{"id":33700,"date":"2018-09-28T16:58:47","date_gmt":"2018-09-28T15:58:47","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=33700"},"modified":"2018-09-28T17:25:35","modified_gmt":"2018-09-28T16:25:35","slug":"pre-raphaelitism","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=33700&lang=en","title":{"rendered":"Pre-Raphaelitism"},"content":{"rendered":"<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course title<\/strong>: <strong>Pre-Raphaelitism<br \/>\n<\/strong><strong style=\"font-size: small;\">Instructor<\/strong><span style=\"font-size: small;\">: Professor Tatjana Juki\u0107<br \/>\n<\/span><span style=\"font-size: small;\">ECTS credits: 6<br \/>\n<\/span><span style=\"font-size: small;\">Language: English<br \/>\n<\/span><span style=\"font-size: small;\">Semester: 1 or 3<br \/>\n<\/span><\/span><strong style=\"font-size: small;\">Enrollment requirements<\/strong><span style=\"font-size: small;\">: Enrollment in the graduate programme<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course description<\/strong>: The course explores how literature intersects with visuality in Victorian culture, with the emphasis on the Pre-Raphaelite Brotherhood. Taking Foucault&#8217;s discussions of the nineteenth century as our point of departure, we will analyze how the Pre-Raphaelites engage the contact zones of literature and the visual, and anticipate critical and visual developments that we associate with the twentieth century. We will focus on art, poetry and\/or criticism by Dante Gabriel Rossetti, Christina Rossetti, John Ruskin, John Everett Millais and William Holman Hunt.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course requirements: <\/strong>The grade is based on a written essay at the end of term (30% of the final grade), and two tests (30% of the final grade each), as well as on active participation in the class (10% of the final grade).<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">WEEK 1 Visuality and Victorian culture. Panopticism. Painting and photography.<br \/>\n<span style=\"font-size: small;\">WEEK 2 Michel Foucault and the Victorians. Visuality and sexuality. Historicism and the second law of thermodynamics.<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 3 The Pre-Raphaelite Brotherhood. Visuality, narration, historicism.<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 4 The Pre-Raphaelite Shakespeare (1). <\/span><em style=\"font-size: small;\">Hamlet<\/em><span style=\"font-size: small;\">. John Everett Millais, \u201eOphelia\u201c<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 5 The Pre-Raphaelite Shakespeare (2). <\/span><em style=\"font-size: small;\">Measure for Measure<\/em><span style=\"font-size: small;\">. Millais and William Holman Hunt. Alfred Tennyson, \u201eMariana\u201c<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 6 The Pre-Raphaelites and psychoanalysis (1). Dante Gabriel Rossetti, \u201eEcce Ancilla Domini (The Annunciation)\u201c<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 7 The Pre-Raphaelites and psychoanalysis (2). Dante Gabriel Rossetti, \u201ePia de&#8217; Tolomei\u201c and \u201eProserpine.\u201c Dante Gabriel Rossetti on the sonnet. Sigmund Freud, \u201eMourning and Melancholia\u201c<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 8 Midterm. Rossetti as translator. Translation as the \u201einsanity of realism\u201c (Walter Pater)<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 9 Women and the Brotherhood. Victorian women writers. Christina Rossetti (1). \u201eIn an Artist&#8217;s Studio,\u201c \u201eMy Dream,\u201c \u201eThe Convent Threshold\u201c<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 10 Women and the Brotherhood. Victorian women writers. Christina Rossetti (2). <\/span><em style=\"font-size: small;\">Goblin Market<br \/>\n<\/em><span style=\"font-size: small;\">WEEK 11 The Pre-Raphaelites, political economy and biopolitics. Ford Madox Brown, \u201eWork.\u201c John Ruskin as critic.<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 12 Croatian critics on Pre-Raphaelitism. Antun Gustav Mato\u0161 and Miroslav Krle\u017ea.<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 13 The Pre-Raphaelites and (post)modernity. John Fowles and A. S. Byatt.<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 14 Final discussion.<br \/>\n<\/span><span style=\"font-size: small;\">WEEK 15 Final test. Evaluation.<\/span><\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Required reading:<br \/>\n<\/strong><span style=\"font-size: small;\">Dickens, Charles. \u201cA Criticism of Millais\u2019 \u2018Christ in the House of His Parents&#8217;\u201d<br \/>\n<\/span><span style=\"font-size: small;\">Hunt, William Holman. Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Rossetti, Christina Rossetti. Stories and poetry (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Rossetti, Dante Gabriel Rossetti. Poetry, translations, criticism (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Ruskin, John. Criticism (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Pater, Walter. \u201cDante Gabriel Rossetti\u201d<br \/>\n<\/span><span style=\"font-size: small;\">Swinburne, Algernon Charles. Poetry (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Tennyson, Alfred. Poetry (selection)<\/span><\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Byatt, Antonia Susan. <em>Possession. A Romance<br \/>\n<\/em><span style=\"font-size: small;\">Fowles, John. <\/span><em style=\"font-size: small;\">The French Lieutenant&#8217;s Woman<\/em><\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Optional reading:<br \/>\n<\/strong><span style=\"font-size: small;\">Benjamin, Walter. \u201cThe Task of the Translator\u201d<br \/>\n<\/span><span style=\"font-size: small;\">Bronfen, Elizabeth. <\/span><em style=\"font-size: small;\">Over Her Dead Body. Death, Femininity and the Aesthetic<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Buchanan, Robert. \u201cThe Fleshly School of Poetry\u201d<br \/>\n<\/span><span style=\"font-size: small;\">Cavell, Stanley. <\/span><em style=\"font-size: small;\">Contesting Tears. The Hollywood Melodrama of the Unknown Woman<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Deleuze, Gilles. <\/span><em style=\"font-size: small;\">Essays Critical and Clinical<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Foucault, Michel. <\/span><em style=\"font-size: small;\">Discipline and Punish: The Birth of the Prison<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Foucault, Michel. \u201eOf Other Spaces\u201c<br \/>\n<\/span><span style=\"font-size: small;\">Foucault, Michel. <\/span><em style=\"font-size: small;\">The History of Sexuality: 1<\/em><span style=\"font-size: small;\">. (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Freud, Sigmund. \u201cMourning and Melancholia\u201d<br \/>\n<\/span><span style=\"font-size: small;\">Gilbert, Sandra M. and Susan Gubar. <\/span><em style=\"font-size: small;\">The Madwoman in the Attic and the Nineteenth-Century Literary Imagination<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Harding, Ellen (ed.). <\/span><em style=\"font-size: small;\">Re-Framing the Pre-Raphaelites. Historical and Theoretical Essays<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">James, Henry. <\/span><em style=\"font-size: small;\">Letters<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Juki\u0107, Tatjana. <\/span><em style=\"font-size: small;\">Zazor, nadzor, svi\u0111anje. Dodiri knji\u017eevnog i vizualnog u britanskom 19. stolje\u0107u<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Klibansky, Raymond, Erwin Panofsky and Fritz Saxl. <\/span><em style=\"font-size: small;\">Saturn and Melancholy. Studies in the History of Natural Philosophy, Religion, and Art<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Mulvey, Laura. \u201cVisual Pleasure and Narrative Cinema\u201d<br \/>\n<\/span><span style=\"font-size: small;\">Paglia, Camille. <\/span><em style=\"font-size: small;\">Sexual Personae. Art and Decadence from Nefertiti to Emily Dickinson <\/em><span style=\"font-size: small;\">(selection)<br \/>\n<\/span><span style=\"font-size: small;\">Pointon, Marcia (ed.). <\/span><em style=\"font-size: small;\">Pre-Raphaelites Re-Viewed<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Pollock, Griselda. <\/span><em style=\"font-size: small;\">Vision and Difference. Femininity, feminism and histories of art<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Ranci\u00e8re, Jacques. <\/span><em style=\"font-size: small;\">The Future of the Image<\/em><span style=\"font-size: small;\"> (selection)<br \/>\n<\/span><span style=\"font-size: small;\">Tobin, Thomas (ed.). <\/span><em style=\"font-size: small;\">Worldwide Pre-Raphaelitism<\/em><span style=\"font-size: small;\"> (selection)<\/span><\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Course title: Pre-Raphaelitism Instructor: Professor Tatjana Juki\u0107 ECTS credits: 6 Language: English Semester: 1 or 3 Enrollment requirements: Enrollment in the graduate programme Course description: The course explores how literature intersects with visuality in Victorian culture, with the emphasis on the Pre-Raphaelite Brotherhood. Taking Foucault&#8217;s discussions of the nineteenth century as our point of departure, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[135],"tags":[],"class_list":["post-33700","post","type-post","status-publish","format-standard","hentry","category-7-i-9-semestar-knjizevni-kolegiji-2"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33700"}],"version-history":[{"count":5,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33700\/revisions"}],"predecessor-version":[{"id":33711,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33700\/revisions\/33711"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}