{"id":84,"date":"2011-08-23T17:43:25","date_gmt":"2011-08-23T17:43:25","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=84"},"modified":"2015-04-07T09:58:40","modified_gmt":"2015-04-07T08:58:40","slug":"eng-romant","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=84","title":{"rendered":"Engleski romantizam"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong> Dr. sc. Ljiljana Ina GJURGJAN, redoviti profesor<br \/>Naziv kolegija<\/strong>: <strong>Engleski romantizam<br \/>3. ili 5.<\/strong><strong>, 4. ili 6. semestar, zimski, ljetni<\/strong><\/span><br \/><span style=\"font-size: small;\"><strong>ECTS bodovi: <\/strong>6<\/span><br \/><span style=\"font-size: small;\"><strong>Jezik<\/strong>: engleski<\/span><br \/><span style=\"font-size: small;\"><strong>Trajanje<\/strong>:1 semestar<\/span><br \/><span style=\"font-size: small;\"><strong>Status<\/strong>: izborni<\/span><br \/><span style=\"font-size: small;\"><strong>Oblik nastave<\/strong>: 1 sat predavanja i 2 sat seminara tjedno<\/span><br \/><span style=\"font-size: small;\"><strong>Uvjeti<\/strong>: Upisan 3. ili 5., 4. ili 6. semestar (zimski, ljetni) studij<\/span><br \/><span style=\"font-family: Tahoma; font-size: small;\"><strong>Ispit<\/strong>: Kontinuirano pra\u0107enje. Ocjena se izvodi iz ocjena dvaju kolokvija (jedan tijekom semestra i jedan na kraju), prezentacije na satu koja se predaje u obliku seminarskog rada (oko 1500 rije\u010di) te redovnog poha\u0111anja nastave i rada na satu.\u00a0 Svi dijelovi ocjene moraju biti pozitivni da bi student\/ica dobio\/la zaklju\u010dnu ocjenu.<br \/><strong>Sadr\u017eaj<\/strong>: Engleski romantizam ozna\u010dava po\u010detak moderniteta, koja se o\u010dituje u novoj, ekolo\u0161koj osjetljivosti prema prirodi, ali i u novome shva\u0107anju subjekta, koji vi\u0161e nije stabilan, ve\u0107 se stalno preispituje i redefinira. U seminaru \u0107e naglasak biti na eti\u010dkom aspektu romantizma, veli\u010danju Napoleona i libertinstva te pobuni protiv dru\u0161tvenih nepravdi i licemjerja kod Blakea, Byrona, Shelleya. U njihovim \u0107emo djelima i biografskim zapisima istra\u017eivati moderni osje\u0107aj osamljenosti i neshva\u0107enosti te \u017eelju za boljim i pravednijim dru\u0161tvenim odnosima. Druga tema bit \u0107e estetika romantizma, koja s obzirom na klasicizam predstavlja kopernikanski obrat. Shva\u0107anje odnosa umjetnika,\u00a0 prirode i umjetni\u010dkoga djela analizirat \u0107emo u djelima Wordswortha, Coleridgea, Shelleya i Keatsa. Temeljni koncept estetike romantizma, pojam sublimnoga, manifestira se kao kult prirode. No, motiv prirode u romantizmu se \u010desto vezuje uz pojam \u010dudovi\u0161noga, pa \u0107emo u seminaru istra\u017eivati i po\u010detke <em>horrora<\/em> u romanu Mary Shelley <em>Frankenstein ili moderni Prometej<\/em> te u Coleridgeovoj poeziji, kao i u stvarala\u0161tvu ameri\u010dkog autora E. A. Poea.<br \/><strong>Cilj<\/strong>: Utvr\u0111ivanje i pro\u0161irivanje razumijevanje kriti\u010dkih promi\u0161ljanja knji\u017eevnoga teksta (\u00abpomno \u010ditanje\u00bb, postmodernisti\u010dka, kulturolo\u0161ka, feministi\u010dka kritika); uvid u osnovne kulturolo\u0161ke koncepte 19. stolje\u0107a u opreci prema\u00a0 klasicisti\u010dkoj estetici i logocentri\u010dkom poimanju svijeta.<\/p>\n<p><strong>Syllabus<\/strong><\/span><\/p>\n<ol style=\"line-height: normal; text-align: justify;\" start=\"1\">\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> Uvod. Poetika klasicizma, logocentrizam. A. Pope: from Essay on Criticism, Windsor Forest<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> W. Blake: \u00abThe Lamb\u00bb, \u00abThe Tyger\u00bb, \u00abThe Sick Rose\u00bb, iz \u00abThe Marriage of Heaven and Hell\u00bb.<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> W. Wordsworth:\u00a0 iz Preface to Lyrical Ballads, \u00abThe Tables Turned\u00bb, \u00abExpostulation and Reply\u00bb, \u00abDaffodils\u00bb, \u00abTintern Abbey\u00bb, \u00abImmortality Ode\u00bb<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> Wordsworth \u2013 nastavak <\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> S. T. Coleridge: \u00abThe Rime of the Ancient Mariner\u00bb,.\u00abKubla Khan\u00bb, \u00abChristabel\u00bb<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> Byronic Hero<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> P.B. Shelley: \u00abTo a Skylark\u00bb, \u00abOzymandias\u00bb; John Keats: \u00abOde on a Grecian Urn\u00bb, \u00abTo Autumn\u00bb, \u00abOde to Psyche\u00bb, \u00abOde to a Nightingale\u00bb <\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> MIDTERM EXAM<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan<\/strong>. Gotska tematika i romantizam: M. Shelley: <em>Frankenstein<\/em><\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> Kenneth Braghan: <em>Mary Shelley&#8217;s Frankenstein<\/em><\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> James Whale: <em>Frankenstein<\/em>, feministi\u010dka i kulturolo\u0161ka \u010ditanja romana, Gayatri Spivak: \u00abThree Women&#8217;s Texts and a Critique of Imperialism\u00bb, Barbara Johnoson: \u00abMy Monster\/ My Self\u00bb, Lee E. Heller: \u00abFrankenstein and the Cultural Uses of Gothic\u00bb<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> American Gothic, E. A. Poe: \u00abThe Black Cat\u00bb<\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan<\/strong>. E. A. Poe. \u00abThe Raven\u00bb,\u00a0 E. Bronfen from \u201cThe Most Poetic Topic\u201d <\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>tjedan.<\/strong> WRITTEN EXAM, rezervno vrijeme <\/span><\/li>\n<\/ol>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>Popis literature<\/strong>:<br \/><strong>OBVEZATNA<\/strong><\/span><\/p>\n<ol style=\"line-height: normal; text-align: justify;\" start=\"1\">\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\"><em>The Oxford Anthology of English Literature<\/em> (Blake, Wordsworth, Coleridge, Byron, Shelley, Keats); proza i poezija E.A. Poea <\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\">David Daiches<em>: A Critical History of English Literature<\/em> (relevantna poglavlja) <\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\">Mary Shelley: <em> Frankenstein. Or Modern Prometheus<\/em> <\/span><\/li>\n<li style=\"line-height: normal;\"><span style=\"font-family: Tahoma; font-size: small;\">Skripta (Odabrani kriti\u010dki tekstovi u izboru Lj. I. Gj. podi\u017eu se u fotokopirani po\u010detkom semestra)\u00a0 <\/span><\/li>\n<\/ol>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-family: Tahoma; font-size: small;\"><strong>DOPUNSKA<\/strong><\/span><\/p>\n<ol style=\"line-height: normal; text-align: justify;\" start=\"1\">\n<li><span style=\"font-family: Tahoma; font-size: small;\">H. M. Abrams: \u00abThe Mirror and the Lamp\u00bb, Oxford U. Press<\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Andrew Bennett: <em> Romantic Poets and the Culture of Posterity<\/em>, Cambridge U. Press, 1999<\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Harold Bloom: <em>The Visionary Company: A Reading of English Romantic Poetry<\/em><\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Harold Bloom: (ur.) <em> Romanticism and Consciousness: Essays in Criticism<\/em>, New York: Norton<\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Sir Maurice Bowra: <em>The Romantic Imagiantion<\/em>, Oxford U. Press, <\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Jacques Derrida: <em>Of Grammatology<\/em> str. 97-107<\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Alan Day:<em> Romanticism<\/em>, Routledge<\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Graham Hough: <em>The Romantic Poets<\/em>, London: Hutchinson U. Library<\/span><\/li>\n<li><span style=\"font-family: Tahoma; font-size: small;\">Ian MacCalman (ur.) <em>An Oxford Companion to Romantic Age<\/em>, Oxford U. Press, 1999<\/span><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Dr. sc. Ljiljana Ina GJURGJAN, redoviti profesorNaziv kolegija: Engleski romantizam3. ili 5., 4. ili 6. semestar, zimski, ljetniECTS bodovi: 6Jezik: engleskiTrajanje:1 semestarStatus: izborniOblik nastave: 1 sat predavanja i 2 sat seminara tjednoUvjeti: Upisan 3. ili 5., 4. ili 6. semestar (zimski, ljetni) studijIspit: Kontinuirano pra\u0107enje. Ocjena se izvodi iz ocjena dvaju kolokvija (jedan tijekom semestra [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[23,24],"tags":[],"class_list":["post-84","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-3-ili-5-semestar","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=84"}],"version-history":[{"count":14,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/84\/revisions"}],"predecessor-version":[{"id":18943,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/84\/revisions\/18943"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=84"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=84"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}