{"id":39145,"date":"2021-03-08T14:32:21","date_gmt":"2021-03-08T13:32:21","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=39145"},"modified":"2026-03-02T11:32:25","modified_gmt":"2026-03-02T10:32:25","slug":"pripovjedna-diseminacija-australije","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=39145","title":{"rendered":"Pripovjedna disemiNacija Australije: Aborid\u017einski pripovjeda\u010di"},"content":{"rendered":"

Izvo\u0111a\u010d i nositelj: Dr.sc. Iva Polak, izv.prof.
\nECTS-bodovi: 6
\nJezik: engleski
\nStatus: izborni
\nSemestar: 2. ili 4.
\nUvjeti za upis kolegija: <\/strong>upisan bilo koji smjer diplomskog studija Odsjeka za anglistiku
\nSadr\u017eaj kolegija:<\/strong> Kolegij se bavi suvremenom kulturnom proizvodnjom australskih Aborid\u017eina i njezinom pozicijom u kontekstu suvremene Australije. Rasprave \u0107e se doticati niz bitnih podru\u010dja za uspostavu suvremene aborid\u017einalnosti: pitanjima identiteta, roda, multikulturalnosti, suvremenog \u017eivota, urbanog \u017eivota naspram \u017eivota na rubovima gradova i udaljenim zajednicama. Odabrani filmski, dokumentarni i knji\u017eevni tekstovi oblikovani su razli\u010ditim modusima: od dokumentarno realisti\u010dnog do spekulativnog, odnosno znanstveno fantasti\u010dnog. Naglasak \u0107e biti na humoru kao kontinuiranom i klju\u010dnom aspektu aborid\u017einalnosti. Kolegij tako\u0111er sadr\u017ei i povijesni pregled prisutnosti Aborid\u017eina u Australiji, i uvod u aborid\u017einsku kulturu.<\/span>
\nCilj:<\/strong> Pro\u0161iriti horizont \u010ditatelja kako bi \u0161to vi\u0161e odgovarao horizontu aborid\u017einskoga teksta.
\nS<\/strong>tudentske obaveze:<\/strong> Kolegij se ocjenjuje kontinuiranom evaluacijom \u0161to podrazumijeva: sudjelovanje na nastavi (maks. 4 izostanka), pripremu za i aktivno sudjelovanje na nastavi, te pisanje i pravovremeno podna\u0161anje kra\u0107ih eseja (6 eseja c. 1500-2000 rije\u010di po eseji). Eseji se pi\u0161u po zavr\u0161etku svake tematske cjeline. Kako bi uspje\u0161no polo\u017eili kolegij, studenti trebaju dobiti pozitivnu ocjenu iz svakog eseja.<\/span><\/p>\n

Sadr\u017eaj kolegija po tjednima<\/span>
\n1. tjedan
\n<\/strong>Uvod u aborid\u017einsku Australiju: predkolonijalno i rano kolonijalno razdoblje <\/span>
\nBabakiueria<\/em> (1986) red. Don Featherstone, mockumentary<\/em><\/span>
\n2. tjedan
\n<\/strong>Uvod u aborid\u017einsku Australiju: kolonijalno i post\/neo-kolonijalno razdoblje<\/span>
\nDokumentarna serija australske produkcijske ku\u0107e SBS First Australians<\/em> (2008): 5. epizoda<\/span>
\n3. tjedan
\n<\/strong>Uvod u aborid\u017einsku Australiju: Post\/neo-kolonijalno razdoblje<\/span>
\nDokumentarna serija australske produkcijske ku\u0107e SBS First Australians<\/em> (2008): 7. epizoda<\/span>
\n4. tjedan
\n<\/strong>Uvod u aborid\u017einsku kulturu<\/span>
\nContact<\/em> (2009) dokumentarac<\/span>
\nCannibal Story<\/em> (2013) kratki animirani film<\/span>
\n5. tjedan
\n<\/strong>Preispisivanje pri\u010de o australskoj Terra Nullius<\/em> kao australske “budu\u0107e povijesti”<\/span>
\nClaire G. Coleman. Terra Nullius<\/em> (2017)<\/span>
\n6. tjedan
\n<\/strong>Razdoblje asimilacije kao crnohumorna pri\u010da<\/span>
\nMarie Munkara. \u201cSorry means you don\u2019t do it again\u201d (2011) esej<\/span>
\nMarie Munkara. A Most Peculiar Act<\/em> (2014)<\/span>
\n7. tjedan
\n<\/strong>Uvod u aborid\u017einski film<\/span>
\nAborid\u017einska mu\u0161kost na filmskom platnu<\/span>
\nMad Bastards<\/em> (2010) red. Brendan Fletcher<\/span>
\n8. tjedan
\n<\/strong>Mystery Road<\/em> (2013) red. Ivan Sen<\/span>
\n9. tjedan
\n<\/strong>Suvremena tematika<\/span>
\nVivienne Cleven. Bitin\u2019 Back<\/em> (2001)<\/span>
\n10. tjedan
\n<\/strong>\u017divot u unutra\u0161njosti Australije<\/span>
\nLimbo<\/em> (2023) red. Ivan Sen<\/span>
\n11. tjedan
\n<\/strong>Budu\u0107i svjetovi<\/span>
\nSam Watson. \u201cI Say This to You\u201d (1994) esej<\/span>
\nSam Watson. \u201cRecipe for Metropolis Brisbane\u201d (2002) pjesma<\/span>
\nSam Watson. The Kadaitcha Sung<\/em> (1990)<\/span>
\n12. tjedan
\n<\/strong>Sam Watson. The Kadaitcha Sung<\/em> (1990)<\/span>
\n13. tjedan
\n<\/strong>Australski film i David Gulpilil: humor kao oblik aborid\u017einske otpornosti<\/span>
\nCharlie\u2019s Country<\/em> (2014) red. Rolf de Heer<\/span>
\n14. tjedan
\n<\/strong>Zavr\u0161na rasprava
\n<\/span><\/p>\n

Romani:<\/span>
\nTerra Nullius<\/em> (2017) Claire G. Coleman<\/span>
\nA Most Peculiar Act<\/em> (2014) Marie Munkara<\/span>
\nBitin\u2019 Back<\/em> (2001) Vivienne Cleven<\/span>
\nThe Kadaitcha Sung<\/em> (1990) Sam Watson<\/span><\/p>\n

Igrani filmovi:<\/span>
\nBabakiueria<\/em> (1986) red. Don Featherstone, mockumentary<\/em><\/span>
\nMad Bastards<\/em> (2010) red. Brendan Fletcher<\/span>
\nMystery Road<\/em> (2013) red. Ivan Sen<\/span>
\nCharlie\u2019s Country<\/em> (2014) red. Rolf de Heer
\nLimbo<\/em> (2023) red. Ivan Sen<\/span><\/p>\n

Dokumentarni filmovi:<\/span>
\nDokumentarna serija australske produkcijske ku\u0107e SBS First Australians <\/em>(2008): 5. i 7. epizoda<\/span>
\nContact<\/em> (2009) dokumentarac<\/span>
\nCannibal Story<\/em> (2013) kratki animirani film<\/span><\/p>\n

Sekundarna literatura:<\/span>
\n\u2013 Ashcroft, Bill, Gareth Griffiths and Helen Tiffin Eds. Post-Colonial Studies: The Key Concepts<\/em>. London\/New York: Routledge, 2002. (selected terms)<\/span>
\n\u2013 Holt, Lillian. \u201cAboriginal humour: A conversational corroboree\u201d. Serious Frolic: Essays on Australian Humour<\/em>. Eds. Fran De Groen and Peter Kirkpatrick, St Lucia, Queensland: UQP, 2009: 81-94.<\/span>
\n\u2013 Milner Davis, Jessica \u201c\u2018Aussie\u2019 humour and laughter: Joking as an acculturating ritual\u201d. Serious Frolic: Essays on Australian Humour<\/em>. Eds. Fran De Groen and Peter Kirkpatrick, St Lucia, Queensland: UQP, 2009: 31-47.<\/span>
\n\u2013 Munkara, Marie. \u201cSorry means you don\u2019t do it again\u201d, Overland<\/em>, Issue 205, 2011: 59-60.<\/span>
\n\u2013 Nicholls, Christine. \u201c\u2018Dreamtime\u2019 and \u2018The Dreaming\u2019 \u2013 an introduction\u201d. A Year in Life of Australia. The Conversation<\/em>. Ed. The Conversation, Sydney: Future Leaders. 2014: 77-82.<\/span>
\n\u2013 Nicholls, Christine. \u201cDreaming and place \u2013 Aboriginal monsters and their meanings\u201d. A Year in Life of Australia. The Conversation<\/em>. Ed. The Conversation, Sydney: Future Leaders, 2014: 82-91.<\/span>
\n\u2013 Polak, Iva. Futuristic Worlds in Australian Aboriginal Fiction<\/em>. Peter Lang: Oxford, 2017. Chapter 6<\/span>
\n\u2013 Watson, Sam. \u201cI Say This to You\u201d, Meanjin<\/em>, Vol. 53, No. 4, 1994: 589-596.<\/span>
\n\u2013 Wheeler, Belinda ed. A Companion to Australian Aboriginal Literature<\/em>, Camden House: Rochester, New York: 2013.<\/span><\/p>\n

Svi materijali su studentima dostupni u elektroni\u010dkom obliku preko cloud<\/em> usluge.
\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Izvo\u0111a\u010d i nositelj: Dr.sc. Iva Polak, izv.prof. ECTS-bodovi: 6 Jezik: engleski Status: izborni Semestar: 2. ili 4. Uvjeti za upis kolegija: upisan bilo koji smjer diplomskog studija Odsjeka za anglistiku Sadr\u017eaj kolegija: Kolegij se bavi suvremenom kulturnom proizvodnjom australskih Aborid\u017eina i njezinom pozicijom u kontekstu suvremene Australije. Rasprave \u0107e se doticati niz bitnih podru\u010dja za […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-39145","post","type-post","status-publish","format-standard","hentry","category-8-i-10-semestar-knjizevni-kolegiji"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/39145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39145"}],"version-history":[{"count":11,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/39145\/revisions"}],"predecessor-version":[{"id":49182,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/39145\/revisions\/49182"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}