{"id":4022,"date":"2012-09-05T17:02:07","date_gmt":"2012-09-05T16:02:07","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=4022"},"modified":"2018-02-14T14:02:00","modified_gmt":"2018-02-14T13:02:00","slug":"americki-roman-19-stoljeca","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=4022","title":{"rendered":"Ameri\u010dki roman 19. stolje\u0107a (arhiva)"},"content":{"rendered":"

Naziv kolegija: <\/strong>Ameri\u010dki roman 19. stolje\u0107a
\n <\/em>Nastavnica: <\/strong>Dr. sc. Jelena \u0160esni\u0107, izv. prof.<\/span>
\n ECTS bodovi:<\/strong> 6<\/span>
\n Jezik:<\/strong> engleski<\/span>
\n Trajanje:<\/strong> zimski semestar (3. ili 5.) \/ ljetni semestar (4.ili 6.)<\/span>
\n Status: <\/strong>izborni<\/span>
\n Oblik nastave<\/strong>: 1P+2S<\/span>
\n Uvjeti za upis kolegija:<\/strong> Uvod u knji\u017eevnost<\/span>
\n Cilj i sadr\u017eaj kolegija: <\/strong>Roman je bez sumnje reprezentativna narativna vrsta u ameri\u010dkoj knji\u017eevnosti. \u00a0Tijekom 19. stolje\u0107a to je i jedno od glavnih oru\u017eja nacionalne kulturne politike te brojni pisci nastoje proizvesti egzemplarni nacionalni tekst. Istodobno, mnogi pisci inzistiraju da zapravo pi\u0161u \u201eromanse\u201c. U \u010demu je razlika? U kolegiju \u0107emo razmatrati osnovne \u017eanrove i pod\u017eanrove ameri\u010dkoga romana u 19. st. s posebnom pa\u017enjom na formalnim i sadr\u017eajnim zna\u010dajkama pojedinih \u017eanrova. Ujedno \u0107emo nastojati pokazati na koji na\u010din se kroz pisanje romana i metakriti\u010dke komentare uspostavlja svijest o nacionalnom kulturnom prostoru te ulozi i zna\u010daju romanopisca, kroz rekonstrukciju dijaloga ili prijepora izme\u0111u samih pisaca te pisaca i kriti\u010dara (manifesti, pisma, predgovori, knji\u017eevna kritika, eseji).<\/span><\/p>\n

Romani<\/strong>:<\/span>
\n 1. Herman Melville: Moby-Dick<\/em> (1851; izabrana poglavlja)<\/span>
\n 2. Edgar Allan Poe: The<\/em> Narrative of Arthur Gordon Pym of Nantucket <\/em>(1838)<\/span>
\n 3. Harriet Beecher Stowe: Uncle Tom’s Cabin<\/em> (1852)<\/span>
\n 4. William Dean Howells: A Hazard of New Fortunes<\/em> (1889)<\/span><\/p>\n

Tematske cjeline:
\n <\/strong>1. Problematika razvoja nacionalne knji\u017eevnosti i uloga romana<\/span>
\n 2. Idealni ameri\u010dki pisac: R W Emerson, \u201eThe Poet\u201c<\/span>
\n 3. Pregled teorija ameri\u010dkoga romana (opreka romansa\/roman; simbolizam i anti-realizam; \u201eizuzetnost\u201c i \u201epostkolonijalnost\u201c \u017eanra u ameri\u010dkome kontekstu; realizam i roman).<\/span>
\n 4. Stilsko-\u017eanrovske odrednice i okvirna tipologija ameri\u010dkoga romana u 19. st.<\/span>
\n 5. Teorijsko-analiti\u010dki modeli sukladni analizi razli\u010ditih tipova romana (mitsko-simboli\u010dka \u0161kola, naratologija, psihoanaliza, novi historizam, poststrukturalizam, itd.)<\/span>
\n 6. Primjer filozofskog\/enciklopedijskog romana (H. Melville: Moby-Dick<\/em>)<\/span>
\n 7. Primjer romana strave\/avanturisti\u010dkog romana (E. A. Poe: The<\/em> Narrative of Arthur Gordon Pym<\/em>)<\/span>
\n 8. Primjer sentimentalnog romana (H. B. Stowe: Uncle Tom’s Cabin<\/em>)<\/span>
\n 9. Primjer realisti\u010dkog romana (W. D. Howells: A Hazard of New Fortunes<\/em>)<\/span><\/p>\n

Literatura
\n <\/strong>A Obvezatna
\n <\/strong>Predgovori, manifesti, kritika, ogledi:
\n – Emerson, Ralph Waldo. \u201eThe Poet\u201c
\n – Hawthorne, Nathaniel. Predgovori (izbor)
\n – Howells, William Dean. \u201eA Call for Realism\u201c
\n – James, Henry. The Art of the Novel<\/em> (izbor); The American Scene <\/em>(odlomci)
\n – Melville, Herman. \u201eHawthorne and His Mosses\u201c
\n – Twain, Mark. \u201eJames Fenimore Cooper’s Literary Offenses\u201c
\n – Buell, Lawrence. \u201eThe Unkillable Dream of the Great American Novel: Moby-Dick<\/em> as Test Case\u201c. American Literary History<\/em> 20. 1-2 (Spring-Summer 2008): 132-55.
\n – Chase, Richard. The American Novel and Its Tradition<\/em>. New York: Doubleday Anchor Books, 1957. 1-28.
\n – Cheyfitz, Eric. \u201eA Hazard of New Fortunes: The Romance of Self-Realization\u201c.\u00a0 American Realism: New Essays<\/em>. Ed. Eric Sundquist. Baltimore, London: The Johns Hopkins UP, 1982. 42-65.
\n – Goddu, Teresa. Gothic America: Narrative, History, and Nation<\/em>. New York: Columbia UP, 1997. (izbor)
\n – Jehlen, Myra. \u00abThe Novel and the Middle Class in America\u00bb. Ideology and Classic American Literature<\/em>. Eds. Sacvan Bercovitch and Myra Jehlen. Cambridge: Cambridge UP, 1986. 125-44.
\n – Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction, 1790-1860<\/em>. New York, Oxford: Oxford UP, 1985. 122-46.<\/span><\/p>\n

B<\/strong> Izborna
\n <\/strong>– Armstrong, Nancy and Leonard Tennenhouse. \u201eThe American Origins of the English Novel\u201c. American Literary History<\/em> 4.3 (Autumn 1992): 386-410.
\n – Buell, Lawrence. \u00abAmerican Literary Emergence as a Postcolonial Phenomenon\u00bb. American Literary History<\/em> 4.3 (Autumn 1992): 411-42.Cheyfitz, Eric. from Sundquist
\n – Castronovo, Russ. Beautiful Democracy: Aesthetics and Anarchy in a Global Era<\/em>. Chicago: U of Chicago P, 2007. (izbor)
\n – Fisher, Philip. Hard Facts: Setting and Form in the American Novel<\/em>. Oxford: Oxford UP, 1986.\u00a0 (izbor)
\n – Frye, Northrop. Anatomy of Criticism<\/em>. Princeton: Princeton UP, 1957. (izbor)
\n – Marx, Leo. The Machine in the Garden: Technology and the Pastoral Ideal in America<\/em>. Oxford: Oxford UP, 1964. (izbor)<\/span><\/p>\n

Na\u010din polaganja ispita:<\/strong> kontinuirana evaluacija (dva kolokvija: sredinom i krajem semestra, 50 % ocjene; seminarski rad, 6-7 kartica, 30 % ocjene; redovito poha\u0111anje nastave i aktivnost na seminaru, 10 % ocjene; usmena prezentacija, 10 %). Za pozitivnu zbirnu ocjenu potrebno je zadovoljiti sve komponente kontinuirane provjere znanja.<\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Naziv kolegija: Ameri\u010dki roman 19. stolje\u0107a Nastavnica: Dr. sc. Jelena \u0160esni\u0107, izv. prof. ECTS bodovi: 6 Jezik: engleski Trajanje: zimski semestar (3. ili 5.) \/ ljetni semestar (4.ili 6.) Status: izborni Oblik nastave: 1P+2S Uvjeti za upis kolegija: Uvod u knji\u017eevnost Cilj i sadr\u017eaj kolegija: Roman je bez sumnje reprezentativna narativna vrsta u ameri\u010dkoj knji\u017eevnosti. […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-4022","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-3-ili-5-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/4022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4022"}],"version-history":[{"count":28,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/4022\/revisions"}],"predecessor-version":[{"id":31126,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/4022\/revisions\/31126"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}