{"id":3970,"date":"2012-09-05T11:35:57","date_gmt":"2012-09-05T10:35:57","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=3970"},"modified":"2025-10-04T14:20:14","modified_gmt":"2025-10-04T13:20:14","slug":"alternativni-svjetovi-u-suvremenoj-britanskoj-prozi","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=3970","title":{"rendered":"Alternativni svjetovi u suvremenoj britanskoj prozi"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Naziv kolegija: <\/strong>Alternativni svjetovi u suvremenoj britanskoj prozi<strong><br \/>\nNastavnica: <\/strong> dr. sc. Iva Polak, izv. prof.<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>ECTS-bodovi: <\/strong> 6<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Jezik: <\/strong> engleski<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Trajanje: <\/strong>3. ili 5. semestar<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Status: <\/strong> izborni kolegij<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Oblici nastave: <\/strong> 1 sat predavanja, 2 sata seminara tjedno<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Uvjeti za upis kolegija: <\/strong> polo\u017een <em>Uvod u studij engleske knji\u017eevnosti<\/em> ili <em>Uvod u studij engleske knji\u017eevnosti 1 i 2<\/em><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Okvirni sadr\u017eaj predmeta:<\/strong> Kolegij prati uspostavu druk\u010dijeg britanskog kanona od Drugog svjetskog rata nadalje, koji prisvaja raznorodne fantasti\u010dne \u017eanrove. Od mu\u0161kog distopijskog SF romana, feministi\u010dkog SF-a, magijskog realizma, biv\u0161ih postkolonijalnih i novih regionalnih glasova, kolegij kroz problematiku fantasti\u010dke knji\u017eevnosti progovara o uspostavi suvremenog identiteta Velike Britanije gdje se poglavito od 1980-ih nadalje o\u010ditije javljaju rodni, regionalni i transkulturalni glasovi biv\u0161ih kolonijalnih subjekata. Kolegij \u0107e tako\u0111er biti popra\u0107en odgovaraju\u0107im filmskim ostvarenjima.<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Cilj: <\/strong> Produbljivanje spoznaja o knji\u017eevnim trendovima u okviru suvremene britanske knji\u017eevnosti te u\u010denje osnova fantasti\u010dne knji\u017eevnosti.<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Studentske obveze: <\/strong>ispunjavanje elemenata <span style=\"text-decoration: underline;\">kontinuirane provjere znanja<\/span>, koji obuhva\u0107aju redovito poha\u0111anje nastave (do 4 izostanka), provjeru \u010ditanja odabranih knji\u017eevnih djela i gledanja odabranih filmova, kra\u0107e pisane zadatke u okviru nastave, pravovremenu predaju seminarskog rada i obvezno polaganje 2 kolokvija. Seminarski rad nosi 35%, dva kolokvija 50% i ostali elementi kontinuirane provjere znanja 15% zaklju\u010dne ocjene iz kolegija. Za prolaz na kolegiju nu\u017eno je zadovoljiti <span style=\"text-decoration: underline;\">sve<\/span> elemente kontinuirane provjere znanja.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Sadr\u017eaj kolegija po tjednima:<br \/>\n1. tjedan<\/strong><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Povijest utopije\/distopije u knji\u017eevnosti (<em>Republic; Utopia; New Atlantis); <\/em>utopija\/distopija i znanstveno fantasti\u010dni roman (<em>Brave New World; We<\/em>)<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Michel Foucault. &#8220;Of Other Spaces: Utopias and Heterotopias&#8221;<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\">&nbsp;Peter Fitting. &#8220;A Short History of Utopian Studies&#8221;<\/span><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>2. tjedan<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\">Uvod u poslijeratno UK i Orwella<\/span><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>3. tjedan<\/strong><\/span><br \/>\n<span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\">George Orwell. <em>Nineteen Eighty-Four<\/em> (1949) (distopija i kontrola)<br \/>\n<\/span><\/span><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Adam Roberts. <em>Science Fiction<\/em>: Chapter 1: &#8220;Defining science fiction&#8221;<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\">Darko Suvin. &#8220;On the Poetics of the Science Fiction Genre&#8221;<\/span><\/span><br \/>\n<span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><strong><span style=\"font-size: small;\">4. tjedan<\/span><\/strong><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><em>Nineteen Eighty-Four<\/em> nastavak<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>5. tjedan<\/strong><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><em>Nineteen Eighty-Four.<\/em> (1984) red. Michael Radford i <em>Brazil<\/em> (1985) red. Terry Gilliam.<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>6. tjedan<\/strong><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Uvod u 1960-te i Burgessa. <br \/>\nAnthony Burgess. <em>A Clockwork Orange (1962);&nbsp;<\/em> (distopija i nasilje)<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>7. tjedan<\/strong><\/span><br \/>\n<span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\"><em>A Clockwork Orange <\/em>(1971) red. Stanley Kubrick<br \/>\nSmjernice za pisanje seminarskog rada<br \/>\n<\/span><\/span><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>8. tjedan &#8211; 1. kolokvij (45 minuta); tjedan bez nastave<\/strong><\/span><br \/>\n<span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\"><strong>9. tjedan<\/strong><\/span><\/span><br \/>\n<span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\">Jeanette Winterson. <em>The.PowerBook <\/em>(2000): rod, metafikcija, pripovjeda\u010d\/ica<br \/>\n<\/span><span style=\"font-size: small;\">Brian McHale. Poglavlje &#8220;Chinese-box worlds&#8221; u <em>Postmodernist Fiction<\/em>. <\/span><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>10. tjedan<\/strong><\/span><br \/>\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt;\">Uvod u <em>Nights at the Circus<\/em> (1984): postmodernizam, metafikcija, feminizam; Viktorijana i &#8220;side-shows&#8221;; <em>Freaks<\/em> (1932) dir. Ted Browning<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>11. tjedan<\/strong><\/span><br \/>\n<span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\">Angela Carter. <em>Nights at the Circus<\/em> (1984)<\/span><span style=\"font-size: small;\"><br \/>\nBrian Finney. Poglavlje 9 &#8220;Angela Carter: <em>Nights at the Circus<\/em>&#8221; u <em>English Fiction since 1984: Narrating a Nation.<\/em><\/span><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>12. tjedan<\/strong><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><em>Nights at the Circus<\/em> nastavak <\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>13. tjedan<\/strong><\/span><br \/>\n<span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\">Najrazlikovnija britanska regionalna knji\u017eevnost: \u0161kotski novi val (Gray, Kennedy, Kelman&#8230;)<br \/>\nAlasdair Gray. &#8220;Wellbeing: A Fiction&#8221; in <em>Why Scots Should Rule Scotland <\/em>(1997): postmodernizam, fantastika, \u0161kotski identitet<br \/>\n<\/span><span style=\"font-size: 10pt;\">Richard Bradword. Poglavlje 10 &#8220;Scotland&#8221; u <em>The Novel Now. Contemporary British Fiction<\/em>.<\/span><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>14. tjedan &#8211; 2. kolokvij<\/strong><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><br \/>\n<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"font-size: small;\"><strong>Primarna literatura:<br \/>\n<\/strong>George Orwell. <em>Nineteen Eighty-Four<\/em> (1949)<br \/>\nAnthony Burgess. <em>A Clockwork Orange<\/em> (1962)<br \/>\nJeanette Winterson. <em>The.PowerBook<\/em> (2000)<br \/>\nAngela Carter. <em>Nights at the Circus<\/em> (1984)<br \/>\nAlasdair Gray. &#8220;Wellbeing: A Fiction&#8221; <em>u Why Scots Should Rule Scotland <\/em>(1997)<br \/>\n<strong>Sekundarna literatura:<br \/>\n<\/strong>&#8211; Bowers, Maggie Ann. <em>Magic(al) Realism<\/em>. Routledge: NY. 2004.<br \/>\n&#8211; Bradford, Richard. <em>The Novel Now. Contemporary British Fiction<\/em>. Blackwell Publishing: Oxford, 2007: Pogl. 10.<br \/>\n&#8211; Faris, Wendy B. &#8220;Scheherezade&#8217;s Children: Magical Realism and Postmodern Fiction.&#8221; <em>Magical Realism Theory, History, Community, <\/em>Lois Parkinson Zamora i Wendy B. Faris (ur).&nbsp;Duke University Press: Durham &amp; London. 2005 (1995): 163-190.<br \/>\n&#8211; Finney Brian. <em>English Fiction Since 1984: Narrating a Nation.<\/em> Palgrave: NY, 2006: Pogl. 9.<br \/>\n&#8211; Fitting, Peter. &#8220;A Short History of Utopian Studies.&#8221; <em>Science Fiction Studies<\/em>, Svezak 36, Br. 1, 2009: 121-131.<br \/>\n&#8211; McHale, Brian. <em>Postmodernist Fiction<\/em>, Routledge: London\/NY, 2004 (1987): Pogl. 8.<br \/>\n&#8211; Foucault, Michel. &#8220;Of Other Spaces: Utopias and Heterotopias&#8221;, 1967.<br \/>\n&#8211; Parrinder, Patrick. <em>Nation &amp; Novel.<\/em> Oxford: Oxford University Press, 2006 (str. 314-320 o Orwellu)<br \/>\n<\/span><span style=\"font-size: small;\">&#8211; Roberts, Adam. <em>Science Fiction<\/em>. 2. izdanje, Routledge: London\/New York, 2006: Pogl. 1 i 3<br \/>\n&#8211; Suvin, Darko. &#8220;On the Poetics of Science Fiction Genre.&#8221; College English, Sv. 34, Br. 3 1972: 372-382.<\/span><\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><br \/>\n<strong>Svi tekstualni i audiovizualni materijali dobivaju se u elektroni\u010dkom obliku.<\/strong><\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Alternativni svjetovi u suvremenoj britanskoj prozi Nastavnica: dr. sc. Iva Polak, izv. prof. ECTS-bodovi: 6 Jezik: engleski Trajanje: 3. ili 5. semestar Status: izborni kolegij Oblici nastave: 1 sat predavanja, 2 sata seminara tjedno Uvjeti za upis kolegija: polo\u017een Uvod u studij engleske knji\u017eevnosti ili Uvod u studij engleske knji\u017eevnosti 1 i 2 [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-3970","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/3970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3970"}],"version-history":[{"count":75,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/3970\/revisions"}],"predecessor-version":[{"id":48275,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/3970\/revisions\/48275"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}