/span>Oblik nastave<\/strong>: 1 sat predavanja i 2 sata seminara tjedno.<\/span>
Uvjeti za upis kolegija<\/strong>: zavr\u0161en II ili IV semestar.<\/span>
Opis\/ Sadr\u017eaj kolegija<\/strong>: Kolegij \u0107e biti posve\u0107en prou\u010davanju odabranog broja Shakespeareovih drama iz perspective novih teorija knji\u017eevnosti i kulture. Nove strategije \u010ditanja razvijene u nekoliko posljednjiih desetlje\u0107a (novi historizam, kulturni materijalizam, feminizam, postkolonijalizam) bit \u0107e u sredi\u0161tu interesa u uvodnom dijelu kolegija. Svaka od odabranih drama bit \u0107e popra\u0107ena insertima iz odgovaraju\u0107ih filmskih verzija, a diskusije \u0107e biti usredoto\u010dene na odnos izme\u0111u teksta i njegove vizualne prezentacije. Posebna pa\u017enja bit \u0107e posve\u0107ena reinskripcijskim praksama, kako u tekstualnoj kritici tako i u filmskim adaptacijama.<\/span>
Ciljevi kolegija<\/strong>: Osnovni je cilj kolegija rasvijetliti tradicionalno razumijevanje i \u010ditanje drama, kao i njihovo suvremeno tuma\u010denje. Dodatni je cilj preispitati kako Shakespeareovi tekstovi funkcioniraju u mediju nedostupnom u Shakespeareovo doba i na koji su na\u010din i tekstualni i vizualni medij povezani s na\u0161im suvremenim interesima.<\/span>
Studentske obaveze<\/strong>: Kontinuirano pra\u0107enje. Osim redovitog poha\u0111anja kolegija i aktivnog sudjelovanja u nastavi, studentice i studenti tijekom semestra pi\u0161u po jedan seminarski rad (koji i izla\u017eu na satu) te dva kolokvija (u obliku testa s kratkim faktografskim pitanjima o elizabetanskom razdoblju i po jednog ili dva eseja).<\/span><\/p>\n

Sadr\u017eaj kolegija po tjednima:
<\/strong>1. tjedan: Uvod: Strategije \u010ditanja.<\/span>
2. tjedan: Strategije \u010ditanja (nast.).<\/span>
3. tjedan: \u0160ekspirijansko kazali\u0161te.<\/span>
4. tjedan: Kralj Lear<\/em>: razli\u010dita \u010ditanja s naglaskom na kulturnomaterijalisti\u010dkoj interpretaciji. Inserti iz filmova M. Elliotta i Petera Brooka te iz BBC-jeve produkcije.<\/span>
5. tjedan: Kralj Lear <\/em>(nast.).<\/span>
6. tjedan: Othello<\/em>: razli\u010dita \u010ditanja s naglaskom na postkolonijalnoj i neohistoristi\u010dkoj interpretaciji.<\/span>
7. tjedan: Othello <\/em>(nast.).<\/span>
8. tjedan: Prvi kolokvij.<\/span>
9. tjedan: San ivanjske no\u0107i<\/em>: razli\u010dite reinskripcijske prakse u tekstualnoj kritici i izvedbama. Inserti iz filmova A. Noblea, M. Hoffmana i A. Popovskoga (Dramsko kazali\u0161te Gavella).<\/span>
10. tjedan: San ivanjske no\u0107i <\/em>(nast.).<\/span>
11. tjedan: Oluja: <\/em>razli\u010dita \u010ditanja s naglaskom na postkolonijalnoj interpretaciji. Inserti iz filmova D. Jarmana i P. Greenawaya (Prospero<\/em>\u2019s<\/em> Books<\/em>) te iz BBC-jeve produkcije.<\/span>
12. tjedan: Oluja <\/em>(nast.).<\/span>
13. tjedan: Zaklju\u010dak: reinskripcijske prakse u tekstualnoj kritici i u filmskim adaptacijama.<\/span>
14. tjedan: Drugi kolokvij.<\/span><\/p>\n

Obavezna literatura:<\/strong><\/span>
– Orgel, Stephen, i A. R. Braunmuller (ur), The Complete Pelican Shakespeare<\/em>, New York: Penguin, 2002.<\/span>
– Barker, Francis, i Peter Hulme, \u201cNymphs and Reapers Heavily Vanish: The Discursive Con–Texts of The Tempest<\/em>\u201d, u: Drakakis, John (ed), Alternative Shakespeares<\/em>. London i New York: Routledge, 1985; 191-205.<\/span>
– Carter, Ronald, \u00abThe Renaissance: 1485-1660\u00bb, u: Carter, Ronald, i John McRae (ur). The Routledge History of Literature in English<\/em>. London & New York: Routledge, 1997; 57-126.<\/span>
– Ciglar-\u017dani\u0107, Janja, \u201cAntikolonijalna Oluja<\/em>: teorija i praksa suvremenih reinskripcija Shakespearea\u201d, u: Neka ve\u0107a stalnost: Shakespeare u tekstu i kontekstu<\/em>, Zagreb: Zavod za znanost o knji\u017eevnosti Filozofskog fakulteta, 2001; 125-151.<\/span>
– Dollimore, Jonathan, \u201cKing Lear<\/em> (c. 1605–06) and Essentialist Humanism\u201d, in Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and his Contemporaries<\/em>, Brighton: Harvester Press, 1984; 189-203.<\/span>
– Girard, Ren\u00e9, \u201cThe Course of True Love\u201d, u A Theater of Envy: William Shakespeare<\/em>; New York & Oxford: Oxford UP, 1991; 29-79.<\/span>
– Greenblatt, Stephen J, \u201cLearning To Curse: Aspects of Linguistic Colonialism in the Sixteenth Century\u201d, u Learning to Curse: Essays in Early Modern Culture<\/em>, New York & London: Routledge, 1992, 16-39.<\/span>
– Gurr, Andrew, \u00abThe Shakespearean Stage\u00bb, u: Greenblatt, Stephen (ur), The Norton Shakespeare<\/em>, New York i London: W. W. Norton and Company, 1997; 3281-3301.<\/span>
– Harrison, G. B, \u201cMaterials for the Life of Shakespeare\u201d, in Introducing Shakespeare<\/em> (3. izd), Harmondsworth: Penguin Books, 1966; 29-75.<\/span>
– Holderness, Graham, \u00abBardolatry: or, The cultural materialist\u2019s guide to Stratford\u2014upon\u2014Avon\u00bb, u: Holderness, Graham (ur), The Shakespeare Myth<\/em>, Manchester: Manchester UP, 1998; 02–15.<\/span>
– Jones, Norman, \u201cShakespeare\u2019s England\u201d, u: Kastan, David Scott (ur), A Companion to Shakespeare<\/em>, Oxford: Blackwell Publishers, 1999; 25-41.<\/span>
– Kott, Jan, \u201cKing Lear<\/em>, or Endgame\u201d, u Shakespeare Our Contemporary<\/em>, prev. Boleslaw Taborski, New York: Doubleday, 1966.<\/span>
– Kott, Jan, \u201cTitania and the Ass\u2019s Head\u201d, u: Shakespeare Our Contemporary<\/em>, prev. Boleslaw Taborski, New York: Doubleday, 1966; 213-236.<\/span>
– Neill, Michael, \u201cUnproper beds: Race, adultery, and the hideous in Othello<\/em>\u201d, Shakespeare Quarterly<\/em>, Vol. 40, No. 4 (Winter, 1989), 383\u2014412.<\/span>
– Newman, Karen, \u201c\u2018And wash the Ethiop white\u2019: femininity and the monstrous in Othello<\/em>\u201d, in Shakespeare Reproduced: The Text in History and Ideology <\/em>(1987), 2nd<\/sup> ed, ed. Jean E. Howard and Marion F. O\u2019Connor, Abingdon: Routledge, 2005.<\/span>
– Tatspaugh, Patricia, \u201cPerformance history: Shakespeare on the stage 1660-2001\u201d, u: Wells, Stanley, & Lena Cowe Orlin (eds), Shakespeare: An Oxford Guide<\/em>, Oxford: Oxford UP, 2003; 525-549.<\/span>
– Welsford, Enid, \u201cThe Fool in King Lear<\/em>\u201d, in: Kermode, Frank (ed), Shakespeare: King Lear<\/em>, 1969; 137-149.<\/span><\/p>\n

Preporu\u010dena literatura:<\/strong><\/span>
– Barber, C. L, Shakespeare’s Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom<\/em>, Princeton: Princeton UP, 1972.<\/span>
– Bradley, A. C, Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth<\/em>, London: Macmillan, 1904.<\/span>
– Brooker, Peter, i Peter Widdowson (ur), A Practical Reader in Contemporary Literary Theory<\/em>, Harlow [etc.]: Prentice Hall, 1996.<\/span>
– Bulman, James C (ur), Shakespeare, Theory and Performance<\/em>, London i New York: Routledge, 1996.<\/span>
– Ciglar-\u017dani\u0107, Janja, Domi\u0161ljato stvoren svijet: Barok u engleskoj knji\u017eevnosti<\/em>, Zagreb: Slap, 2008.<\/span>
– Ciglar-\u017dani\u0107, Janja, Neka ve\u0107a stalnost: Shakespeare u tekstu i kontekstu<\/em>, Zagreb: Zavod za znanost o knji\u017eevnosti Filozofskoga fakulteta u Zagrebu, 2001.<\/span>
– Cox, John D, i David Scott Kastan (ur), A New History of Early English Drama<\/em>, s uvodnom rije\u010dju Stephena J. Greenblattaa, New York: Columbia UP, 1997.<\/span>
– De Grazia, Margreta, i Stanley Wells (ur), The Cambridge Companion to Shakespeare<\/em>, Cambridge: Cambridge UP, 2001.<\/span>
– Dollimore, Jonathan; i Alan Sinfield (ur), Political Shakespeare: Essays in Cultural Materialism<\/em>, Manchester i New York: Manchester UP, 1985.<\/span>
– Frye, Northrop, Anatomy of Criticism: Four Essays<\/em>, Princeton: Princeton UP, 1957.<\/span>
– — A Natural Perspective: The Development of Shakespearean Comedy and Romance<\/em>, New York i London: Columbia UP, 1965.<\/span>
– —\u00a0 Fools of Time: Studies in Shakespearean Tragedy<\/em>, Toronto [itd]: University of Toronto Press, 1996.<\/span>
– Greenblatt, Stephen (ur), The Norton Shakespeare<\/em>, New York and London: W. W. Norton, 1997.<\/span>
– Harrison, G. B, Introducing Shakespeare <\/em>(3. izd), Harmondsworth: Penguin Books, 1966.<\/span>
– Hattaway, Michael; Boika Sokolova, i Derek Roper (ur), Shakespeare in the New Europe<\/em>. Sheffield: Sheffield Academic Press, 1994.<\/span>
– Kastan, David Scott (ur), A Companion to Shakespeare<\/em>. Oxford: Blackwell Publishers, 1999.<\/span>
– Kermode, Frank (ur), Shakespeare: King Lear<\/em>. 1969.<\/span>
– Kott, Jan, The Bottom Translation: Marlowe and Shakespeare and the Carnival Tradition<\/em>. Prev. Daniela Miedzyrzecka i Lillian Vallee. Evanston, Illinois: Northwestern UP, 1987.<\/span>
– Loomba, Ania, Gender, Race, Renaissance Drama<\/em>, Bombay [itd]: Oxford UP, 1992.<\/span>
– Lupi\u0107, Ivan, Prijetvorni subject: transtekstualni okviri Shakespeareovih soneta<\/em>, Zagreb: L biblioteka Zavoda za znanost o knji\u017eevnosti Filozofskog fakulteta Sveu\u010dili\u0161ta u Zagrebu, 2007.<\/span>
– McDonald, Russ, The Bedford Companion to Shakespeare: An Introduction with Documents<\/em> (2. izd), Boston i New York: Bedford\/ St. Martin’s, 2001.<\/span>
– Parker, Patricia, i Geoffrey Hartman (ur), Shakespeare and the Question of Theory<\/em>, London: Methuen, 1985.<\/span>
– Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life<\/em>, New York i Oxford: Oxford UP, 1987.<\/span>
– Selden, Raman; Peter Widdowson, i Peter Brooker (ur), A Reader’s Guide to Contemporary Literary Theory<\/em>, London [itd.]: Prentice Hall, 1997.<\/span>
– Styan, John Louis, The Shakespeare Revolution: Criticism and Performance in the Twentieth Century,<\/em> Cambridge: Cambridge UP, 1977.<\/span>
– Swift Lenz, Carolyn Ruth; Gayle Greene; i Carol Thomas Neely (ur), The Woman’s Part: Feminist Criticism of Shakespeare<\/em>. Chicago: University of Illinois Press, 1980.<\/span>
– Tillyard, E. M. W, The Elizabethan World Picture<\/em>, London: Chatto & Windus, 1943.<\/span>
– Torbarina, Josip, \u201cPredgovor\u201d, in Shakespeare, William, San ivanjske no\u0107i<\/em>. Transl. Milan Bogdanovi\u0107. Redigirao Josip Torbarina. Zagreb: Matica hrvatska, 1970.<\/span>
– Vickers, Brian, English Renaissance Literary Criticism<\/em>, Oxford: Clarendon Press, 1999.<\/span>
– Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function<\/em>. Schwartz, Robert (ur). Baltimore & London: The Johns Hopkins UP, 1987.<\/span>
– Wells, Stanley, i Lena Cowe Orlin (ur), Shakespeare: An Oxford Guide<\/em>, Oxford: Oxford UP, 2003; pp. 391-410.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Naslov kolegija: ShakespeareNastavnica: dr sc. Janja Ciglar-\u017dani\u0107, red. prof.ECTS-bodovi: 6 bodova.Jezik: engleskiStatus: izborni kolegij.Trajanje: 1 semestar (III ili V semestar)Oblik nastave: 1 sat predavanja i 2 sata seminara tjedno.Uvjeti za upis kolegija: zavr\u0161en II ili IV semestar.Opis\/ Sadr\u017eaj kolegija: Kolegij \u0107e biti posve\u0107en prou\u010davanju odabranog broja Shakespeareovih drama iz perspective novih teorija knji\u017eevnosti i kulture. […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-86","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-3-ili-5-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/86","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=86"}],"version-history":[{"count":35,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/86\/revisions"}],"predecessor-version":[{"id":18992,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/86\/revisions\/18992"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=86"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=86"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=86"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}