{"id":30103,"date":"2017-10-17T15:16:59","date_gmt":"2017-10-17T14:16:59","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=30103"},"modified":"2022-01-31T13:05:01","modified_gmt":"2022-01-31T12:05:01","slug":"britanski-romantizam-poezija","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=30103","title":{"rendered":"Britanski romantizam: poezija"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Naziv predmeta:<\/strong> <strong>Engleska knji\u017eevnost romantizma<\/strong><br \/>\n<strong>Naziv kolegija: Britanski romantizam: poezija<br \/>\n<\/strong>(raniji naziv kolegija: <strong>Poezija engleskog romantizma<\/strong>)<br \/>\n<strong>Nastavnik<\/strong><b>: dr. sc. Martina Domines Veliki, izv. prof.<br \/>\n<\/b><strong>ECTS bodovi<\/strong><b>: <\/b>6<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Jezik<\/strong>: engleski<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Trajanje<\/strong>: 3. ili 5, 4. ili 6. semestar<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Status<\/strong>: izborni<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Oblik nastave:<\/strong> 1 sat predavanja i 2 sat seminara tjedno<\/span><br \/>\n<span style=\"font-size: small;\"><strong>Uvjeti<\/strong>: upisan 3. ili 5.; 4. ili 6. semestar<i><br \/>\n<\/i><strong>Ispit:<\/strong> kontinuirano pra\u0107enje (prvi kolokvij sredinom semestra i drugi kolokvij u posljednjem tjednu nastave (u kona\u010dnu ocjenu ulazi i seminarski rad, poha\u0111anje nastave, te aktivnost na satu).<i><br \/>\n<\/i><\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Cilj: <\/strong>Cilj je kolegija upoznati studente s najzna\u010dajnijim pjesnicima engleskog romantizma te povijesnim, kulturnim, politi\u010dkim i estetskim okru\u017ejem u kojem su stvarali i na koje su sna\u017eno utjecali. Studenti \u0107e imati priliku promi\u0161ljati i analizirati odabrane pjesme, te \u0107e u dijalogu s nastavnikom stvoriti osobno vi\u0111enje pjesnika te ideolo\u0161kih i estetkih implikacija njihove poezije s kraja 18. i prvih desetlje\u0107a 19. stolje\u0107a. U tom \u0107e im pomo\u0107i niz kriti\u010dkih tekstova, od (novo)historisti\u010dkih pa sve do post-strukturalisti\u010dkih pristupa romantizmu.<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Sadr\u017eaj: <\/strong>Kolegij \u0107e se kroz stvarala\u0161tvo Blakea, Wordswortha, Coleridgea, Byrona, Shelleya i Keatsa baviti nekim temeljnim romanti\u010darskim konceptima kao \u0161to su pjesni\u010dko nadahnu\u0107e, sje\u0107anje na pro\u0161lost, sublimnost, deizam i misticizam, odnos subjekta i prirode te subjekta i jezika. Pobuna protiv dru\u0161tvenih nepravdi, osje\u0107aj za \u00abmalog\u00bb \u010dovjeka, \u017eelja za stapanjem s prirodom, osje\u0107aj usamljenosti i odba\u010denosti samo su neke od osnovnih osobina romanti\u010darskog pjesnika koji s\u00e2m postaje sredi\u0161njom temom svojih pjesama. Tematska okosnica cijelog kolegija je dru\u0161tveni anga\u017eman pojedinih pjesnika u njihovom nastojanju da budu priznati &#8216;zakonodavci svijeta&#8217; (Shelley).<\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Sadr\u017eaj kolegija po tjednima:<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong> 1. tjedan:<\/strong> Uvod u razdoblje engleskog romantizma. Povijesni kontekst romantizma.<br \/>\n<strong>2. tjedan:<\/strong> <strong>William Blake<\/strong> &#8211; selections from <em>Songs of Innocence<\/em> <em>and Experience<br \/>\n<\/em><strong>3. tjedan:<\/strong> Blake continued \u2013 \u201cThe Marriage of Heaven and Hell\u201d<br \/>\n<strong>4. tjedan:<\/strong> <strong>William Wordsworth<\/strong> \u2013 excerpts from the 1800 Preface to <em>Lyrical<\/em><\/span><span style=\"font-size: 10pt;\"><em>\u00a0Ballads, <\/em>a selection of poems from <em>Lyrical Ballads<br \/>\n<\/em><strong>5. tjedan:<\/strong> Wordsworth continued: a selection of poems from <em>Poems in Two Volumes<br \/>\n<\/em><strong>6. tjedan:<\/strong> Wordsworth continued \u2013 <em>The Prelude<\/em> (chosen books)<br \/>\n<strong>7. tjedan: Samuel Taylor Coleridge<\/strong> \u2013 selections from <em>Biographia Literaria<br \/>\n<\/em><strong>8. tjedan:<\/strong> Coleridge continued \u2013 \u201cThe Rime of the Ancient Mariner\u201d, \u201cKubla Khan\u201d, \u201cDejection: an Ode\u201d<br \/>\n<strong>kolokvij I<br \/>\n9. tjedan: George Gordon Byron \u2013 <\/strong>excerpts from <em>Childe Harold\u2019s Pilgrimage<br \/>\n<\/em><strong>10. tjedan:<\/strong> Byron continued \u2013 excerpts from <em>Don Juan<\/em>, \u201cPrometheus\u201d, \u201cFare Thee Well\u201d<br \/>\n<strong>11. tjedan: Percy Bysshe Shelley<\/strong> \u2013 \u201cOzymandias\u201d, \u201cOde to the West Wind\u201d<br \/>\n<strong>12. tjedan:<\/strong> Shelley continued \u2013 \u201cTo a Skylark\u201d, excerpts from \u201cA Defence <\/span><span style=\"font-size: 10pt;\">of Poetry\u201d, \u201cPrometheus Unbound\u201d<strong><br \/>\n13. tjedan: John Keats: <\/strong>\u201cTo Autumn\u201d, \u201cLa Belle Dame Sans Merci\u201d, \u201cOde to <\/span><span style=\"font-size: 10pt;\">Psyche\u201d<br \/>\n<strong>14. tjedan:<\/strong> Keats continued &#8211; \u201cOde to a Nightingale\u201d, \u201cOde on a Grecian Urn\u201d<br \/>\n<strong>15. tjedan: kolokvij II, seminarski rad<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong><br \/>\n<span style=\"color: #336699;\">LITERATURA:<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Obvezatna:<br \/>\n<\/strong>Curran, Stuart (ed.): <em>The Cambridge Companion to British Romanticism<\/em> (Cambridge: <\/span><span style=\"font-size: 10pt;\">Cambridge UP, 1998)<br \/>\nRoe, Nicholas. <em>Romanticism: An Oxford Guide<\/em> (Oxford: Oxford UP, 2005)<br \/>\nWu, Duncan. <em>Romanticism: An Anthology<\/em> (3rd edition) (Oxford: Blackwell, 2006)<br \/>\nWu, Duncan: <em>A Companion to Romanticism<\/em> (Oxford: Blackwell, 2001)<\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Dopunska:<br \/>\n<\/strong>Abrams, M. H.: <em>The Mirror and the Lamp: Romantic Theory and the Critical <\/em><\/span><span style=\"font-size: 10pt;\"><em>\u00a0Tradition <\/em>(London: Oxford UP, 1960)<br \/>\nAbrams, M. H.: <em>Natural Supernaturalism: Tradition and Revolution in Romantic <\/em><\/span><span style=\"font-size: 10pt;\"><em>Literature <\/em>(London: Oxford UP, 1971)<br \/>\nAshfield, Andrew and Peter de Bolla. <em>The Sublime: A Reader in British Eighteenth-Century <\/em><\/span><span style=\"font-size: 10pt;\"><em>Aesthetic Theory <\/em>(Cambridge and New York: Cambridge UP, 1996)<br \/>\nBainbridge, Simon (ed.) <em>Romanticism: A Sourcebook<\/em> (New York: Palgrave Macmillan, 2008)<br \/>\nBennett, Andrew: <em>Romantic Poets and the Culture of Posterity<\/em> (Cambridge UP, 1999)<br \/>\nBloom, Harold: <em>The Visionary Company: A Reading of English Romantic Poetry <\/em><\/span><span style=\"font-size: 10pt;\">(London: Cornell UP, any edition)<br \/>\nBone, Drummond: <em>The Cambridge Companion to Byron<\/em> (Cambridge UP, 2004)<br \/>\nBromwich, David: <em>Disowned by Memory: Wordsworth&#8217;s Poetry of the 1790s<\/em> (Chicago and <\/span><span style=\"font-size: 10pt;\">London: The University of Chicago Press, 2000)<br \/>\nButler, Marilyn: <em>Romantics, Rebels and Reactionaries \u2013 English Literature and its <\/em><\/span><span style=\"font-size: 10pt;\"><em>Background 1760-1830<\/em> (Oxford, New York: Oxford UP, 1981)<br \/>\nDay, Aidan: <em>Romanticism<\/em> (London and New York: Routledge, 1996)<br \/>\nde Man, Paul: <em>The Rhetoric of Romanticism<\/em> (New York: Columbia UP, 1984)<br \/>\nDuffy, Cian. <em>Shelley and the Revolutionary Sublime<\/em> (Cambridge UP, 2005)<br \/>\nDuffy, Cian and Peter Howell (ed.) Cultures of the Sublime (Palgrave Macmillan, 2011)<br \/>\nErdman, David: <em>Blake : Prophet against Empire<\/em> (New York : Dover, 1991)<br \/>\nGill, Stephen: <em>The Cambridge Companion to Wordsworth<\/em> (Cambridge UP, 2003)<br \/>\nHartman, Geoffrey: <em>Wordsworth&#8217;s Poetry 1787-1813 <\/em>(Harvard UP, 1987)<br \/>\nLucas, John. <em>William Blake: Longman Critical Reader<\/em> (New York: Longman, 1998)<br \/>\nMellor, Anne K.: Romanticism and Gender (Routledge, 1993)<br \/>\nMorton, Timothy: <em>The Cambridge Companion to Shelley<\/em> (Cambridge UP, 2006)<br \/>\nNewlyn, Lucy: <em>The Cambridge Companion to Coleridge <\/em>(Cambridge UP, 2002)<br \/>\nPfau, Thomas and Robert F. Gleckner (ed.) Lessons of Romanticism (Durham and London: <\/span><span style=\"font-size: 10pt;\">Duke UP, 1998)<br \/>\nRoe, Nicholas. <em>Wordsworth and Coleridge: The Radical Years<\/em> (Oxford: Clarendon \u00a0Press, 2003)<br \/>\nScrivener, Michael Henry. <em>Radical Shelley<\/em> (Princeton: Princeton UP, 1982)<br \/>\nSimpson, David. <em>Wordsworth&#8217;s Historical Imagination<\/em> (New York and London: Methuen, 1987)<br \/>\nWhite, R.S. <em>Natural Rights and the Birth of Romanticism in the 1790s<\/em> (New York: Palgrave <\/span><span style=\"font-size: 10pt;\">Macmillan, 2005)<br \/>\nWolfson, Susan: <em>The Cambridge Companion to Keats<\/em> (Cambridge UP, 2001)<\/span><\/p>\n<p><span style=\"font-size: 8pt; color: #808080;\">__________________________<br \/>\n(osim ak.god. 2019\/20)<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv predmeta: Engleska knji\u017eevnost romantizma Naziv kolegija: Britanski romantizam: poezija (raniji naziv kolegija: Poezija engleskog romantizma) Nastavnik: dr. sc. Martina Domines Veliki, izv. prof. ECTS bodovi: 6 Jezik: engleski Trajanje: 3. ili 5, 4. ili 6. semestar Status: izborni Oblik nastave: 1 sat predavanja i 2 sat seminara tjedno Uvjeti: upisan 3. ili 5.; 4. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[23,24],"tags":[],"class_list":["post-30103","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-3-ili-5-semestar","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30103"}],"version-history":[{"count":13,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30103\/revisions"}],"predecessor-version":[{"id":41271,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/30103\/revisions\/41271"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}