{"id":39147,"date":"2021-03-08T14:35:45","date_gmt":"2021-03-08T13:35:45","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=39147"},"modified":"2026-03-02T11:32:09","modified_gmt":"2026-03-02T10:32:09","slug":"narrative-dissemination-of-the-land-of-oz","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=39147&lang=en","title":{"rendered":"Narrative DissemiNation of the Land of Oz: Indigenous storytelling"},"content":{"rendered":"<p><span style=\"font-size: 10pt;\"><strong>Instructor: Assoc. Prof. Iva Polak<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>ECTS credits: 6<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Language: English<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Status: elective<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Semester: 2 or 4<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Enrolment requirements<\/strong>: enrolment in any graduate studies of the English Department<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Course description<\/strong>: The course focuses on contemporary Indigenous Australian cultural production and its location within contemporary Australia. Discussions will touch upon myriad issues relevant for contemporary Indigeneities: identity, gender, multiculturalism, contemporary life, urban setting vs the outback. Selected texts (fiction, films, documentaries) range from realist to speculative. The emphasis will be placed on Indigenous humour as the prevailing trait of their cultural production. The course also includes a historical survey of Indigenous presence in Australia and introduction into Indigenous culture.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Objectives:<\/strong> Broadening readers\u2019 expectations and cultural horizons to suit (as much as possible) the needs of the Indigenous literary and cinematic text.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Course requirements:<\/strong> The final grade is based on continuous assessment which includes regular classes attendance (max. 4 unattended classes), preparation for and participation in class discussions, and writing and timely submission of a series of short written assignments (six assignments, c. 1500-2000 words per assignment). Assignments are written after the end of each topical unit. Students must receive a minimum passing grade for reach written assignment to successfully pass the course.<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Weekly schedule<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 1<br \/>\n<\/strong>Introduction to Indigenous Australia: pre-colonial and early colonial contact<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Babakiueria<\/em> (1986) dir. Don Featherstone, mockumentary<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 2<br \/>\n<\/strong>Introduction to Indigenous Australia: Colonial and Post\/neo-colonial contact<\/span><br \/>\n<span style=\"font-size: 10pt;\">SBS documentary series <em>First Australians<\/em> (2008): Episode 5<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 3<br \/>\n<\/strong>Introduction to Indigenous Australia: Post\/neo-colonial contact<\/span><br \/>\n<span style=\"font-size: 10pt;\">SBS documentary series <em>First Australians<\/em> (2008): Episode 7<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 4<br \/>\n<\/strong>Introduction to Indigenous Australian Culture<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Contact<\/em> (2009) documentary<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Cannibal Story<\/em> (2013) animated short<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 5<br \/>\n<\/strong>Retelling the story of Australia\u2019s <em>Terra Nullius<\/em> as Australia\u2019s \u201cfuture history\u201d<\/span><br \/>\n<span style=\"font-size: 10pt;\">Claire G. Coleman. <em>Terra Nullius<\/em> (2017)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 6<br \/>\n<\/strong>Assimilation era wrapped in dark humour<\/span><br \/>\n<span style=\"font-size: 10pt;\">Marie Munkara. \u201cSorry means you don\u2019t do it again\u201d (2011) essay<\/span><br \/>\n<span style=\"font-size: 10pt;\">Marie Munkara. <em>A Most Peculiar Act<\/em> (2014)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 7<br \/>\n<\/strong>Introduction to Indigenous cinema<\/span><br \/>\n<span style=\"font-size: 10pt;\">Indigenous masculinities on screen<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Mad Bastards<\/em> (2010) dir. Brendan Fletcher<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 8<br \/>\n<\/strong><em>Mystery Road<\/em> (2013) dir. Ivan Sen<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 9<br \/>\n<\/strong>Contemporary topics<\/span><br \/>\n<span style=\"font-size: 10pt;\">Vivienne Cleven.<em> Bitin\u2019 Back<\/em> (2001)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 10<br \/>\n<\/strong>Contemporary situation in the outback<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Limbo<\/em> (2023) dir. Ivan Sen<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 11<br \/>\n<\/strong>Imagining different futures<\/span><br \/>\n<span style=\"font-size: 10pt;\">Sam Watson. \u201cI Say This to You\u201d (1994) essay<\/span><br \/>\n<span style=\"font-size: 10pt;\">Sam Watson. \u201cRecipe for Metropolis Brisbane\u201d (2002) poem<\/span><br \/>\n<span style=\"font-size: 10pt;\">Sam Watson.<em> The Kadaitcha Sung<\/em> (1990)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 12<br \/>\n<\/strong>Sam Watson.<em> The Kadaitcha Sung<\/em> (1990)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 13<br \/>\n<\/strong>Australian film and David Gulpilil: Indigenous humour and resilience<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Charlie\u2019s Country<\/em> (2014) dir. Rolf de Heer<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Week 14<br \/>\n<\/strong>Final discussion<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Fiction:<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Terra Nullius<\/em> (2017) Claire G. Coleman<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>A Most Peculiar Act<\/em> (2014) Marie Munkara<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Bitin\u2019 Back<\/em> (2001) Vivienne Cleven<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>The Kadaitcha Sung<\/em> (1990) Sam Watson<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Feature films:<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Babakiueria<\/em> (1986) dir. Don Featherstone, mockumentary<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Mad Bastards<\/em> (2010) dir. Brendan Fletcher<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Mystery Road<\/em> (2013) dir. Ivan Sen<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Charlie\u2019s Country<\/em> (2014) dir. Rolf de Heer<br \/>\n<em>Limbo<\/em> (2023) dir. Ivan Sen<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Documentaries:<\/span><br \/>\n<span style=\"font-size: 10pt;\">SBS documentary series <em>First Australians <\/em>(2008): Episode 5 and 7<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Contact<\/em> (2009) documentary<\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>Cannibal Story<\/em> (2013) animated short<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Criticism:<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Ashcroft, Bill, Gareth Griffiths and Helen Tiffin Eds. <em>Post-Colonial Studies: The Key Concepts<\/em>. London\/New York: Routledge, 2002. (selected terms)<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Holt, Lillian. \u201cAboriginal humour: A conversational corroboree\u201d. <em>Serious Frolic: Essays on Australian Humour<\/em>. Eds. Fran De Groen and Peter Kirkpatrick, St Lucia, Queensland: UQP, 2009: 81-94.<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Milner Davis, Jessica \u201c\u2018Aussie\u2019 humour and laughter: Joking as an acculturating ritual\u201d. <em>Serious Frolic: Essays on Australian Humour<\/em>. Eds. Fran De Groen and Peter Kirkpatrick, St Lucia, Queensland: UQP, 2009: 31-47.<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Munkara, Marie. \u201cSorry means you don\u2019t do it again\u201d, <em>Overland<\/em>, Issue 205, 2011: 59-60.<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Nicholls, Christine. \u201c\u2018Dreamtime\u2019 and \u2018The Dreaming\u2019 \u2013 an introduction\u201d. <em>A Year in Life of Australia. The Conversation<\/em>. Ed. The Conversation, Sydney: Future Leaders. 2014: 77-82.<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Nicholls, Christine. \u201cDreaming and place \u2013 Aboriginal monsters and their meanings\u201d. <em>A Year in Life of Australia. The Conversation<\/em>. Ed. The Conversation, Sydney: Future Leaders, 2014: 82-91.<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Polak, Iva. <em>Futuristic Worlds in Australian Aboriginal Fiction<\/em>. Peter Lang: Oxford, 2017. Chapter 6<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Watson, Sam. \u201cI Say This to You\u201d, <em>Meanjin<\/em>, Vol. 53, No. 4, 1994: 589-596.<\/span><br \/>\n<span style=\"font-size: 10pt;\">\u2013 Wheeler, Belinda ed. <em>A Companion to Australian Aboriginal Literature<\/em>, Camden House: Rochester, New York: 2013.<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">All textual and audio-visual materials are provided in electronic form via cloud service.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Instructor: Assoc. Prof. Iva Polak ECTS credits: 6 Language: English Status: elective Semester: 2 or 4 Enrolment requirements: enrolment in any graduate studies of the English Department Course description: The course focuses on contemporary Indigenous Australian cultural production and its location within contemporary Australia. Discussions will touch upon myriad issues relevant for contemporary Indigeneities: identity, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[104],"tags":[],"class_list":["post-39147","post","type-post","status-publish","format-standard","hentry","category-8-i-10-semestar-knjizevni-kolegiji-2"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/39147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39147"}],"version-history":[{"count":7,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/39147\/revisions"}],"predecessor-version":[{"id":49181,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/39147\/revisions\/49181"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}