{"id":78,"date":"2010-06-21T12:17:14","date_gmt":"2010-06-21T12:17:14","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=78"},"modified":"2015-02-10T13:26:53","modified_gmt":"2015-02-10T12:26:53","slug":"srednjovjekovni-izvori-renesansne-drame","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=78","title":{"rendered":"Srednjovjekovni izvori engleske renesansne drame"},"content":{"rendered":"

Naziv kolegija<\/strong>: Srednjovjekovni izvori engleske renesansne drame <\/em>(2P\/1S, 6 ECTS)<\/span>
Naziv predmeta<\/strong>: Starija engleska knji\u017eevnost<\/span>
Status<\/strong>: izborni u okviru ponude knji\u017eevnih kolegija; tip izbornosti: B; <\/span>
ECTS<\/strong>—<\/strong>bodovi<\/strong>: 6<\/span>
Nositelj<\/strong> <\/strong>kolegija<\/strong>: dr. sc. Janja Ciglar-\u017dani\u0107, red. prof.<\/span>
Nastavnica<\/strong>: Tamara Petri\u0107, asist.<\/span>
Trajanje<\/strong>: Zimski semestar (III\/ V) 2012\/ 2013.<\/span>
Oblik<\/strong> <\/strong>nastave<\/strong>: 1 sat predavanja i 2 sata seminara tjedno<\/span>
Jezik<\/strong>: engleski<\/span>
Uvjeti za upis kolegija<\/strong>: upisan III ili IV semestar<\/span>
Na\u010din polaganja ispita<\/strong>: Ocjena se temelji na kontinuiranoj pismenoj evaluaciji (pi\u0161u se dva kolokvija i seminarski rad) te na redovnom poha\u0111anju nastave i participaciji u diskusijama na satu.<\/span>
Na\u010din pra\u0107enja kvalitete i uspje\u0161nosti izvedbe predmeta<\/strong>: Anonimna studentska anketa na kraju semestra.<\/span>
Cilj kolegija<\/strong>: <\/strong>Historiografskom analizom dramskih tekstova i kazali\u0161ne tradicije poku\u0161at \u0107emo rekonstruirati dru\u0161tveni kontekst iz kojeg je iznikla engleska srednjovjekovna i renesansna drama te gospodarske i politi\u010dke interese i stavove naru\u010ditelja odnosno autora. Ikonografskom analizom crkvene arhitekture i namje\u0161taja, nezaobilaznih u izvedbi uskrsne liturgije, prvog dramskog oblika u srednjovjekovnoj Evropi, poku\u0161at \u0107emo dokazati da je napredna agrarna ekonomija benediktinskih samostana, u okrilju kojih je liturgijska drama iznikla u karolin\u0161ko doba, bitno utjecala na razvoj trgovine vunom i tekstilom na kojemu \u0107e se i engleska ekonomija temeljiti jo\u0161 stolje\u0107ima. Naslijediv\u0161i iz liturgijske procesije prostornu konfiguraciju pozornice i gledali\u0161ta, obrtnici i trgovci koji su o praznicima glumili u misterijima njome \u0107e se poslu\u017eiti da simboli\u010dki prisvoje vlast nad op\u0107inama slobodnih trgovi\u0161ta gdje su posjedovni odnosi bili naru\u0161eni u korist redovnika i fratara koji su povrh toga od revoltiranih gra\u0111ana ubirali da\u0107e. Konotacije koje su s vremenom u engleskoj kulturi, pa tako i u mirakulima i hagiografijama, zadobili geografski pojmovi poput Levanta\/ Bliskog Istoka i Isto\u010dnog Mediterana te Baltika dokazuju sve ve\u0107u va\u017enost tih trgova\u010dkih koridora za englesku ekonomiju u petnaestom stolje\u0107u, a iz tekstova \u0161esnaestostoljetnih i sedamnaestostoljetnih komedija nadaje se i klju\u010dno mjesto prekooceanske trgovine robljem u to doba, kao i strah od turske flote, koja \u0107e Veneciji oduzeti trgovinski monopol na Mediteranu. Dok moraliteti tr\u017ei\u0161noj ekonomiji i nacionalnim interesima suprotstavljaju idealiziranu sliku feudalnih odnosa, \u0161esnaestostoljetne komedije izra\u017eavaju merkantilisti\u010dku kritiku uvoza nau\u0161trb izvozu u doba inflacije diljem Evrope, a sedamnaestostoljetna gra\u0111anska drama kritizira uspon na dru\u0161tvenoj ljestvici trgovaca koji su se obogatili gusarenjem, prekooceanskom trgovinom i trgovinom robljem.<\/span>
Uloga<\/strong> <\/strong>kolegija<\/strong> <\/strong>u<\/strong> <\/strong>ukupnom<\/strong> <\/strong>nastavnom<\/strong> <\/strong>planu<\/strong>: Prou\u010davaju\u0107i dramsku i kazali\u0161nu tradiciju polaznice \u0107e uvje\u017ebati vje\u0161tinu tematske analize knji\u017eevnog teksta, ste\u0107i naviku kontekstualiziranja dramskog teksta i kazali\u0161ne izvedbe unutar dru\u0161tveno\u2014politi\u010dkih okolnosti te argumentiranog dokazivanja.<\/span>
Metode<\/strong>: Kolegij kombinira metode predavanja i seminarskog rada, pri \u010demu se \u0107e se u u\u010dionici (u onom dijelu nastavnog procesa koji je zami\u0161ljen kao predavanje) kao i na ispitu polaznice i polaznici poticati na strukturiranu raspravu o unaprijed zadanim temama, ome\u0111enu razumijevanjem prethodno zadanog materijala.<\/span><\/p>\n

Sadr<\/strong>\u017e<\/strong>aj<\/strong> <\/strong>kolegija<\/strong>.
1. i 2. <\/strong>tjedan<\/strong>. Uskrsni igrokaz i uskrsna pantomima iz Durhama u sjevernoj Engleskoj.<\/span>
– \u201cThe Quem Quaeritis<\/em> Trope\u201d, \u201cA Pantomime for Easter Day\u201d, \u201cAn Easter Resurrection Play\u201d, and \u201cThe Orleans Sepulcher\u201d, Medieval and Tudor Drama<\/em> (1963), ur. John Gassner, New York: Bantam Books, 1987; 33\u201443.<\/span>
– \u201cThe Crusades and Eastern Europe, ca. 1100\u20141550\u201d, u Mortimer Chambers, Raymond Grew, David Herlihy et al, The Western Experience<\/em> (1974), 2 toma, 5. izd, New York, St Louis, San Francisco et al: McGraw\u2014Hill, 1991; 381\u2014415.<\/span>
– John M Wasson, \u201cThe English Church A Theatrical Space\u201d, A New History of Early English Drama<\/em>, ur. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 25\u201437.<\/span>
– Roger E. Reynolds, \u201cThe Drama of Medieval Liturgical Processions\u201d, Revue de Musicologie<\/em>, Vol. 86, No. 1 (2000); 127\u2014142.<\/span>
3. i 4. <\/strong>tjedan<\/strong>. Muder of Abel\/ Mactatio Abel<\/em>, misterij <\/em>iz Yorkshirea<\/span>
– The Muder of Abel\/ Mactatio Abel<\/em>, u Medieval and Tudor Drama<\/em> (1963), ur. John Gassner, New York: Bantam Books, 1987; 57\u201471.<\/span>
– Anne Higgins, \u201cStreets and Markets\u201d, A New History of Early English Drama<\/em>, ur. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 77\u201492.<\/span>
5. i 6. <\/strong>tjedan<\/strong>. Play<\/em> <\/em>of<\/em> <\/em>the<\/em> <\/em>Sacrament<\/em>, mirakul iz Isto\u010dne Anglije<\/span>
– The Play o<\/em>f the Sacrament<\/em>, u Early English Drama (An Anthology)<\/em>, ur. John C. Coldewey, New York, London: Garland Publishing, 1993; 274\u2014305.<\/span>
– Lisa Lampert, \u201cThe Once and Future Jew: The Croxton \u2018Play of the Sacrament\u2019, Little Robert of Bury and Historical Memory\u201d, Jewish History<\/em>, Vol. 15, No. 3 (2001), 235\u2014255.<\/span>
7. i 8. tjedan<\/strong>. Mankind<\/em>, moralitet; prvi kolokvij.<\/span>
– Mankind<\/em>, u Early English Drama (An Anthology)<\/em>, ur. John C. Coldewey. New York, London: Garland Publishing, 1993; 105\u2014135.<\/span>
– Ineke Murakami, \u201cMankind<\/em>: Publicizing the New Guise\u201d, Moral Play and Counterpublic: Transformations in Moral Drama, 1465\u20141599<\/em>, New York: Routledge, 2011; 18–44.<\/span>
9. i 10. tjedan<\/strong>. William Shakespeare, Coriolanus
– <\/em>William Shakespeare, Coriolanus<\/em>, u William Shakespeare, The Complete Works<\/em>, ur. Stephen Orgel i A. R. Braunmuller, New York: Penguin Putnam, 2002; 1710–1751.<\/span>
– Shannon Miller, \u201cTopicality and Subversion in William Shakespeare\u2019s Coriolanus<\/em>\u201d, Studies in English Literature, 1500\u20141900<\/em>, Vol. 32, No. 2, Elizabethan and Jacobean Drama (Spring, 1992), 287\u2014310.<\/span>
11. i 12. tjedan<\/strong>. Christopher Marlowe, The Jew of Malta
– <\/em>Christopher Marlowe, The Jew of Malta<\/em>, ur. N. W. Bawcutt, Manchester: Manchester UP, 1978.<\/span>
– Lisa Jardine, \u201cAlien Intelligence: Mercantile Exchange and Knowledge Transactions in Marlowe’s The Jew of Malta<\/em>\u201d, Reading Shakespeare Historically<\/em>, London: Routledge, 1996; 98\u2014113.<\/span>
13. i 14. tjedan<\/strong>. Ben Jonson, Volpone, or the Fox<\/em><\/span>
– Ben Jonson, Volpone, or the Fox<\/em>, u The Norton Anthology of English Literature<\/em>, 1. tom, 4. izd, ur. M. H. Abrams, New York, London: W. W. Norton, 1979; 1115\u20141210.<\/span>
– William R. Dynes, \u201cThe Trickster\u2014Figure in Jacobean City Comedy\u201d, Studies in English Literature, 1500\u20141900<\/em>, Vol. 33, No. 2 (Spring, 1993); 365\u2014384.<\/span>
– Suzanne Westfall, \u201c’A Commonty a Christmas gambold or a tumbling trick’: Household Theater\u201d, A New History of Early English Drama<\/em>, ur. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 39\u201458.<\/span>
15. tjedan<\/strong>. Elizabetanskoa kazali\u0161te, ponavljanje gradiva; drugi kolokvij.<\/span>
– John Orrell, \u201cThe Theaters\u201d, A New History of Early English Drama<\/em>, ed. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 93\u2014112.<\/span><\/p>\n

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Naziv kolegija: Srednjovjekovni izvori engleske renesansne drame (2P\/1S, 6 ECTS)Naziv predmeta: Starija engleska knji\u017eevnostStatus: izborni u okviru ponude knji\u017eevnih kolegija; tip izbornosti: B; ECTS—bodovi: 6Nositelj kolegija: dr. sc. Janja Ciglar-\u017dani\u0107, red. prof.Nastavnica: Tamara Petri\u0107, asist.Trajanje: Zimski semestar (III\/ V) 2012\/ 2013.Oblik nastave: 1 sat predavanja i 2 sata seminara tjednoJezik: engleskiUvjeti za upis kolegija: upisan […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-78","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-3-ili-5-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=78"}],"version-history":[{"count":26,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/78\/revisions"}],"predecessor-version":[{"id":18925,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/78\/revisions\/18925"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=78"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=78"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}