{"id":30274,"date":"2017-10-26T16:31:27","date_gmt":"2017-10-26T15:31:27","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=30274&#038;lang=en"},"modified":"2017-10-26T16:50:22","modified_gmt":"2017-10-26T15:50:22","slug":"british-romanticism-prose-2017","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=30274&lang=en","title":{"rendered":"British Romanticism: prose"},"content":{"rendered":"<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course title: British Romanticism: prose<\/strong><\/span><br \/>\n <span style=\"font-size: small;\"> <strong>Instructor:<\/strong> Martina Domines Veliki, PhD<\/span><br \/>\n <span style=\"font-size: small;\"> <strong>ECTS credits:<\/strong> 6<\/span><br \/>\n <span style=\"font-size: small;\"> <strong>Language<\/strong>: English<\/span><br \/>\n <span style=\"font-size: small;\"> <strong>Duration<\/strong>: 4th or 6th, 8th or 10th semester<br \/>\n <span style=\"font-size: 8pt;\">in ac. year 2017\/18: 4th or 6th semester<\/span><\/span><br \/>\n <span style=\"font-size: small;\"> <strong>Status<\/strong>: elective<\/span><br \/>\n <span style=\"font-size: small;\"> <strong>Course type:<\/strong> 1 hour of lecture, 2 hours of seminar<\/span><br \/>\n <span style=\"font-size: small;\"> <strong>Enrollment requirements<\/strong><b>: <\/b>enrollment in the 4th or 6th, 8<sup>th<\/sup> or 10<sup>th<\/sup> semester<br \/>\n <strong>Prerequisites: <\/strong>Introduction to English Literature<br \/>\n <\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Course description:<\/strong> This module aims to engage students at a high level of scholarly rigour with the key themes, ideas and concerns of British Romanticism and with the wider historical, cultural and political contexts out of which they emerged. We will depart from the socio-historical contexts (Scottish Enlightenment, French Revolution, women rights) and a selection of texts which were central for the lively public debates of the period. We will then continue with the representative prose texts covering the gothic novel, the Scottish historical novel and Romantic confessional writing. Primary readings will be balanced with critical essays.<br \/>\n <strong>Course requirements: <\/strong>continuous assessment (midterm and final exam, final paper, class attendance and participation).<\/p>\n<p> <\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"><strong>Weekly schedule:<\/strong><br \/>\n <strong>Week 1: <\/strong>socio-historical context, from the Scottish Enlightenment to English Romanticism, excerpts from Edmund Burke: <em>Reflections on the French Revolution<\/em>, Thomas Paine: <em>Rights of Man,<\/em> Mary Wollstonecraft: <em>A Vindication of the Rights of Women<\/em><br \/>\n <strong>Week 2:<\/strong> historical novel, Scottish national identity<br \/>\n <strong>Week 3:<\/strong> Sir Walter Scott (1814) <em>Waverley<\/em><br \/>\n <strong>Week 4: <\/strong><em>Waverley<\/em><br \/>\n <strong>Week 5: <\/strong>autobiography, Romantic confessional narratives (from St. Augustine to Jean-Jacques Rousseau)<br \/>\n <strong>Week 6:<\/strong> James Hogg (1824)<em> The Private Memoirs and Confessions of a Justified Sinner<\/em><br \/>\n <strong>Week 7: <\/strong>Thomas de Quincey (1821) <em>Confessions of an English Opium-Eater<br \/>\n <\/em><\/span><span style=\"font-size: 10pt;\"><strong>Week 8:<\/strong> <strong>Mid-term exam<\/strong><\/span><br \/>\n <span style=\"font-size: 10pt;\"> <strong>Week 9:<\/strong> gothic novel-genre development<\/span><br \/>\n <span style=\"font-size: 10pt;\"> <strong>Week 10:<\/strong> Horace Walpole (1764) <em>The Castle of Otranto<\/em><\/span><br \/>\n <span style=\"font-size: 10pt;\"> <strong>\u00a0Week 11: <\/strong>Jane Austen (1817) <em>Northanger Abbey<\/em><\/span><br \/>\n <span style=\"font-size: 10pt;\"> <strong>\u00a0Week 12: <\/strong>&lt;<em>Northanger Abbey <\/em> some scenes from the movie <em>Northanger Abbey<\/em> directed by Jon Jones (2007)<\/span><br \/>\n <span style=\"font-size: 10pt;\"> <strong>Week 13: <\/strong>Mary Shelley (1818) <em>Frankenstein<\/em><\/span><br \/>\n <span style=\"font-size: 10pt;\"> <strong>\u00a0Week 14: <\/strong><em>Frankenstein<\/em>cont. with some scenes from the movie <em>Frankenstein<\/em> (2004) directed by Kenneth Branagh<\/span><br \/>\n <span style=\"font-size: 10pt;\"> <strong>Week 15:<\/strong> <strong>End-term exam, seminar paper<\/strong><\/span><\/p>\n<p style=\"text-align: justify; line-height: normal;\"><span style=\"font-size: small;\"> <strong>Reading list: <\/strong><\/span><span style=\"font-size: small;\"><br \/>\n <strong><span style=\"text-decoration: underline;\">Primary literature :<\/span> <br \/>\n <\/strong><\/span><span style=\"font-size: small;\">Sir Walter Scott (1814) <em>Waverley<br \/>\n <\/em><\/span><span style=\"font-size: small;\">James Hogg (1824)<em> The Private Memoirs and Confessions of a Justified Sinner<\/em><\/span><br \/>\n <span style=\"font-size: 10pt;\"> Thomas de Quincey (1821) <em>Confessions of an English Opium-Eater<br \/>\n <\/em><\/span><span style=\"font-size: small;\">Horace Walpole (1764), <em>The Castle of Otranto<\/em><\/span><br \/>\n <span style=\"font-size: 10pt;\"> Jane Austen (1817) <em>Northanger Abbey<br \/>\n <\/em><\/span><span style=\"font-size: small;\">Mary Shelley (1818) <em>Frankenstein<\/em><\/span><\/p>\n<p><span style=\"font-size: small;\"><strong><span style=\"text-decoration: underline;\">Secondary literature:<\/span><br \/>\n <\/strong><\/span><span style=\"font-size: 10pt;\"><strong>Anderson, Linda. <\/strong><em>Autobiography<\/em> (New York &amp; London: Routlege, 2001)<br \/>\n <\/span><span style=\"font-size: small;\"><strong>Broadie, Alexander (ed.) <\/strong><em>The Cambridge Companion to the Scottish Enlightenment <\/em><\/span><span style=\"font-size: small;\"> (Cambridge UP, 2003)<br \/>\n <strong>Burwick, Frederick.<\/strong> <em>Thomas de Quincey: Knowledge and Power<\/em> (Palgrave Macmillan, 2001)<br \/>\n <strong>Chandler, James<\/strong>. <em>The Cambridge History of English Romantic Literature<\/em> (Cambridge UP, <\/span><span style=\"font-size: small;\">2008)<br \/>\n <strong>Clery, E. J. <\/strong><em>Women&#8217;s Gothic: from Clara Reeve to Mary Shelley<\/em><strong>.<\/strong> (Tavistock, 2004)<br \/>\n <strong>Copeland, Edward and Juliet McMaster (ed.)<\/strong> <em>The Cambridge Companion to Jane Austen <\/em><\/span><span style=\"font-size: small;\">(Cambridge UP, 1997)<br \/>\n <strong>Crawford, Robert (ed.). <\/strong><em>The Scottish Invention of English Literature<\/em> (Cambridge UP, 1998)<br \/>\n <strong>Daiches, David. <\/strong><em>The Scottish Enlightenment<\/em> (Edinburgh and Aberdeen: The Saltire Society, <\/span><span style=\"font-size: small;\"> 1986)<br \/>\n <\/span><span style=\"font-size: 10pt;\"><strong>De Bolla, Peter, Nigel Leask, David Simpson<\/strong>. <em>Land, Nation, Culture: 1740-1840<\/em> (Palgrave <\/span><span style=\"font-size: small;\">Macmillan, 2005)<br \/>\n <\/span><span style=\"font-size: 10pt;\"><strong>De Groot, Jerome. <\/strong><em>The Historical Novel<\/em> (London, New York: Routledge, 2010)<br \/>\n <strong>Duncan, Ian. <\/strong><em>Scott&#8217;s Shadow: The Novel in Romantic Edinburgh<\/em> (Princeton and Oxford: <\/span><span style=\"font-size: 10pt;\">Princeton University Press, 2007)<br \/>\n <strong>Duncan, Ian and Douglas S. Mack (ed.) <\/strong><em>The Edinburgh Companion to James Hogg<\/em> <\/span><span style=\"font-size: 10pt;\">(Edinburgh UP, 2012)<br \/>\n <strong>Levi, Susan M<\/strong>. <em>The Romantic Art of Confession<\/em> (New York and Woodbridge: Camden <\/span><span style=\"font-size: 10pt;\">House1998)<br \/>\n <strong>Luk\u00e1cs Georg. <\/strong><em>The Historical Novel (<\/em>London: Merlin Press, 1962)<br \/>\n <strong>McCalman, Ian<\/strong>. <em>An Oxford Companion to the Romantic Age: British Culture 1776-1832 <\/em><\/span><span style=\"font-size: 10pt;\"> (Oxford UP, 1999)<br \/>\n <strong>Moretti, Franco.<\/strong> <em>Atlas of the European Novel, 1800-1900<\/em> (London and New York: Verso, <\/span><span style=\"font-size: 10pt;\">1998)<br \/>\n <strong>Moretti, Franco.<\/strong> <em>Signs Taken for Wonders<\/em> (London and New York, 1983)<br \/>\n <strong>Olney, James. <\/strong><em>Memory and Narrative: the weave of life-writing<\/em><strong> (<\/strong>Chicago: University of <\/span><span style=\"font-size: 10pt;\">Chicago Press, 2000)<br \/>\n <strong>Punter, David (ed.) <\/strong><em>A Companion to the Gothic<\/em> (Oxford: Blackwell Publishers, 2008)<br \/>\n <strong>Robertson, Fiona (ed.). <\/strong><em>Edinburgh Companion to Sir Walter Scott<\/em> (Edinburgh UP, 2012)<br \/>\n <strong>Smith, Joanna M. (ed<em>.) <\/em><\/strong><em>Frankenstein: complete authoritative text with biographical and <\/em><\/span><span style=\"font-size: 10pt;\"><em>historical contexts, critical history and essays from five contemporary critical <\/em><\/span><span style=\"font-size: 10pt;\"><em>perspectives<\/em>. (Boston: Bedford Books of St Martin&#8217;s Press, 1992)<br \/>\n <strong>Smith, Sidonie, Julia Watson (eds.) <\/strong><em>Women, Autobiography, Theory: a Reader<\/em> (Madison: <\/span><span style=\"font-size: 10pt;\">University of Wisconsin Press, 1998)<br \/>\n <strong>Townshend, Dale. <\/strong><em>The<\/em> <em>Orders of Gothic: Foucault, Lacan and the subject of Gothic <\/em><\/span><span style=\"font-size: 10pt;\"><em> writing<\/em>, 1764 \u2013 1820 (New York: AMS Press, 2007)<br \/>\n <strong>Wu, Duncan (ed.). <\/strong><em>A Companion to Romanticism<\/em> (Oxford: Blackwell, 1998)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Course title: British Romanticism: prose Instructor: Martina Domines Veliki, PhD ECTS credits: 6 Language: English Duration: 4th or 6th, 8th or 10th semester in ac. year 2017\/18: 4th or 6th semester Status: elective Course type: 1 hour of lecture, 2 hours of seminar Enrollment requirements: enrollment in the 4th or 6th, 8th or 10th semester [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[104,146],"tags":[],"class_list":["post-30274","post","type-post","status-publish","format-standard","hentry","category-8-i-10-semestar-knjizevni-kolegiji-2","category-knjizevni-seminari-4-ili-6-semestar-2"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30274"}],"version-history":[{"count":10,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30274\/revisions"}],"predecessor-version":[{"id":30287,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30274\/revisions\/30287"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}