{"id":61,"date":"2010-06-21T11:09:12","date_gmt":"2010-06-21T11:09:12","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=61"},"modified":"2015-09-03T17:27:25","modified_gmt":"2015-09-03T16:27:25","slug":"uvod-u-studij-engleske-knjievnosti","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=61","title":{"rendered":"Uvod u studij engleske knji\u017eevnosti (arhiva)"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Naziv kolegija<\/strong>: Uvod u studij engleske knji\u017eevnosti (ak. god. 2014.\/15. i ranije)<br \/><strong>Izvo\u0111a\u010di kolegija<\/strong>: Poli\u0107, Cvek, Klepa\u010d, Domines Veliki, Tutek, Polak<br \/><strong>ECTS bodovi<\/strong>: 6<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Trajanje<\/strong>: 1 semestar (zimski), 1 sat predavanja i 2 sata seminara tjedno<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Status<\/strong>: obvezatni<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Na\u010din polaganja kolegija<\/strong>: <span style=\"text-decoration: underline;\">kontinuirana provjera znanja<\/span>. Za studente koji su zadovoljili sve druge elemente kontinuirane provjere znanja ali nisu polo\u017eili prvi ili drugi kolokvij, organizirat \u0107e se <span style=\"text-decoration: underline;\">jedan<\/span> izvanredni ispitni termin.<br \/><strong>Opis kolegija<\/strong>: Kolegij obra\u0111uje povijest knji\u017eevnih teorija s posebnim naglaskom na temeljne teorijske i kriti\u010dke pravce 20. i 21. stolje\u0107a (ruski formalizam, strukturalizam, ameri\u010dka nova kritika, poststrukturalizam, psihoanaliti\u010dka teorija, feminizam, postkolonijalna teorija). Studenti se tako\u0111er okvirno upoznaju s povije\u0161\u0107u britanske i ameri\u010dke knji\u017eevnosti.<br \/><strong>Ciljevi<\/strong>: Kolegij je koncipiran kao uvod u metodologiju prou\u010davanja knji\u017eevnosti te terminologiju koja se pritom rabi. Izbor knji\u017eevnih tekstova koji \u0107e se obra\u0111ivati na kolegiju poma\u017ee studentima da razviju osnovne vje\u0161tine analiti\u010dkog \u010ditanja tekstova.Studenti tako\u0111er u\u010de osnove akademskog pisma.<br \/><strong>Studentske obveze<\/strong>: i<span style=\"text-decoration: underline;\">spunjavanje svih elemenata kontinuirane provjere znanja<\/span> koji uklju\u010duju: redovito poha\u0111anje nastave (broj dozvoljenih izostanaka: 4), pripremu za nastavu, aktivno sudjelovanje na nastavi, <span style=\"text-decoration: underline;\">pravovremenu<\/span> predaju seminarskog rada i <span style=\"text-decoration: underline;\">obvezno<\/span> pristupanje dvama kolokvijima. Kona\u010dna ocjena iz kolegija zbirna je ocjena kontinuirane provjere znanja (seminarski rad 40%; dva kolokvija 40%; ostalo 20%). <span style=\"text-decoration: underline;\">Svi<\/span> elementi kontinuirane provjere znanja moraju biti zadovoljeni da bi kona\u010dna ocjena bila pozitivna.<br \/><\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Program nastave po tjednima<br \/>1. tjedan<\/strong><span style=\"text-decoration: underline;\"><br \/><\/span>Upoznavanje, uvodne napomene.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Prilog: pregled periodizacije engleske i ameri\u010dke knji\u017eevnosti.<br \/><strong>2. tjedan<\/strong><span style=\"text-decoration: underline;\"><br \/><\/span>Predstavljanje\/prikazivanje; mimeza, dijegeza; showing, telling; vidovi predstavljanja<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Plato: <em>The Republic <\/em>(izbor) \/ &#8220;Ion&#8221;<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Aristotle: <em>Poetics<\/em> (izbor)<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Horace: <em>The<\/em> <em>Art of Poetry <\/em>(izbor)<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017e. tekst: <em>Beowulf<\/em> (odlomci) \/ an old English elegy \/ G. Chaucer: <em>Canterbury Tales<\/em> (izabrani tekst) \/ Alexander Pope: &#8220;An Essay on Criticism&#8221; (izbor)*<br \/><strong>3. tjedan<\/strong><br \/>Figurativni jezik (tropi i ostale vrste figura): metafora, metonimija, alegorija, sinegdoha, ironija, personifikacija, hiperbola, poredba, kon\u010deto, simbol, itd.<br \/>Knji\u017e. tekst: renesansni soneti \/ engleski manirizam (tzv. metafizi\u010dka \u0161kola) \u2013 izbor \/ John Milton (odabrani primjeri) \/ <em>The Pilgrim&#8217;s Progress<\/em> \/ <em>The Fairy Queen<\/em> (odabrani dijelovi) \/ biblijska parabola*<br \/><strong>4. tjedan<\/strong><span style=\"text-decoration: underline;\"><br \/><\/span>Metrika: vrste stiha, vrste versifikacije, stopa, opkora\u010denje, rima, itd.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017e. tekst: v. prethodni tjedan.*<br \/><strong>5. tjedan<\/strong><span style=\"text-decoration: underline;\"><br \/><\/span>Proza: strukturalisti\u010dka naratologija, problem pripovijedanja, si\u017ee\/fabula, vrste pripovjeda\u010da, pouzdanost, knji\u017eevni postupak, o\u010du\u0111enje, fokalizacija, pripovjedne razine<br \/>Knji\u017e. tekst: H. James, <em>The Turn of the Screw<\/em>\/ E A Poe: &#8220;The Oval Portrait&#8221; \/ N. Hawthorne: &#8220;Young Goodman Brown&#8221;*<br \/><strong>6. tjedan<span style=\"text-decoration: underline;\"><br \/><\/span><\/strong>story\/discourse\/narration; poredak, u\u010destalost, na\u010din, glas, funkcije, aktant\/lik, binarne opozicije<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017e. tekst: v. prethodni tjedan.*<br \/><strong>7. tjedan<span style=\"text-decoration: underline;\"><br \/><\/span><\/strong>Jezi\u010dni znak; langue\/parole; ozna\u010ditelj\/ozna\u010deno; razlika<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017e. tekst: J. Joyce: <em>Dubliners<\/em> (odabrane novele) \/ J. Joyce: <em>A Portrait of the Artist as a Young Man<\/em> (izbor) \/ Laurence Sterne: <em>Tristram Shandy<\/em> (izbor)*<br \/><strong>8. tjedan<\/strong><span style=\"text-decoration: underline;\"><br \/><\/span><\/span><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>1. kolokvij; <\/strong><strong>upute za pisanje seminarskoga rada<\/strong>.<br \/><strong>9. tjedan<span style=\"text-decoration: underline;\"><br \/><\/span><\/strong>Autor, autorstvo, subjekt (povijesni i diskurzivni), diskurs, intertekstualnost, &#8220;smrt autora&#8221;<br \/><strong>10. tjedan<span style=\"text-decoration: underline;\"><br \/><\/span><\/strong>Klasa, ideologija, subjekt ideologije, subverzija\/ sputavanje, dijalogi\u010dnost<br \/>Knji\u017e. tekst: R H Davis: <em>Life in the Iron Mills \/<\/em> Herman Melville: &#8220;Bartleby, the Scrivener&#8221;, &#8220;The Paradise of Bachelors and the Tartarus of Maids&#8221; \/ Walt Whitman: <em>The Leaves of Grass<\/em> (izbor) \/ Henry James: <em>Daisy Miller<\/em> \/ Oscar Wilde: <em>The Importance of Being Earnest<\/em>*<br \/><strong>11. tjedan<span style=\"text-decoration: underline;\"><br \/><\/span><\/strong>Identiteti: spol\/rod; drugost; preispisivanje kanona; &#8220;the uncanny&#8221;; nesvjesno; mehanizam sna; Edipov kompleks<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017e. tekst: Ch. Perkins Gilman: &#8220;The Yellow Wall-Paper&#8221;\/ Emily Dickinson (izbor iz poezije) \/ Nella Larsen: <em>Quicksand<\/em> \/ Angela Carter: <em>The Bloody Chamber<\/em> (izbor)*<br \/><strong>12. tjedan<span style=\"text-decoration: underline;\"><br \/><\/span><\/strong>Tijelo, izvedba, \u017eudnja, seksualni sustavi, esencijalizam\/konstrukcionizam<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017e. tekst: Judith Wright: &#8220;Naked Girl and Mirror&#8221; \/ Nella Larsen: <em>Quicksand<\/em> \/ Oscar Wilde: <em>The Importance of Being Earnest<\/em> \/ Alfred Douglas: &#8220;Two Loves&#8221; \/ W. Shakespeare: Sonnet 144*<br \/><strong>13. tjedan<\/strong><span style=\"text-decoration: underline;\"><br \/><\/span>Rasa\/etni\u010dnost, dvostruko drugo, kolonizirani identitet, mimikrija, orijentalizam, hibridnost<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017e. tekst: Doris Lessing: <em>This Was the Old Chief&#8217;s Country<\/em> (izbor) \/ Nella Larsen: <em>Quicksand<\/em> \/ Chinua Achebe: &#8220;The Sacrifical Egg&#8221; \/ Olaudah Equiano: <em>Narrative<\/em> \/ Frederick Douglass: <em>The Narrative of FD, Written by Himself<\/em> \/ J. Conrad: <em>Heart of Darkness<\/em> \/ Oodgeroo Noonuccal: &#8220;We Are Going&#8221; \/ Sherman Alexie: <em>Lone Ranger and Tonto Fistfight in Heaven<\/em> (izbor)*<br \/><strong>14. tjedan<\/strong><br \/><strong>2. kolokvij<\/strong><\/span><\/p>\n<div style=\"line-height: normal;\" align=\"center\">\n<hr style=\"line-height: normal;\" align=\"center\" noshade=\"noshade\" size=\"1\" width=\"100%\" \/><\/div>\n<p style=\"line-height: normal;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Napomena: *Ili drugi tekstovi po izboru predava\u010da.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Popis literature:<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">OBVEZNA LITERATURA:<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">1) Izbor iz knji\u017eevnih tekstova na engleskom jeziku.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">2) John Peck and Martin Coyle. <em>A Brief History of English Literature<\/em>. Houndmills, Basingstoke: Palgrave, 2002.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">3) M.H. Abrams, <em>A Glossary of Literary Terms<\/em>, 7th ed., New York: Harcourt Brace College Publishers, 1999 (1957).<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">4) Peter Barry, <em>Beginning<\/em> <em>Theory: An Introduction to Literary and Cultural Theory<\/em>, Manchester\/New York: Manchester University Press, 2002 (1995).<br \/><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">DOPUNSKA:<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">1) M. H. Abrams et al, eds. <em>The Norton Anthology of English Literature<\/em>. 7thed. New York: Norton, 2000.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">2) Jonathan Culler. <em>Literary Theory: A Very Short Introduction<\/em>. Oxford UP, 1997.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">3) Joseph Gibaldi. <em>MLA Handbook for Writers of Research Papers<\/em>. 6th ed. New York: The Modern Language Association of America, 2003.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">4) Paul Lauter, gen. ed. <em>The Heath Anthology of American Literature<\/em>. Vols. 1 &amp; 2. 3rd ed. Boston, New York: Houghton Mifflin, 1998.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">5) Vincent B. Leitch, gen. ed. <em>The Norton Anthology of Criticism and Theory.<\/em> New York, London: W.W. Norton, 2001.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">6) Frank Lentricchia and Thomas McLaughlin, eds. <em>Critical Terms for Literary Study<\/em>. 2nd ed. Chicago, London: Chicago UP, 1995.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">7) David Lodge, ed. <em>Modern Criticism and Theory: A Reader<\/em>. 1988. London, New York: Longman, 1991.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">8) Raman Selden, Peter Widdowson and Peter Brooker. <em>A Reader&#8217;s Guide to Contemporary Literary Theory<\/em>. 5th ed. London: Longman, 2005.<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">9) Ren\u00e9 Wellek and Austin Warren, <em>Theory of Literature<\/em>, London\/New York\/Victoria\/Ontario\/Auckland: Penguin Books, 1993 (1946).<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u00a0<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><!--more--><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Uvod u studij engleske knji\u017eevnosti (ak. god. 2014.\/15. i ranije)Izvo\u0111a\u010di kolegija: Poli\u0107, Cvek, Klepa\u010d, Domines Veliki, Tutek, PolakECTS bodovi: 6Trajanje: 1 semestar (zimski), 1 sat predavanja i 2 sata seminara tjednoStatus: obvezatniNa\u010din polaganja kolegija: kontinuirana provjera znanja. Za studente koji su zadovoljili sve druge elemente kontinuirane provjere znanja ali nisu polo\u017eili prvi ili [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-61","post","type-post","status-publish","format-standard","hentry","category-1-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=61"}],"version-history":[{"count":61,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/61\/revisions"}],"predecessor-version":[{"id":22143,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/61\/revisions\/22143"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=61"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=61"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}