{"id":33560,"date":"2018-09-24T16:33:22","date_gmt":"2018-09-24T15:33:22","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=33560"},"modified":"2018-09-24T16:51:20","modified_gmt":"2018-09-24T15:51:20","slug":"twentieth-century-american-poetry","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=33560&lang=en","title":{"rendered":"Twentieth Century American Poetry"},"content":{"rendered":"<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Title of the course:<\/strong> Twentieth Century American Poetry<br \/>\n<strong>Lecturer:<\/strong> prof.dr. Stipe Grgas<br \/>\n<strong>ECTS:<\/strong> 6<br \/>\n<strong>Language:<\/strong> English<br \/>\n<strong>Duration:<\/strong> 4th or 6th semester<br \/>\n<strong>Status:<\/strong> elective course<br \/>\n<strong>Teaching mode:<\/strong> 1 hour lecturing, 2 hours of seminar work weekly <br \/>\n<strong>Preconditions for enrollment<\/strong>: \u201eIntroduction to the Study of English Literature \u201c I and II<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><span style=\"text-decoration: underline;\">Contents of the course:<\/span> The course offers a description, a reading and an interpretation of American poetry published from the end of the nineteenth century to the present day. The departure point for the course is the assumption that during the last couple of decades poetry has been marginalized in philological studies. The course will argue for the relevance of this archive. The focus will be on the specificity of the art of poetry, on the transformations undergone by poetry within the system of literature but also in the broader cultural environment. The diachronic reading of American poets will seek out their differentiating features but will also point to what these poets share with poetry writing in other literary and cultural contexts. The basic methodological premise of the course is that poetry develops according to its own immanent laws but that it also mirrors the challenges of of the world outside of literature. Because of the immense quantity of primary material the course will make a selection from the extant material and choose not only representative poets but representative texts by the chosen writers. The course proposes to continually rely on the accessibility on the Internet of not only texts but of recorded readings of poems.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><span style=\"text-decoration: underline;\">Aim of the course:<\/span> The students will acquaint themselves with a very important segment of twentieth century poetry. The aim of the course is to make the students aware of a marginalized literary genre, train them how to approach it and convince them of the multifaceted function and importance of the poetic word.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><span style=\"text-decoration: underline;\">Student obligation:<\/span> Fulfill the obligations stipulated by the model of continuous evaluation. During the semester the students must write a number of short papers on assigned texts while they have to hand in a longer seminar paper in the next to last session. The last session is reserved for the written exam.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><span style=\"text-decoration: underline;\">Division of the course by weeks:<\/span><br \/>\n1. On poetry in general<br \/>\n2. Predecessors (Dickinson\/Whitman)<br \/>\n3. Modernists abroad: Ezra Pound i T.S. Eliot<br \/>\n4. Modernists at home: Robert Frost, William Carlos Williams<br \/>\n5. Modernists at home: Hart Crane, William Carlos Williams, Hart Crane, Louis Zukofsky<br \/>\n6. Gendered Voices: Marianne Moore, H.D., Elizabeth Bishop, Sylvia Plath<br \/>\n7. Confessional Poetry: John Berryman, Robert Lowell, Theodore Roethke<br \/>\n8. Beat poets: Allen Ginsberg, Lawrence Ferlinghetti, Charles Bukowski<br \/>\n9. Black Mountain Poets: Charles Olson, Robert Creeley<br \/>\n10. Deep Image Poetry: Robert Bly, Mark Strand<br \/>\n11. New York School: John Ashberry, Frank O&#8217;Hara<br \/>\n12. 1970s: Gwendolyn Brooks, Nikki Giovanni<br \/>\n13. Language Poetry: Bob Perelman, Charles Bernstein<br \/>\n14. Final discussion, written exam<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><span style=\"text-decoration: underline;\">Obligatory texts:<\/span> A selection of a poem or a number of poems from the opus of the poets listed above. <\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><span style=\"text-decoration: underline;\">Secondary literature:<\/span> Studies dealing with poetry in general, particularly those dealing with modern poetry. Manifestos written by some of the poets. Finally, the many books dealing with American poetry as well as the case book studies of individual works and writers.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Title of the course: Twentieth Century American Poetry Lecturer: prof.dr. Stipe Grgas ECTS: 6 Language: English Duration: 4th or 6th semester Status: elective course Teaching mode: 1 hour lecturing, 2 hours of seminar work weekly Preconditions for enrollment: \u201eIntroduction to the Study of English Literature \u201c I and II Contents of the course: The course [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[146],"tags":[],"class_list":["post-33560","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-4-ili-6-semestar-2"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33560"}],"version-history":[{"count":3,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33560\/revisions"}],"predecessor-version":[{"id":33568,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33560\/revisions\/33568"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}