{"id":38,"date":"2011-10-20T13:07:02","date_gmt":"2011-10-20T13:07:02","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=38"},"modified":"2021-09-20T17:40:40","modified_gmt":"2021-09-20T16:40:40","slug":"englesko-barokno-pjesnitvo","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=38","title":{"rendered":"Englesko barokno pjesni\u0161tvo (Ciglar \u017dani\u0107)"},"content":{"rendered":"

Naslov kolegija: <\/strong> Englesko barokno pjesni\u0161tvo.<\/em><\/span>
\nNastavnica: <\/strong>dr sc. Janja Ciglar-\u017dani\u0107.
\nECTS-bodovi: <\/strong>6 bodova.
\nJezik:<\/strong> engleski
\nStatus:<\/strong> izborni kolegij.
\nTrajanje:<\/strong> 1 semestar (VII. ili VIII. semestar)
\nOblik nastave:<\/strong> 1 sat predavanja i 2 sata seminara tjedno.
\nUvjeti za upis kolegija:<\/strong> zavr\u0161en VI. semestar.<\/p>\n

<\/span>Opis\/ Sadr\u017eaj kolegija: <\/strong> Kolegij \u0107e biti posve\u0107en engleskoj poeziji ranijeg sedamnaestog stolje\u0107a sa stajali\u0161ta njezina odnosa\/ pripadnosti europskoj knji\u017eevnosti toga vremena. Barok \u0107e se smatrati knji\u017eevnim razdobljem koje dominira drugom polovicom \u0161esnaestog i prvom polovicom sedamnaestog stolje\u0107a u ve\u0107ini europskih kultura, uklju\u010duju\u0107i, kao \u0161to \u0107e diskusije ku\u0161ati pokazati, i u engleskoj literaturi toga vremena.<\/span><\/p>\n

Kon\u010detizam kao klju\u010dno obilje\u017eje prou\u010davat \u0107e se zajedno s drugim retori\u010dkim figurama koje obilje\u017eavaju barokno razdoblje. Posebna pa\u017enja bit \u0107e posve\u0107ena takozvanoj metafizi\u010dkoj \u0161koli u engleskoj poeziji, koja se pojavljuje po\u010detkom sedamnaestog stolje\u0107a, ali prou\u010davat \u0107e se i drugi pjesnici, koji ne nose tradicionalnu oznaku \u201cmetafizi\u010dki\u201d. U dijalogu sa studentima temeljito \u0107e se analizirati svjetovna i duhovna lirika spomenutog razdoblja s namjerom da se preispitaju sli\u010dnosti i razlike izme\u0111u engleske i drugih europskih varijanti baroka.<\/span><\/p>\n

Ciljevi kolegija: <\/strong> Glavni je cilj kolegija relocirati englesku knji\u017eevnost ranijeg sedamnaetog stolje\u0107a iz renesanse u u\u017eem smislu u postrenesansni pokret poznat u ve\u0107ini europskih zemalja kao barok. Prou\u010davanje poetike i retorike spomenute poezije bit \u0107e u centru pa\u017enje ovog knji\u017eevnog\u2014povijesnog postupka.<\/span><\/p>\n

Studentske obaveze: <\/strong> Rad u nastavi (redovito poha\u0111anje kolegija i aktivno sudjelovanje u nastavi); razli\u010diti pojedina\u010dni zadaci (jedno usmeno izlaganje); i kona\u010dni pismeni ispit na kraju semestra u obliku eseja.<\/span><\/p>\n

Sadr\u017eaj kolegija po tjednima:<\/strong><\/span><\/p>\n

Prvi tjedan: <\/strong> Uvod: barok kao knji\u017eevno razdoblje. Renesansno na\u010delo decoruma<\/em> i barokna kr\u0161enja decoruma<\/em>.
\nDrugi tjedan: <\/strong> Distinktivna obilje\u017eja u podru\u010dju (a) stila (paralogi\u010dki obrasci, antiteza, amblem, igra rije\u010dima, concetto<\/em>; ingeniozost, domi\u0161ljatost; jezi\u010dna i intelektualna kombinatorika), (b) \u017eanr (generi\u010dke preferencije, karakteristi\u010dna mje\u0161avina \u017eanrova, nove \u017eanrovske kombinacije) i (c) stajali\u0161ta (prema pjesni\u0161tvu, pjesnicima, svijetu; aktualnost, dramatikalnost, jezi\u010dna i epistemolo\u0161ka skepsa).
\nTre\u0107i tjedan: <\/strong> Izrazi i pojmovi: manirizam, barok, \u201cmetafizi\u010dko\u201d pjesni\u0161tvo.
\n\u010cetvrti tjedan: <\/strong> Kon\u010detizam u engleskom baroknom pjesni\u0161tvu.
\nPeti tjedan: <\/strong> Elizabetinska slika svijeta kao izvor barokne slikovnosti.
\n\u0160esti tjedan: <\/strong> Petrarkisti\u010dki topoi<\/em> i njihove barokne transformacije.
\nSedmi tjedan: <\/strong> John Donne: pjesme iz zbirke Songs and Sonets <\/em>(\u201cThe Canonization\u201d, \u201cThe Sun Rising\u201d, \u201cThe Good Morrow\u201d, \u201cThe Flea\u201d i \u201cA Valediction: Forbidding Mourning\u201d).
\nOsmi tjedan: <\/strong> John Donne: pjesme iz zbirke Holy Sonnets <\/em>(\u201cBatter My heart, three\u2014person\u2019d God\u201d).<\/em>
\nDeveti tjedan:<\/strong> George Herbert: pjesme iz zbirke The Temple<\/em> (\u201cEaster Wings\u201d, \u201cJordan (I)\u201d, \u201cJordan (II)\u201d, \u201cThe Pulley\u201d, \u201cThe Forerunners\u201d i \u201cVirtue\u201d).
\nDeseti tjedan: <\/strong> Henry Vaughan: pjesme iz zbirke Silex Scintillans <\/em>(\u201cThe Retreate\u201d i \u201cRegeneration\u201d).
\nJedanaesti tjedan: <\/strong> Richard Crashaw: pjesme iz zbirke Carmen Deo Nostro <\/em>(\u201cThe Weeper\u201d).
\nDvanaesti tjedan: <\/strong> Andrew Marvell: pjesme iz zbirke Collected Poems <\/em>(\u201cTo His Coy Mistress\u201d i \u201cThe Garden\u201d).
\nTrinaesti tjedan: <\/strong> Thomas Traherne: pjesme iz zbirke Commentaries of Heaven<\/em> (\u201cShadows in the Water\u201d).
\n\u010cetrnaesti tjedan: <\/strong> Ben Jonson: pjesme iz zbirke Underwood <\/em>(\u201cMy Picture Left in Scotland\u201d).
\nPetnaesti tjedan: <\/strong> Pismeni ispit.<\/span><\/p>\n

Obavezna literatura:
\n<\/strong>Gardner, Helen (ur), The Metaphysical Poets<\/em>, Harmondsworth [etc.]: Penguin Books, 1988.
\nFord, Boris (ur), The New Pelican Guide to English Literature, vol. 3: From Donne to Marvel<\/em>, Harmondsworth: Penguin Books, 1988.
\nSidney, Philip, An Apology for Poetry<\/em>, u: D. J. Enright & Ernst de Chickero (ur), English Critical Texts<\/em>, London: Oxford UP, 1962; 12-17.
\nJohnson, Samuel, Lives of the English Poets<\/em>, 1. tom, London: Oxford UP, 1961; 3-49.
\nEliot, T. S, \u201cThe Metaphysical Poets\u201d, u: D. J. Enright & Ernst de Chickero (ur), English Critical Texts<\/em>, London: Oxford UP, London, 1962, 302-311.
\nAbrams, M. H (ur), The Norton Anthology of English Literature<\/em>, 1. tom, 6. izdanje, New York i London: W W. Norton, 1993.
\nCiglar-\u017dani\u0107, Janja, Domi\u0161ljato stvoren svijet: Barok u engleskoj knji\u017eevnosti<\/em>, Zagreb: Slap, 2008.
\nCiglar-\u017dani\u0107, Janja. \u201cFatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry\u201d, Studia Romanica et Anglica Zagrabiensia<\/em> 31-31, 1986\/ 87; 3-20.
\nCiglar-\u017dani\u0107, Janja. \u201cKoliko je metafizi\u010dka engleska metafizi\u010dka poezija?\u201d, Umjetnost rije\u010di<\/em> 1, Zagreb, 1988; 73-92.
\nCiglar-\u017dani\u0107, Janja. \u201cBarokno pjesni\u0161tvo, englesko i hrvatsko: zna\u010denje nekih analogija\u201d, Knji\u017eevna smotra<\/em>, XXI, nos. 69-72, 1988; 165-172.
\nCiglar-\u017dani\u0107, Janja. \u201cNeki aspekti engleskog knji\u017eevnog baroka: Formalni manirizmi i njihove funkcije u engleskom postrenesansnom pjesni\u0161tvu\u201d, u: Fali\u0161evac, Dunja, i \u017diva Ben\u010di\u0107 (ur), Knji\u017eevni barok<\/em>, Zagreb: Zavod za znanost o knji\u017eevnosti, 1988; 191-223.
\nCurtius, Ernst Robert, European Literature and the Latin Middle Ages<\/em>, Princeton: Princeton UP, 1973; 273–301.
\nCurtius, Ernst Robert, Evropska knji\u017eevnost i latinsko srednjovjekovlje<\/em>. Zagreb: Nakladni zavod Matice Hrvatske, 1971.
\nDaiches, David, A Critical History of English Literature: in four volumes, <\/em> Vol. 2. – VII, London: Secker & Warburg, 1991; 246-534.
\nFali\u0161evac, Dunja, i \u017diva Ben\u010di\u0107 (ur), Knji\u017eevni barok<\/em>, Zagreb: Zavod za znanost o knji\u017eevnosti, 1988.
\nGrierson, Herbert J. C, Cross Currents in English Literature of the Seventeenth Century<\/em>, Harmondsworth: Penguin Books, 1966.
\nHollander, John, i Frank Kermode (ur). The Oxford Anthology of English Literature, vol. 1: The Middle Ages Through the Eighteenth Century, <\/em> New York; London & Toronto: Oxford UP, 1973; 2337-2316.
\nKravar, Zoran, \u201cKnji\u017eevnost 17. stolje\u0107a i pojam \u2018barok\u2019\u201d, u: Fali\u0161evac, Dunja, i \u017diva Ben\u010di\u0107 (ur), Knji\u017eevni barok<\/em>, Zagreb: Zavod za znanost o knji\u017eevnosti, 1988; 7-48.
\nMorgues, Odette De, Metaphysical, Baroque and Pr\u00e9cieux Poetry<\/em>, Oxford: Clarendon Press, 1953.
\nMorgues, Odette De, \u201cThe European Background to Baroque Sensibility\u201d, u: Ford, Boris (ur), The New Pelican Guide to English Literature, vol. 3: From Donne to Marvel<\/em>, Harmondsworth: Penguin Books, 1982; 97-105.
\nPavli\u010di\u0107, Pavao, \u201cManirizam i barok: jedno ili dvoje?\u201d, u: Fali\u0161evac, Dunja, i \u017diva Ben\u010di\u0107 (ur), Knji\u017eevni barok<\/em>, Zagreb: Zavod za znanost o knji\u017eevnosti, 1988; 49-71.
\nPraz, Mario. The Flaming Heart<\/em>, New York: The Norton Library, 1973; 204-263.
\nSegel, Harold B. The Baroque Poem: A Comparative Survey<\/em>, New York: Dutton Paperback, 1974; 12-142.
\nTillyard, E. M. Elizabethan World Picture<\/em>, Harmondsworth: Penguin Books, 1972.
\nWarnke, Frank J, Versions of Baroque: Terms and Concepts<\/em>, New Haven & London: Yale UP, 1975; 1-20.
\n<\/strong><\/span><\/p>\n

Preporu\u010dena literatura:
\n<\/strong>Empson, William, Seven Types of Ambiguity<\/em>, London: Chatto & Windus, 1956.
\nFali\u0161evac, Dunja, Poezija D\u017eiva Buni\u0107a Vu\u010di\u0107a <\/em>(doktorska disertacija), Zagreb, 1983.
\nForster, Leonard, The Icy Fire<\/em>, London: Cambridge UP, 1979.
\nHocke, Gustav Ren\u00e9<\/em>, Svijet kao labirint: manira i manija u evropskoj umjetnosti od 1520 do 1650 i u suvremenosti, <\/em>prijevod: Nade\u017eda \u010ca\u010dinovi\u0107\u2014Puhovski, Zagreb: Biblioteka August Cesarec, 1991.
\nKeast, William R (ur), Seventeenth-Century English Poetry: modern essays in criticism<\/em>, New York: Oxford UP, 1962.
\nLeishman, J. B, The Art of Marvell\u2019s Poetry<\/em>, London: Hutchinson, 1972.
\nLovejoy, Arthur O. The great chain of being: a study of the history of an idea<\/em>. Cambridge (Mass) & London: Harvard UP, 1964.
\nKravar, Zoran, Studije o hrvatskom knji\u017eevnom baroku<\/em>, Zagreb: Nakladni zavod Matice Hrvatske, 1975.
\nPavli\u010di\u0107, Pavao, Rasprave of hrvatskoj baroknoj kji\u017eevnosti<\/em>, Split: \u010cakavski sabor, 1979.
\nStein, Arnold. John Donne\u2019s Lyrics<\/em>. Minneapolis: University of Minnesota Press, 1962.
\nSypher, Wylie, Four Stages of Renaissance Style: transformations in art and literature: 1400-1700<\/em>, New York: Garden City & Doubleday, 1955.
\nTuve, Rosemond. Elizabethan and Metaphysical Imagery: Renaissance poetic and twentieth-century critics<\/em>, Chicago & London: The University of Chicago Press, 1972.
\nVendler, Helen. The Poetry of George Herbert<\/em>, Cambridge (Mass) and London: Harvard UP, 1975.
\nWellek, Ren\u00e9 (ur), Concepts of criticism<\/em>, s uvodnom rije\u010dju Stephena G. Nicholsa, Jr, New Haven & London: Yale UP, 1963.
\nWilley, Basil, The Seventeenth-Century Background: studies in the thought of the age in relation to poetry and religion<\/em>, Harmondsworth & Ringwood: Penguin Books and Chatto & Windus, 1972.
\nWitherspoon,, Alexander M, i F. J. Warnke, Seventeenth\u2014Century Prose and Poetry<\/em>, New York: Harcourt, Brace & World, 1963.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Naslov kolegija: Englesko barokno pjesni\u0161tvo. Nastavnica: dr sc. Janja Ciglar-\u017dani\u0107. ECTS-bodovi: 6 bodova. Jezik: engleski Status: izborni kolegij. Trajanje: 1 semestar (VII. ili VIII. semestar) Oblik nastave: 1 sat predavanja i 2 sata seminara tjedno. Uvjeti za upis kolegija: zavr\u0161en VI. semestar. Opis\/ Sadr\u017eaj kolegija: Kolegij \u0107e biti posve\u0107en engleskoj poeziji ranijeg sedamnaestog stolje\u0107a sa […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-38","post","type-post","status-publish","format-standard","hentry","category-7-i-9-semestar-knjizevni-kolegiji"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38"}],"version-history":[{"count":27,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/38\/revisions"}],"predecessor-version":[{"id":40304,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/38\/revisions\/40304"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}