{"id":30298,"date":"2017-10-28T09:39:07","date_gmt":"2017-10-28T08:39:07","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=30298"},"modified":"2022-01-31T13:07:09","modified_gmt":"2022-01-31T12:07:09","slug":"etika-i-estetika-britanskog-modernizma-2017","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=30298","title":{"rendered":"Etika i estetika britanskog modernizma"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Naziv kolegija: <em>Etika i estetika britanskog modernizma<\/em><\/strong><\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Nastavnica: dr. sc. Martina Domines Veliki, izv. prof.<br \/>\n<\/strong><\/span><span style=\"font-size: 10pt;\"><strong>Jezik<\/strong>: engleski<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Trajanje<\/strong>: 2. i 4. semestar <\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Status<\/strong>: izborni<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Oblik nastave<\/strong>: 1 sat predavanja i 2 sat seminara tjedno<\/span><br \/>\n<span style=\"font-size: 10pt;\"><strong>Uvjeti<\/strong>: zavr\u0161en preddiplomski studij anglistike, upisan 2.\/4. semestar diplomskog studija<br \/>\n<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Okvirni sadr\u017eaj predmeta:<br \/>\n<\/strong>Kolegij je zami\u0161ljen na na\u010din da kroz teoriju traume i nove studije siroma\u0161tva progovori o poziciji modernisti\u010dkog subjekta u \u0161irem dru\u0161tveno-politi\u010dkom kontekstu uo\u010di i nakon Prvog svjetskog rata.<br \/>\n<strong>Studentske obveze:<\/strong>\u00a0kontinuirano pra\u0107enje (prvi kolokvij sredinom semestra i drugi u zadnjem tjednu nastave), u kona\u010dnu ocjenu ulazi i seminarski rad, poha\u0111anje nastave, te aktivnost na satu.<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Sadr\u017eaj kolegija po tjednima:<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li><span style=\"font-size: 10pt;\"><strong>tjedan:<\/strong> Dru\u0161tveno-povijesni kontekst, op\u0107e odrednice modernizma<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong>Prvi svjetski rat i ratna trauma<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong><em>Mrs. Dalloway <\/em>(1925)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong>nastavak <em>Mrs. Dalloway<\/em><\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong>Robert Graves, Siegfried Sassoon, Wilfred Owen (odabir pjesama)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong><em>Goodbye To All That<\/em> (1929)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: kolokvij<\/strong><\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong>novi studiji siroma\u0161tva, uvod<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong><em>The Garden Party and Other Stories<\/em> (1922)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong>nastavak <em>The Garden Party and Other Stories<\/em><\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong><em>Down and Out in Paris and London<\/em> (1933)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong>nastavak <em>Down and Out<\/em><\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: <\/strong><em>Pygmalion (<\/em>1913)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: zavr\u0161na rasprava<\/strong><\/span><\/li>\n<li><span style=\"font-size: 10pt;\"><strong> tjedan: kolokvij, seminarski rad<\/strong><\/span><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong><span style=\"text-decoration: underline;\">Popis literature:<br \/>\n<\/span>Obvezatna:<br \/>\n<\/strong>Virginia Woolf (1925) <em>Mrs. Dalloway<br \/>\n<\/em>Robert Graves, Siegfried Sassoon and Wilfred Owen \u2013 selections of poetry<br \/>\nRobert Graves (1929) <em>Goodbye To All That<br \/>\n<\/em>Katherine Mansfield (1922) <em>The Garden Party and Other Stories<br \/>\n<\/em>George Orwell (1933) <em>Down and Out in Paris and London<br \/>\n<\/em>George Bernard Shaw (1913) <em>Pygmalion<\/em><\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Dopunska:<br \/>\nCaruth, Cathy (ed.) <\/strong><em>Trauma \u2013 Explorations in Memory<\/em> (Baltimore and London: The Johns Hopkins UP, 1995)<br \/>\n<strong>Childs, Peter.<\/strong> <em>Modernism<\/em> (London and New York: Routledge, 2000)<br \/>\n<strong>Clarke, J., C. Critcher and R. Johnson. <\/strong><em>Working-Class Culture: Studies in History and Theory<\/em> (New York: St. Martin\u2019s Press, 1979)<br \/>\n<strong>Ellison, David. <\/strong><em>Ethics and Aesthetics in European Modernist Literature<\/em> (Cambridge UP, 2001)<br \/>\n<strong>Haywood, Ian. <\/strong><em>Working-Class Fiction: from Chartism to Trainspotting<\/em> (Plymouth: Northcote House Publishers, 1997)<br \/>\n<strong>Hoggart, Richard<\/strong>. <em>The Uses of Literacy<\/em> (Penguin Books, 1960)<br \/>\n<strong>Howarth, Peter.<\/strong> <em>British Poetry in the Age of Modernism<\/em> (Cambridge UP, 2005)<br \/>\n<strong>Hunt, Nigel C.<\/strong> <em>Memory, War and Trauma<\/em> (Cambridge UP, 2010)<br \/>\n<strong>Innes, Christopher. <\/strong><em>The Cambridge Companion to George Bernard Shaw<\/em> (Cambridge UP, 1998)<br \/>\n<strong>Korte, Barbara, Fr\u00e9d\u00e9ric Regard (eds.)<\/strong> <em>Narrating Poverty and Precarity in Britain<\/em> (Berlin, Boston: De Gruyter, 2014)<br \/>\n<strong>Leys, Ruth. <\/strong><em>Trauma-A Genealogy<\/em> (Chicago and London: The University of Chicago Press, 2000)<br \/>\n<strong>Lewis, Pericles<\/strong>. <em>The Cambridge Introduction to Modernism<\/em> (Cambridge UP, 2007)<br \/>\n<strong>Linehan, Thomas<\/strong>. <em>Modernism and British Socialism<\/em> (Palgrave Macmillan, 2012)<br \/>\n<strong>Luckhurst, Roger<\/strong>. <em>The Trauma Question<\/em> (London and New York: Routledge, 2008)<br \/>\n<strong>Punter, David. <\/strong><em>The Literature of Pity<\/em> (Edinburgh UP, 2014)<br \/>\n<strong>Rabat\u00e9, Jean-Michel. <\/strong><em>1913: The Cradle of Modernism<\/em> (Blackwell Publishing, 2007)<br \/>\n<strong>Ramazani, Jahan. <\/strong><em>Poetry of Mourning: The Modern Elegy from Hardy to Heaney<\/em> (The University of Chicago Press, 1994)<br \/>\n<strong>Russo, John and Sherry Lee Linkon. <\/strong><em>New Working-Class Studies<\/em> (Ithaca and London: Cornell UP, 2005)<br \/>\n<strong>Sellers, Susan (ed.).<\/strong> <em>The Cambridge Companion to Virginia Woolf<\/em> (Cambridge UP, 2000)<br \/>\n<strong>Silkin, Jon (ed.) <\/strong><em>The Penguin Book of First World War Poetry<\/em> (London: Penguin Books, 1978)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #9faeb3;\"><span style=\"font-size: 10pt;\">\u00a0<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Etika i estetika britanskog modernizma Nastavnica: dr. sc. Martina Domines Veliki, izv. prof. Jezik: engleski Trajanje: 2. i 4. semestar Status: izborni Oblik nastave: 1 sat predavanja i 2 sat seminara tjedno Uvjeti: zavr\u0161en preddiplomski studij anglistike, upisan 2.\/4. semestar diplomskog studija Okvirni sadr\u017eaj predmeta: Kolegij je zami\u0161ljen na na\u010din da kroz teoriju [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[13,24],"tags":[],"class_list":["post-30298","post","type-post","status-publish","format-standard","hentry","category-8-i-10-semestar-knjizevni-kolegiji","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30298"}],"version-history":[{"count":14,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30298\/revisions"}],"predecessor-version":[{"id":41272,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30298\/revisions\/41272"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}