{"id":34232,"date":"2019-01-14T14:15:35","date_gmt":"2019-01-14T13:15:35","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=34232"},"modified":"2019-01-14T14:47:27","modified_gmt":"2019-01-14T13:47:27","slug":"african-american-literature-1800-present-2019","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=34232","title":{"rendered":"African American Literature: 1800-Present (2019-h)"},"content":{"rendered":"<p style=\"line-height: normal;\"><span style=\"font-size: 10pt;\">Naziv kolegija: <strong>African American Literature: 1800-Present<\/strong><br \/>\nNastavnik: Dr. sc. Mark Metzler Sawin, red. prof. (gostuj\u0107i profesor)<\/span><br \/>\n<span style=\"font-size: 10pt;\"> ECTS-bodovi: 6<br \/>\nJezik: engleski<br \/>\nTrajanje: 1 semestar, IV. ili VI. semestar, ljetni &#8211; <strong>KUMULATIVNA NASTAVA,<\/strong> <strong>22. travanja do 7. lipnja 2019.<\/strong><br \/>\nStatus: Izborni<br \/>\nOblik nastave: 1 sat predavanja i 2 sata seminara na tjedan<br \/>\nUvjeti za upis kolegija: Polo\u017een kolegij Uvod u studij engleske knji\u017eevnosti ili Uvod u studij engleske knji\u017eevnosti 1 i 2<\/span><br \/>\n<span style=\"color: #99ccff; font-size: 10pt;\"> ____________________________________________________________________________________<\/span><\/p>\n<p><a href=\"https:\/\/anglist.ffzg.unizg.hr\/wp-content\/uploads\/2019\/01\/Sawin-Af-Am-Lit-syllabus-2019.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 10pt;\">download syllabus (.PDF)<\/span><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><strong>COURSE DESCRIPTION &amp; OBJECTIVES:<\/strong> <\/span><br \/>\nIn the first chapter of his monumental work The Souls of Black Folk (1903) W.E.B. Du Bois wrote:<br \/>\n<span style=\"font-size: 10pt;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0 \u2026the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world, \u2014a world which yields him no true selfconsciousness, <\/em><em>but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one\u2019s self through the eyes of others, of measuring one\u2019s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness, \u2014an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The history of the American Negro is the history of this strife, \u2014this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message for the world. <\/em><\/span><span style=\"font-size: 10pt;\"><em>He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face. This, then, is the end of his striving: to be a co-worker in the kingdom of culture, to escape both death and isolation, to husband and use his best powers and his latent genius.<\/em><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">This course is a study of African American literature and culture through the 19th and 20th centuries and up to today, however, if it succeeds, it will go far deeper than this, becoming an insightful investigation of the \u201cdouble consciousness\u201d that Du Bois alluded to 115 years ago. Themes for this course will include the Construction of Race, Slavery, Emancipation, Jim Crow, Lynching, Jazz, Urbanization, the Harlem Renaissance, Desegregation, Civil Rights, R&amp;B &amp; Rock n\u2019 Roll, the Sports and Entertainment Industries, Victimization, White-guilt, Political Correctness, Affirmative Action, and Hip-Hop Culture.<\/span><br \/>\n<span style=\"font-size: 10pt;\">Because of its combined literary and cultural foci, the methodology of this course will be somewhat unconventional, using not only literary texts and documents, but also many cultural creations (film, music, etc.)\u00a0 to examine the story of Black America. This is necessary because this subject is complex and culturally loaded\u2014the construction, enforcement, reconstruction, and slow transformation of \u201cBlack\u201d and \u201cWhite\u201d America is at the center of the dynamic tension that has driven much of American history, from the ravages of Slavery and the Civil War to the creation of the amazing and distinctive African American culture that heavily impacts the global<\/span><br \/>\n<span style=\"font-size: 10pt;\">culture of the 21st century. Each week will include a lecture on the context &amp; culture of Black America for the given era, and then a discussion of the assigned texts. Learning to examine, explain, and understand the vibrant literary and cultural creations of Black America is the goal of this course. <\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>EVALUATION:<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\">Reading Responses: Each week during this seven-week class there will be both required and supplemental texts\u2014I will provide access to all materials. Students are responsible for four Response Essays (500 to 1,000 words) based on the texts and the material from lectures. I will expect these essays to be an insightful analysis of our texts, written in clean, crisp, concise prose. Your grade will be based on your top three responses.<\/span><br \/>\n<span style=\"font-size: 10pt;\">Class Participation: You will all be expected to attend each lecture, to thoroughly read each required text, and to actively participate in class discussions. For the first few weeks of class, this will be done in a \u201ccyber\u201d format because I\u2019ll still be in the U.S.A. From that point forward, we will meet regularly at the university.<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ASSIGNMENTS &amp; SCORING<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\">Reading Responses (3 x 25%) = 75%<\/span><br \/>\n<span style=\"font-size: 10pt;\">Class Participation = 25%<\/span><br \/>\n<span style=\"font-size: 10pt;\">Grades will be based on a ten-point scale:<\/span><br \/>\n<span style=\"font-size: 10pt;\">5 = 100-90% 4 = 89-80% 3 = 79-70% 2 = 69-60% 1 = 59-0%<\/span><br \/>\n<span style=\"font-size: 10pt;\">Assignments turned in late will be penalized 10%<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>COURSE SCHEDULE<\/strong>: (*denotes required text)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\">Week 1<\/span>. Slavery &amp; the American Civil War (starting Monday, April 22)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Folktales &amp; Spirituals (early 1800s)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Martin Delany. The Condition, Elevation, Emigration &amp; Destiny of the<\/span><br \/>\n<span style=\"font-size: 10pt;\">Colored People of the United States (selections) (1852)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Frederick Douglass. My Bondage and My Freedom (selections) (1855)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Harriet Jacobs. Incidents in the Life of a Slave Girl (selections) (1861)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Sojourner Truth. \u201cAr\u2019n\u2019t I a Woman?\u201d (1864)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\">Week 2.<\/span> Reconstruction &amp; the Rise &amp; Fall of Black Rights (starting Monday, April 29)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Charles Chesnutt. \u201cThe Wife of His Youth\u201d (1898)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Booker T. Washington. \u201cThe Atlanta Exposition Address\u201d (1895)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; W.E.B. Du Bois. The Souls of Black Folk (selections) (1903)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\">Week 3.<\/span> Segregated America (starting Monday, May 6)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *James Weldon Johnson. Autobiography of an Ex-Colored Man (1912)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\">Week 4.<\/span> The Harlem Renaissance (starting Monday, May 13)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Langston Hughes. Poetry &amp; Essays (1910-20s)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *W.E.B. DuBois. \u201cThe Comet\u201d (1920)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Marcus Garvey. \u201cThe Negro\u2019s Greatest Enemy\u201d (1923)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Paul Robeson in the Eugene O\u2019Neill film. The Emperor Jones (1933)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Ken Burns documentary. JAZZ vol. 2 (2001)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\">Week 5.<\/span> The Civil Rights Era (starting Monday, May20)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Ralph Ellison. Invisible Man (selections) (1952)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; TV Episode. Amos \u2018n\u2019 Andy (1952)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Martin Luther King Jr. &amp; Malcolm X. (selections) (1960s)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; James Baldwin documentary. I Am Not Your Negro (2016)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\">Week 6.<\/span> All Funked Up: Hip Hop America (starting Monday, May 27)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Documentary on Blaxploitation. BaadAsssss Cinema (2002)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Blaxploitation film. Shaft (1971)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Early Hip Hop film. Wild Style (1983)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Spike Lee film. Do the Right Thing (1989)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; John Singleton film. Boyz n the Hood (1991)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Spike Lee film. Bamboozled (2000)<\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"text-decoration: underline;\">Week 7<\/span>. Black Lives Matter?!: Race in America Today (starting Monday, June 3)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; *Ta-Nehisi Coates. (selection of essays) (2010s)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Malcolm Gladwell (selection of essay) (2010s)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Ryan Coogler film. Fruitdale Station (2013)<\/span><br \/>\n<span style=\"font-size: 10pt;\">&#8211; Barry Jenkins film. Moonlight (2016)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: African American Literature: 1800-Present Nastavnik: Dr. sc. Mark Metzler Sawin, red. prof. (gostuj\u0107i profesor) ECTS-bodovi: 6 Jezik: engleski Trajanje: 1 semestar, IV. ili VI. semestar, ljetni &#8211; KUMULATIVNA NASTAVA, 22. travanja do 7. lipnja 2019. Status: Izborni Oblik nastave: 1 sat predavanja i 2 sata seminara na tjedan Uvjeti za upis kolegija: Polo\u017een [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-34232","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/34232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34232"}],"version-history":[{"count":5,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/34232\/revisions"}],"predecessor-version":[{"id":34248,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/34232\/revisions\/34248"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}