{"id":40311,"date":"2021-09-20T17:40:28","date_gmt":"2021-09-20T16:40:28","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=40311"},"modified":"2022-01-17T17:16:39","modified_gmt":"2022-01-17T16:16:39","slug":"english-baroque-poetry-brlek","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=40311&lang=en","title":{"rendered":"English Baroque Poetry (Brlek)"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Course title<\/strong>: <em>English Baroque Poetry<br \/>\n<\/em><strong>Instructor<\/strong>: Assoc. Prof. Tomislav Brlek<\/span><br \/>\n<span style=\"font-size: small;\"><strong>ECTS credits: <\/strong>6<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Status: <\/strong>elective<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Semester<\/strong>: 1st and 3rd semester<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Enrollment requirements:<\/strong> enrollment in the 1<sup>st<\/sup> or 3<sup>rd<\/sup> semester of the graduate programme of the English Department<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Course description: <\/strong><\/span><span style=\"font-size: small;\">The mail goal of the course is to relocate English literature of the early seventeenth century from renaissance in the narrower sense of the term into post-renaissance movement known in most European countries as baroque. Teaching poetics and rhetoric of baroque poetry is the focus of this literary and historical procedure. <\/span><\/p>\n<div class=\"panel-body\">\n<ol>\n<li>Introduction: baroque as a literary period: renaissance principle of decorum and baroque violation of decorum<\/li>\n<li>Distinctive characteristics in (a) style (paralogic, antithesis, emblem, word play, concetto, ingenuity, linguistic and intellectual combinatorics), (b) genre (generic preferences, characteristic mixture of genres, new combinations of genres) and (c) point of view (toward poetry, poets, world; actuality, dramaticality, linguistic and epistemological scepticism)<\/li>\n<li>Expressions and terms: mannerism baroque, metaphysical poetry<\/li>\n<li>Concetto in English baroque poetry<\/li>\n<li>Elizabethan world picture as a source of baroque imagery<\/li>\n<li>Petrarchan topoi and their baroque transformations<\/li>\n<li>John Donne: Songs and Sonets (\u201cThe Canonization\u201d, \u201cThe Sun Rising\u201d, \u201cThe Good Morrow\u201d, \u201cThe Flea\u201d i \u201cA Valediction: Forbidding Mourning\u201d).<\/li>\n<li>John Donne: Holy Sonnets (\u201cBatter My heart, three\u2014person\u2019d God\u201d).<\/li>\n<li>George Herbert: The Temple (\u201cEaster Wings\u201d, \u201cJordan (I)\u201d, \u201cJordan (II)\u201d, \u201cThe Pulley\u201d, \u201cThe Forerunners\u201d and \u201cVirtue\u201d).<\/li>\n<li>Henry Vaughan: Silex Scintillans (\u201cThe Retreate\u201d and \u201cRegeneration\u201d).<\/li>\n<li>Richard Crashaw: Carmen Deo Nostro (\u201cThe Weeper\u201d).<\/li>\n<li>Andrew Marvell: Collected Poems (\u201cTo His Coy Mistress\u201d and \u201cThe Garden\u201d).<\/li>\n<li>Thomas Traherne: Commentaries of Heaven (\u201cShadows in the Water\u201d).<\/li>\n<li>Ben Jonson: Underwood (\u201cMy Picture Left in Scotland\u201d)<\/li>\n<li>Written exam<\/li>\n<\/ol>\n<p>OBLIGATORY LITERATURE:<\/p>\n<div class=\"panel-body\">\n<ol>\n<li>Gardner, Helen (ur), The Metaphysical Poets, Harmondsworth [etc.]: Penguin Books, 1988.<\/li>\n<li>Ford, Boris (ur), The New Pelican Guide to English Literature, vol. 3: From Donne to Marvel, Harmondsworth: Penguin Books, 1988.<\/li>\n<li>Sidney, Philip, An Apology for Poetry, u: D. J. Enright &amp; Ernst de Chickero (ur), English Critical Texts, London: Oxford UP, 1962; 12-17.<\/li>\n<li>Johnson, Samuel, Lives of the English Poets, 1. tom, London: Oxford UP, 1961; 3-49.<\/li>\n<li>Eliot, T. S, \u201cThe Metaphysical Poets\u201d, u: D. J. Enright &amp; Ernst de Chickero (ur), English Critical Texts, London: Oxford UP, London, 1962, 302-311.<\/li>\n<\/ol>\n<p>ADDITIONAL LITERATURE:<\/p>\n<div class=\"panel-body\">\n<ol>\n<li>Abrams, M. H (ur), The Norton Anthology of English Literature, 1. tom, 6. izdanje, New York i London: W W. Norton, 1993.<\/li>\n<li>Curtius, Ernst Robert, European Literature and the Latin Middle Ages, Princeton: Princeton UP, 1973; 273&#8211;301.<\/li>\n<li>Grierson, Herbert J. C, Cross Currents in English Literature of the Seventeenth Century, Harmondsworth: Penguin Books, 1966.<\/li>\n<li>Hollander, John, i Frank Kermode (ur). The Oxford Anthology of English Literature, vol. 1: The Middle Ages Through the Eighteenth Century, New York; London &amp; Toronto: Oxford UP, 1973; 2337-2316.<\/li>\n<li>Segel, Harold B. The Baroque Poem: A Comparative Survey, New York: Dutton Paperback, 1974; 12-142.<\/li>\n<li>Tillyard, E. M. Elizabethan World Picture, Harmondsworth: Penguin Books, 1972.<\/li>\n<li>Warnke, Frank J, Versions of Baroque: Terms and Concepts, New Haven &amp; London: Yale UP, 1975; 1-20.<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Course title: English Baroque Poetry Instructor: Assoc. Prof. Tomislav Brlek ECTS credits: 6 Status: elective Semester: 1st and 3rd semester Enrollment requirements: enrollment in the 1st or 3rd semester of the graduate programme of the English Department Course description: The mail goal of the course is to relocate English literature of the early seventeenth century [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[135],"tags":[],"class_list":["post-40311","post","type-post","status-publish","format-standard","hentry","category-7-i-9-semestar-knjizevni-kolegiji-2"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/40311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40311"}],"version-history":[{"count":4,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/40311\/revisions"}],"predecessor-version":[{"id":41213,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/40311\/revisions\/41213"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}