{"id":33434,"date":"2018-09-18T15:33:20","date_gmt":"2018-09-18T14:33:20","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=33434"},"modified":"2022-10-03T16:00:17","modified_gmt":"2022-10-03T15:00:17","slug":"americko-zensko-pismo-19-stoljeca-2","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=33434","title":{"rendered":"Ameri\u010dko \u017eensko pismo 19. stolje\u0107a (arhiva 18\/19)"},"content":{"rendered":"<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course title:<\/strong> American Women&#8217;s Writing in the Nineteenth Century (A, 19. st.)<br \/>\nWinter 2018\/2019<br \/>\nMon, 8:45-9:30 (A-105)<br \/>\nWed, 10:15-11:45 (A-105)<br \/>\n<strong>Instructor: <\/strong>Dr. Jelena \u0160esni\u0107, Assoc. Prof. <br \/>\n<strong>E-mail: <\/strong><a href=\"mailto:jsesnic@ffzg.hr\">jsesnic@ffzg.hr<\/a><br \/>\n<strong>Phone: <\/strong>01-4092060<br \/>\n<strong>Office:<\/strong> B-018<br \/>\n<strong>Office hours: <\/strong>Mon, 12:30-13:30 p.m.; Thur, 11-12 a.m.<br \/>\n<strong>ECTS credits:<\/strong> 6<br \/>\n<strong>Language:<\/strong> English<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Prerequisites:<\/strong> Enrolment in the 3rd or 5th semester of the English Language program.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course requirements:<\/strong> Regular attendance; assignments (oral and written); seminar paper (6-7 pp, ca 2500 words); continuous evaluation (a <strong>mid-term<\/strong> and a <strong>final<\/strong> test).<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course description:<\/strong> The course is an overview of representative texts by and about women in nineteenth-century America. In order better to contextualize the texts, we shall be looking at two earlier traditions informing writing by women that are mutually compatible rather than exclusionary. The one is represented by Rowlandson\u2019s captivity narrative and situates a woman at the centre of the project of nation-building, while the other is exemplified by Rowson\u2019s hugely popular sentimental\/ seduction novel, from which the novel writing in the States takes off. Thus the feminine tradition appears to be crucial from the very beginning for the way the American nation describes and represents itself. This argument, however, becomes possible only in the wake of the strong intervention into the field of literary history and literary canon formation enacted by feminist, poststructuralist, new historicist and cultural critics from the 1970s onwards.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Required reading:<\/strong><\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Novels\/ narratives<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"font-size: 10pt;\">Mary Rowlandson: <em>The Sovereignty and Goodness of God<\/em> (1682)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Susanna Rowson: <em>Charlotte Temple<\/em> (1791)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Lydia Maria Child: <em>Hobomok<\/em> (1824)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Harriet Jacobs: <em>Incidents in the Life of a Slave-Girl <\/em>(1861)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Louisa May Alcott: <em>Work: A Story of Experience<\/em> (1873)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Frances Harper: <em>Iola Leroy<\/em> (1893)<\/span><\/li>\n<\/ol>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Syllabus<br \/>\n<\/strong>Week 1: General introduction. Introduction to Rowlandson.Mary Rowlandson&#8217;s captivity narrative as a formative national text; Richard Slotkin&#8217;s notion of \u201eregeneration through violence\u201c<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 2: Analysis of cultural, political, ethical, and gendered implications of Rowlandson&#8217;s captivity<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 3: Susanna Rowson&#8217;s novel as a representative and generative instance of the sentimental\/ seduction novel<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 4: Rowson&#8217;s novel in the context of transatlantic cultural exchange and sentimentalism<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 5: L.M. Child&#8217;s <em>Hobomok<\/em> and the idea of cultural nationalism<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 6: <em>Hobomok<\/em> as a revisionst text; politics of race and gender in the novel (Indian and female characters)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 7: <strong>Mid-term.<\/strong> Introduction to Jacobs&#8217;s slave narrative depicting her life in slavery<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 8: Jacobs&#8217;s text in between the domestic, sentimental and seduction novels and representative masculine slave narratives<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 9: Analysis of narrative and cultural strategies in conjunction with race and gender in Jacobs&#8217;s text.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 10: Alcott&#8217;s <em>Work<\/em> as a story of women&#8217;s emergence in the public sphere in a transforming society.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 11: Analysis of the novel&#8217;s accommodation of realism with the conventions of sentimentalism and women&#8217;s fiction.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 12: Harper&#8217;s <em>Iola Leroy<\/em> and the post-slavery, post-Reconstruction America. On-going influence of the domestic and sentimental fiction.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 13: Status and color distinction within the black community; Iola Leroy as a \u201etragic mulatta\u201c and the problem of passing.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Week 14: <strong>Final test<\/strong>. Student evaluation.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Secondary literature (required):<br \/>\n<\/strong>Castiglia, Christopher. <em>Bound and Determined: Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty Hearst<\/em>. Chicago, London: The U of Chicago P, 1996. (selection)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Elbert, Sarah. \u201eIntroduction.\u201c <em>Work: A Story of Experience<\/em> by Louisa May Alcott. Shocken Books: New York, 1977. Ix- xliv.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Foster, Frances S. <em>Written by Herself: Literary Production by African American Women, 1746-1892<\/em>. Bloomington, Indianapolis: Indiana UP, 1993. (selection)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Goddu, Teresa. <em>Gothic America: Narrative, History, and Nation<\/em>. New York: Columbia UP, 1997. (selection)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Grasso, Linda. <em>The Artistry of Anger: Black and White Women&#8217;s Literature in America, 1820-1860.<\/em> Chapel Hill, London: The U of North Carolina P, 2002. (selection)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Howard, June. \u00abWhat Is Sentimentality?\u00bb <em>American Literary History<\/em> 11.1 (Spring 1990): 63-81.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Kaplan, Amy. \u00abManifest Domesticity\u00bb. <em>American Literature<\/em>. No More Separate Spheres. 70.3 (September 1998): 581-606.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Nelson, Dana. <em>The Word in Black and White: Reading &#8216;Race&#8217; in American Literature, 1638-1867.<\/em> New York, Oxford: Oxford UP, 1994. (selection)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Schloss, Dietmar. &#8220;Republicanism and Politeness in the Early American Novel&#8221;. <em>Early America Re-Explored: Readings in Colonial, Early National, and Antebellum Culture<\/em>. Eds. Fritz Fleischmann and Klaus H. Schmidt. New York: Peter Lang, 2000. 269-90.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Slotkin, Richard. <em>Regeneration through Violence: the Mythology of the American Frontier, 1600-1800<\/em>, Norman: U of Oklahoma P, 1973. (selection)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Welter, Barbara. \u201eThe Cult of True Womanhood: 1820-1860\u201c. 1966. <em>Locating American Studies: The Evolution of a Discipline<\/em>. Ed. Lucy Maddox. Baltimore, London: The Johns Hopkins UP, 1999. 43-70.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">&nbsp;<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Optional reading:<br \/>\n<\/strong><em>American Literature<\/em>. No More Separate Spheres. 70.3 (Sept. 1998).<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Armstrong, Nancy and Leonard Tennenhouse. \u201eThe Problem of Population and the Form of the American Novel\u201c. <em>American Literary History<\/em> 20.4 (Winter 2008): 667-85.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Baym, Nina. \u00abWomen&#8217;s Novels and Women&#8217;s Minds: An Unsentimental View of Nineteenth-Century American Women&#8217;s Fiction\u00bb. <em>Novel: A Forum on Fiction<\/em> 31.3 (Summer 1998): 335-50.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Carby, Hazel. <em>Reconstructing Womanhood : The Emergence of the Afro-American Woman Novelist<\/em>. New York, Oxford: Oxford UP, 1989.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Davidson, Cathy. <em>Revolution and the Word: The Rise of the Novel in America<\/em>. New York, Oxford: Oxford UP, 1986. (selection)<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Douglas, Ann. <em>The Feminization of American Culture<\/em>. 1977. New York: Farrar, Straus and Giroux, 1998.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Elbert, Monika, ed. Separate <em>Spheres No More: Gender Convergence in American Literature, 1830-1930.<\/em> Tuscaloosa, London: The U of Alabama P, 2000.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Hendler, Glenn. <em>Public Sentiments: Structures of Feeling in Nineteenth-Century American Literature<\/em>. Chapel Hill, London: The U of North Carolina P, 2001.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Karcher, Carolyn. \u00abReconceiving Nineteenth-Century American Literature: The Challenge of Women Writers\u00bb. <em>American Literature<\/em> 66.4 (Dec. 1994): 781-93.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Kelley, Mary. <em>Private Women, Public Stage: Literary Domesticity in Nineteenth-Century America<\/em>. New York, Oxford: Oxford UP, 1984.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Kilcup, Karen, ed. <em>Soft Canons: American Women Writers and Masculine Tradition<\/em>. Iowa City: U of Iowa P, 1999. <\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Maddock Dillon, Elizabeth. \u00abSentimental Aesthetics\u00bb. <em>American Literature<\/em> 76.3 (September 2004): 495-523.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Merish, Lori. <em>Sentimental Materialism: Gender, Commodity Culture, and Nineteenth-Century American Literature<\/em>. Durham, London: Duke UP, 2000.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Moon, Michael and Cathy Davidson, eds. <em>Subjects and Citizens: Nation, Race, and Gender from Oronooko to Anita Hill<\/em>, Duke UP, Durham and London, 1995.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Romero, Lora. <em>Home Fronts: Domesticity and Its Critics in the Antebellum United States<\/em>. Durham, London: Duke UP, 1997.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Samuels, Shirley, ed. <em>The Culture of Sentiment: Race, Gender, and Sentimentality in Nineteenth-Century America<\/em>. New York, Oxford: Oxford UP, 1992.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Showalter, Elaine. <em>Sister&#8217;s Choice: Tradition and Change in American Women&#8217;s Writing<\/em>. Oxford: Clarendon P, 1991.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">\u0160esni\u0107, Jelena. <em>Mra\u010dne \u017eene. Prikazi \u017eenstva u ameri\u010dkoj knji\u017eevnosti (1820.-1860.)<\/em>. Zagreb: Leykam International, 2010.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Tate, Claudia. \u00abAllegories of Black Female Desire; or, Rereading Nineteenth-Century Sentimental Narratives of Black Female Authority\u00bb. <em>Changing Our Own Words: Essays on Criticism, Theory, and Writings by Black Women<\/em>. Ed. Cheryl Wall. New Brunswick, London: Rutgers UP, 1991. 98-126.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Tawil, Ezra. \u201eDomestic Frontier Romance, or, How the Sentimental Heroine Became White\u201c. <em>Novel: A Forum on Fiction<\/em> 32.1 (Fall 1998): 99-124.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Tompkins, Jane. <em>Sensational Designs: The Cultural Work of American Fiction, 1790-1860<\/em>. New York, Oxford: Oxford UP, 1985.<\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\">Warren, Joyce, ed. <em>The (Other) American Traditions: Nineteenth-Century Women Writers<\/em>. New Brunswick, New Jersey: Rutgers UP, 1993.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Course title: American Women&#8217;s Writing in the Nineteenth Century (A, 19. st.) Winter 2018\/2019 Mon, 8:45-9:30 (A-105) Wed, 10:15-11:45 (A-105) Instructor: Dr. Jelena \u0160esni\u0107, Assoc. Prof. E-mail: jsesnic@ffzg.hr Phone: 01-4092060 Office: B-018 Office hours: Mon, 12:30-13:30 p.m.; Thur, 11-12 a.m. ECTS credits: 6 Language: English Prerequisites: Enrolment in the 3rd or 5th semester of the [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-33434","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-3-ili-5-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33434"}],"version-history":[{"count":4,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33434\/revisions"}],"predecessor-version":[{"id":42623,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/33434\/revisions\/42623"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}