{"id":5993,"date":"2012-09-24T09:59:32","date_gmt":"2012-09-24T08:59:32","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=5993"},"modified":"2015-02-10T13:27:14","modified_gmt":"2015-02-10T12:27:14","slug":"srednjovjekovni-izvori-engleske-renesansne-drame-ljetni","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=5993","title":{"rendered":"Srednjovjekovni izvori engleske renesansne drame (ljetni)"},"content":{"rendered":"

Naziv kolegija<\/strong>: Srednjovjekovni izvori engleske renesansne drame <\/em>(2P\/1S, 6 ECTS)<\/span>
Naziv predmeta<\/strong>: Starija engleska knji\u017eevnost<\/span>
Status<\/strong>: izborni u okviru ponude knji\u017eevnih kolegija; tip izbornosti: B; ECTS–bodovi: 6<\/span>
Nositelj<\/strong> <\/strong>kolegija<\/strong>: dr. sc. Janja Ciglar-\u017dani\u0107, red. prof.<\/span>
Nastavnica<\/strong>: Tamara Petri\u0107, asist.<\/span>
Trajanje<\/strong>: Ljetni semestar (IV\/ VI) 2012\/ 2013.<\/span>
Oblik<\/strong> <\/strong>nastave<\/strong>: 1 sat predavanja i 2 sata seminara tjedno<\/span>
Jezik<\/strong>: engleski<\/span>
Uvjeti za upis kolegija<\/strong>: upisan IV ili VI semestar<\/span>
Na\u010din polaganja ispita<\/strong>: Ocjena se temelji na kontinuiranoj pismenoj evaluaciji (pi\u0161u se dva kolokvija i seminarski rad) te na redovnom poha\u0111anju nastave i participaciji u diskusijama na satu.<\/span>
Na\u010din pra\u0107enja kvalitete i uspje\u0161nosti izvedbe predmeta<\/strong>: Anonimna studentska anketa na kraju semestra.<\/span>
Cilj<\/strong> kolegija<\/strong>: Historiografskom analizom dramskih tekstova i kazali\u0161ne tradicije poku\u0161at \u0107emo rekonstruirati dru\u0161tveni kontekst iz kojeg je iznikla engleska srednjovjekovna i renesansna drama te gospodarske i politi\u010dke interese i stavove naru\u010ditelja odnosno autora. Ikonografskom analizom crkvene arhitekture i namje\u0161taja, nezaobilaznih u izvedbi uskrsne liturgije, prvog dramskog oblika u srednjovjekovnoj Evropi, poku\u0161at \u0107emo dokazati da je napredna agrarna ekonomija benediktinskih samostana, u okrilju kojih je liturgijska drama iznikla u karolin\u0161ko doba, bitno utjecala na razvoj trgovine vunom i tekstilom na kojemu \u0107e se i engleska ekonomija temeljiti jo\u0161 stolje\u0107ima. Naslijediv\u0161i iz liturgijske procesije prostornu konfiguraciju pozornice i gledali\u0161ta, obrtnici i trgovci koji su o praznicima glumili u misterijima njome \u0107e se poslu\u017eiti da simboli\u010dki prisvoje vlast nad op\u0107inama slobodnih trgovi\u0161ta gdje su posjedovni odnosi bili naru\u0161eni u korist redovnika i fratara koji su povrh toga od revoltiranih gra\u0111ana ubirali da\u0107e. Konotacije koje su s vremenom u engleskoj kulturi, pa tako i u mirakulima i hagiografijama, zadobili geografski pojmovi poput Levanta\/ Bliskog Istoka i Isto\u010dnog Mediterana te Baltika dokazuju sve ve\u0107u va\u017enost tih trgova\u010dkih koridora za englesku ekonomiju u petnaestom stolje\u0107u, a iz tekstova \u0161esnaestostoljetnih i sedamnaestostoljetnih komedija nadaje se i klju\u010dno mjesto prekooceanske trgovine robljem u to doba, kao i strah od turske flote, koja \u0107e Veneciji oduzeti trgovinski monopol na Mediteranu. Dok moraliteti tr\u017ei\u0161noj ekonomiji i nacionalnim interesima suprotstavljaju idealiziranu sliku feudalnih odnosa, \u0161esnaestostoljetne komedije izra\u017eavaju merkantilisti\u010dku kritiku uvoza nau\u0161trb izvozu u doba inflacije diljem Evrope, a sedamnaestostoljetna gra\u0111anska drama kritizira uspon na dru\u0161tvenoj ljestvici trgovaca koji su se obogatili gusarenjem, prekooceanskom trgovinom i trgovinom robljem.<\/span>
Uloga<\/strong> <\/strong>kolegija<\/strong> <\/strong>u<\/strong> <\/strong>ukupnom<\/strong> <\/strong>nastavnom<\/strong> <\/strong>planu<\/strong>: Prou\u010davaju\u0107i dramsku i kazali\u0161nu tradiciju polaznice \u0107e uvje\u017ebati vje\u0161tinu tematske analize knji\u017eevnog teksta, ste\u0107i naviku kontekstualiziranja dramskog teksta i kazali\u0161ne izvedbe unutar dru\u0161tveno\u2014politi\u010dkih okolnosti te argumentiranog dokazivanja.<\/span>
Metode<\/strong>: Kolegij kombinira metode predavanja i seminarskog rada, pri \u010demu se \u0107e se u u\u010dionici (u onom dijelu nastavnog procesa koji je zami\u0161ljen kao predavanje) kao i na ispitu polaznice i polaznici poticati na strukturiranu raspravu o unaprijed zadanim temama, ome\u0111enu razumijevanjem prethodno zadanog materijala.<\/span><\/p>\n

Sadr<\/strong>\u017e<\/strong>aj<\/strong> <\/strong>kolegija<\/strong>.
1. i 2. <\/strong>tjedan<\/strong>. Uskrsni igrokaz i uskrsna pantomima iz Durhama u sjevernoj Engleskoj.<\/span>
– \u201cThe Quem Quaeritis<\/em> Trope\u201d, \u201cA Pantomime for Easter Day\u201d, \u201cAn Easter Resurrection Play\u201d, and \u201cThe Orleans Sepulcher\u201d, Medieval and Tudor Drama<\/em> (1963), ur. John Gassner, New York: Bantam Books, 1987; 33\u201443.<\/span>
– \u201cThe Crusades and Eastern Europe, ca. 1100\u20141550\u201d, u Mortimer Chambers, Raymond Grew, David Herlihy et al, The Western Experience<\/em> (1974), 2 toma, 5. izd, New York, St Louis, San Francisco et al: McGraw\u2014Hill, 1991; 381\u2014415.<\/span>
– John M Wasson, \u201cThe English Church A Theatrical Space\u201d, A New History of Early English Drama<\/em>, ur. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 25\u201437.<\/span>
– Roger E. Reynolds, \u201cThe Drama of Medieval Liturgical Processions\u201d, Revue de Musicologie<\/em>, Vol. 86, No. 1 (2000); 127\u2014142.<\/span>
3. i 4. <\/strong>tjedan<\/strong>. Second Shepherds’ Play<\/em>, misterij iz Yorkshirea<\/span>
–Second Shepherds\u2019 Play\/ Secunda Pastorum<\/em>, u \u2018Everyman\u2019 and Medieval Miracle Plays<\/em>, ur . A. C. Cawley, London: J. M. Dent, 1956; 81\u2014107.<\/span>
– Edna Eileen Power, \u201cThe English Wool Trade in the Reign of Edward IV\u201d, Cambridge<\/em> Historical Journal<\/em>, Vol. 2, No. 1 (1926); 17–35.<\/span>
– Anne Higgins, \u201cStreets and Markets\u201d, A New History of Early English Drama<\/em>, ur. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 77\u201492.<\/span>
5. i 6. <\/strong>tjedan<\/strong>. Play<\/em> <\/em>of<\/em> <\/em>the<\/em> <\/em>Sacrament<\/em>, mirakul iz Isto\u010dne Anglije<\/span>
– The Play o<\/em>f the Sacrament<\/em>, u Early English Drama (An Anthology)<\/em>, ur . John C. Coldewey, New York, London: Garland Publishing, 1993; 274\u2014305.<\/span>
– Lisa Lampert, \u201cThe Once and Future Jew: The Croxton \u2018Play of the Sacrament\u2019, Little Robert of Bury and Historical Memory\u201d, Jewish History<\/em>, Vol. 15, No. 3 (2001), 235\u2014255.<\/span>
7. i 8. tjedan<\/strong>. The<\/em> Summoning<\/em> <\/em>of<\/em> <\/em>Everyman<\/em>; moralitet; prvi kolokvij.<\/span>
– The Somonynge of Eueryman\/ <\/em>Summoning of Everyman<\/em>, u An Anthology of English Drama Before Shakespeare<\/em>, ur . Robert B. Heilman, New York, Toronto: Rinehart, 1954; 73\u2014104.<\/span>
– Roger Ladd, \u201c\u2018My condicion is mannes soule to kill\u2019 \u2014 Everyman<\/em>\u2019s Mercantile Salvation\u201d, Comparative Drama<\/em>, Vol. 41, No. 1 (2007), 57–78.
– Suzanne Westfall, \u201c’A Commonty a Christmas gambold or a tumbling trick’: Household Theater\u201d, A New History of Early English Drama<\/em>, ed. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 39\u201458.<\/span><\/span>
9. i 10. tjedan<\/strong>. Christopher Marlowe, Tamburlaine<\/em> <\/em>the<\/em> <\/em>Great
– <\/em>Christopher Marlowe, Tamburlaine the Great<\/em>, ur . J. W. Harper. London: Ernest Benn, 1971.<\/span>
– Jonathan Burton, \u201cAnglo\u2014Ottoman Relations and the Image of the Turk in Tamburlaine<\/em>\u201d, Journal of Medieval and Early Modern Studies<\/em>, 30.1 (2000), 125\u2014157.<\/span>
11. i 12. <\/strong>tjedan<\/strong>. William Shakespeare, The Merchant of Venice
– <\/em>William Shakespeare, The Merchant of Venice<\/em>, u William Shakespeare: The Complete Works<\/em>, ur . Stephen Orgel and A. R. Braunmuller, New York: Penguin Putnam, 2002; 293\u2014323.<\/span>
– Jennifer Rich, \u201cThe Merchant Formerly Known as Jew: Redefining the Rhetoric of Merchantry in Shakespeare\u2019s Merchant of Venice<\/em>.\u201d, Early Modern Literary Studies<\/em>, Vol. 13, No. 3 (January, 2008) 2. 01\u201419.<\/span>
– Alan Stewart, \u201c\u201bCome from Turkie\u2019: Mediterranean Trade in Late Elizabethan London\u201d, Remapping the Mediterranean World in Early Modern English Writings<\/em>, ur. Goran Stanivukovic, New York: Palgrave Macmillan, 2007; 157—177.)<\/span>
13. i 14. tjedan<\/strong>. Arden of Feversham
– Arden of Feversham<\/em>, u English Renaissance Drama: A Norton Anthology<\/em>, ur. David Bevington, Lars Engle, Katharine Eisaman Maus, and Eric Rasmussen, New York and London: W. W. Norton and Company, 2002; 421–482.<\/span>
– Garrett A. Sullivan, Jr, \u201c’Arden Lay Murdered in That Plot of Land’: Surveying, Land and Arden of Faversham\u201d, English Literary History<\/em>, Vol. 61, No. 2 (Summer, 1994), 231\u2014252.<\/span>
15. tjedan<\/strong>. Elizabetansko kazali\u0161te, ponavljanje gradiva; drugi kolokvij.<\/span>
– John Orrell, \u201cThe Theaters\u201d, A New History of Early English Drama<\/em>, ur. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 93\u2014112.<\/span><\/p>\n

<\/p>\n

Suzanne Westfall, \u201c’A Commonty a Christmas gambold or a tumbling trick’: Household Theater\u201d, A New History of Early English Drama<\/em>, ed. John D. Cox and David Scott Kastan, New York: Columbia UP, 1997; 39\u201458.<\/ins><\/span><\/span><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Naziv kolegija: Srednjovjekovni izvori engleske renesansne drame (2P\/1S, 6 ECTS)Naziv predmeta: Starija engleska knji\u017eevnostStatus: izborni u okviru ponude knji\u017eevnih kolegija; tip izbornosti: B; ECTS–bodovi: 6Nositelj kolegija: dr. sc. Janja Ciglar-\u017dani\u0107, red. prof.Nastavnica: Tamara Petri\u0107, asist.Trajanje: Ljetni semestar (IV\/ VI) 2012\/ 2013.Oblik nastave: 1 sat predavanja i 2 sata seminara tjednoJezik: engleskiUvjeti za upis kolegija: upisan […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-5993","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/5993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5993"}],"version-history":[{"count":13,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/5993\/revisions"}],"predecessor-version":[{"id":19200,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/5993\/revisions\/19200"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}