{"id":27949,"date":"2017-02-25T11:16:42","date_gmt":"2017-02-25T10:16:42","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=27949"},"modified":"2022-01-17T17:18:19","modified_gmt":"2022-01-17T16:18:19","slug":"shakespeare-brlek","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=27949","title":{"rendered":"Shakespeare (Brlek)"},"content":{"rendered":"<p><span style=\"font-size: 10pt;\"><strong>Naziv kolegija: <\/strong>Shakespeare<strong><br \/>\nNastavnik: <\/strong> dr. sc. Tomislav Brlek, docent (Odsjek za komparativnu knji\u017eevnost)<\/span><br \/>\n<span style=\"font-size: 10pt;\"> <strong>ECTS-bodovi: <\/strong> 6<\/span><br \/>\n<span style=\"font-size: 10pt;\"> <strong>Jezik: <\/strong> engleski<\/span><br \/>\n<span style=\"font-size: 10pt;\"> <strong>Trajanje: <\/strong> 4. ili 6. semestar<\/span><br \/>\n<span style=\"font-size: 10pt;\"> <strong>Status: <\/strong> izborni kolegij<\/span><br \/>\n<span style=\"font-size: 10pt;\"> <strong>Oblici nastave: <\/strong> 1 sat predavanja, 2 sata seminara tjedno<\/span><br \/>\n<span style=\"font-size: 10pt;\"> <strong>Uvjeti za upis kolegija: <\/strong> polo\u017een <em>Uvod u studij engleske knji\u017eevnosti<\/em> ili <em>Uvod u studij engleske knji\u017eevnosti 1 i 2<\/p>\n<p><\/em>Kolegij je organiziran kao analiza djela Williama Shakespearea s posebnim obzirom na \u010dinjenicu da je pisano za kazali\u0161nu izvedbu. Kolegij se bavi pomnim \u010ditanjem i analizom \u0161est drama, uz diskusiju odabrane kriti\u010dke literature relevantne za interpretaciju tog aspekta. Glavni je cilj kolegija istaknuti sredi\u0161nje poeti\u010dke zna\u010dajke Shakespeareova dramskog stvarala\u0161tva, koje je od osobite va\u017enosti u povijesti engleske knji\u017eevnosti, kao osnovu za upoznavanje i \u010ditanje njegova opusa.<em><br \/>\n(<a href=\"http:\/\/theta.ffzg.hr\/ECTS\/Predmet\/Index\/5619\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/theta.ffzg.hr\/ECTS\/Predmet\/Index\/5619<\/a> )<br \/>\n<\/em><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Syllabus: <\/strong><em><strong>SHAKESPEARE<\/strong><\/em><\/span><\/p>\n<ol>\n<li><span style=\"font-size: 10pt;\">Introduction<\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Eliot, \u201cIntroduction\u201d<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>A<\/em> <em>Midsummer Night\u2019s Dream<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Frye, <em>On Shakespeare<\/em>, 34-50<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Girard, <em>Theater of Envy<\/em>, 29-79; 167-173; 234-242<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>A<\/em> <em>Midsummer Night\u2019s Dream<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Kott, \u201cTitania and the Ass\u2019s Head,\u201d <em>ShOC<\/em>, 171-190<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Kott, \u201cThe Bottom Translation,\u201d <em>BT<\/em>, 29-68<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>The<\/em> <em>Tempest<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Frye, <em>On Shakespeare<\/em>, 171-186<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Kott, \u201cProspero\u2019s Staff,\u201d <em>ShOC<\/em>, 237-278<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>The<\/em> <em>Tempest<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Kott, \u201c<em>The Tempest<\/em>, or Repetition,\u201d <em>BT<\/em>, 69-106<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">McGuire, \u201cShakespeare\u2019s <em>Tempest<\/em>: Rhetoric and Poetics\u201d<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Measure<\/em> <em>for Measure<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Frye, <em>On Shakespeare<\/em>, 140-153<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Stevenson, \u201cDesign and Structure in <em>Measure for Measure<\/em>\u201d<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Measure<\/em> <em>for Measure<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Kott<em>, <\/em>\u201cHead for Maidenhead, Maidenhead for Head: The Structure of Exchange in<em> Measure for Measure<\/em>\u201d<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Schanzer, \u201c<em>Measure for Measure<\/em>\u201d<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Macbeth<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Kott, \u201cMacbeth or Death-Infected,\u201d <em>ShOC<\/em>, 68-78<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Byles, \u201c<em>Macbeth<\/em>: Imagery of Destruction\u201d<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Nevo, \u201c<em>Macbeth<\/em>,\u201d <em>TF<\/em>, 214-257<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Macbeth<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Knight, \u201c<em>Macbeth<\/em> and the Metaphysic of Evil,\u201d <em>WF<\/em>, 140-159<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Knight, \u201cThe Milk of Concord,\u201d <em>IT<\/em>, 125-153<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Garber, \u201cMacbeth: the Male Medusa,\u201d <em>GW<\/em>, 116-165<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Richard<\/em> <em>III<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Kott, \u201cThe Kings,\u201d <em>ShOC<\/em>, 3-46<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Campbell, \u201cThe Tragical Doings of King Richard III\u201d<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Richard<\/em> <em>III<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Rossiter, \u201cAngel with Horns: the Unity of <em>Richard III<\/em>,\u201d <em>AwH<\/em>, 1-22<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Brooke, \u201c<em>Richard III<\/em> (1593?)\u201d<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Garber, \u201cDescanting on Deformity: Richard III and the Shape of History,\u201d <em>GW<\/em>, 39-68<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Coriolanus<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Knight, \u201cThe Royal Occupation,\u201d <em>IT<\/em>, 154-198<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Nevo, \u201c<em>Coriolanus<\/em>,\u201d <em>TF<\/em>, 356-404<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span style=\"font-size: 10pt;\"><em>Coriolanus<\/em><\/span>\n<ul>\n<li><span style=\"font-size: 10pt;\">Kott, \u201cCoriolanus or Shakespearean Contradictions,\u201d <em>ShOC<\/em>, 141-167<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Rossiter, \u201c<em>Coriolanus<\/em>,\u201d <em>AwH<\/em>, 235-252<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Brlek, \u201cIll Seen, Well Said\u201d<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<p><span style=\"font-size: 10pt;\"><strong><em><br \/>\n<span style=\"text-decoration: underline;\">READING LIST<\/span><\/em><\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Northrop Frye, <em>On Shakespeare<\/em>, ed. Robert Sandler (New Haven: Yale University Press, 1986)<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Marjorie Garber, <em>Shakespeare\u2019s Ghost Writers: Literature as Uncanny Causality<\/em> (London: <a href=\"https:\/\/koha.ffzg.hr\/cgi-bin\/koha\/opac-search.pl?q=Provider:Routledge,\">Routledge,<\/a> 1987; 2010) = <strong><em>GW<\/em><\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Ren\u00e9 Girard,<em> A Theater of Envy: William Shakespeare <\/em>(Oxford: Oxford University Press, 1991)<\/span><\/p>\n<ol>\n<li><span style=\"font-size: 10pt;\">Wilson Knight, <em>The Wheel of Fire: Interpretations of Shakespearian Tragedy with three new essays <\/em>(London: <a href=\"https:\/\/koha.ffzg.hr\/cgi-bin\/koha\/opac-search.pl?q=Provider:Methuen%20and%20Co.,\">Methuen<\/a>, 1930; 1962) =<em> <strong>WF<\/strong><\/em><\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Wilson Knight, <em>The Imperial Theme: Further Interpretations of Shakespeare\u2019s Tragedies including the Roman Plays <\/em>(London: Methuen, 1931; 1965) = <strong><em>IT<\/em><\/strong><\/span><\/li>\n<\/ol>\n<p><span style=\"font-size: 10pt;\">Jan Kott, <em><a href=\"http:\/\/katalog.kgz.hr\/pagesResults\/bibliografskiZapis.aspx?&amp;currentPage=1&amp;searchById=20&amp;sort=0&amp;spid0=20&amp;spv0=%c5%a1ekspir+na%c5%a1+savremenik&amp;selectedId=910205004\">Shakespeare Our Contemporary<\/a><\/em> [1964], tr. Boleslaw Taborski (London: Routledge, 1991) =<strong><em>ShOC<\/em><\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Jan Kott, <em>The Bottom Translation : Marlowe and Shakespeare and the Carnival tradition<\/em>, tr. Daniela Miedzyrzecka and Lillian Vallee (Evanston, Ill.: Northwestern University Press, 1987) = <strong><em>BT<\/em><\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Ruth Nevo,<em> Tragic Form in Shakespeare <\/em>(Princeton: <a href=\"https:\/\/koha.ffzg.hr\/cgi-bin\/koha\/opac-search.pl?q=Provider:Princeton%20University%20Press,\">Princeton University Press,<\/a> 1972) = <strong><em>TF<\/em><\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">A.P. Rossiter, <em>Angel with Horns and Other Shakespeare Lectures<\/em>, ed. Graham Storey (London: Longmans, 1962), = <strong><em>AwH<\/em><\/strong><\/span><\/p>\n<p><span style=\"color: #9fb5c4; font-size: 10pt;\">_______________________<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Tomislav Brlek, \u201cIll Seen, Well Said (On the Uses of Rhetoric in <em>Julius Caesar<\/em> and <em>Coriolanus<\/em>),\u201d <em><a href=\"https:\/\/koha.ffzg.hr\/cgi-bin\/koha\/opac-search.pl?q=ti,phr:Studia%20Romanica%20et%20Anglica%20Zagrabiensia\">Studia Romanica et Anglica Zagrabiensia<\/a><\/em> 43 (1998): 161-171<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Nicholas Brooke, \u201c<em>Richard III<\/em> (1593?),\u201d <em>Shakespeare\u2019s Early Tragedies<\/em> (London: Methuen, 1968), 48-79<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Joan M. Byles, \u201c<em>Macbeth<\/em>: Imagery of Destruction,\u201d <em>American Imago <\/em>39(1982)2: 149-164<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Lily B. Campbell, \u201cThe Tragical Doings of King Richard III,\u201d <em>Shakespeare\u2019s \u2018Histories\u2019: Mirrors of Elizabethan Policy<\/em> (London: Methuen, 1947; 1964), 306-334<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">T.S. Eliot, \u201cIntroduction\u201d in Knight, <em>WF<\/em>, xiii-xx<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Jan Kott<em>, <\/em>\u201cHead for Maidenhead, Maidenhead for Head: The Structure of Exchange in<em> Measure for Measure<\/em>,\u201d <em>Theater Quarterly <\/em>8.31 (1978): 18-24<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Jerry D. McGuire, \u201cShakespeare\u2019s <em>Tempest<\/em>: Rhetoric and Poetics,\u201d <em>American Imago<\/em> 39 (1982)3: 219-37<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Ernest Schanzer, \u201c<em>Measure for Measure<\/em>,\u201d <em>The Problem Plays of Shakespeare<\/em> (Routledge, 1963), 71-131<\/span><\/p>\n<p><span style=\"font-size: 10pt;\">L. Stevenson, \u201cDesign and Structure in <em>Measure for Measure<\/em>,\u201d <em>Shakespeare: <\/em>Measure for Measure<em>: A Casebook<\/em>, ed. C.K. Stead (London; Macmillan, 1971), 213-232<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 10pt;\"><strong>\u00a0<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Shakespeare Nastavnik: dr. sc. Tomislav Brlek, docent (Odsjek za komparativnu knji\u017eevnost) ECTS-bodovi: 6 Jezik: engleski Trajanje: 4. ili 6. semestar Status: izborni kolegij Oblici nastave: 1 sat predavanja, 2 sata seminara tjedno Uvjeti za upis kolegija: polo\u017een Uvod u studij engleske knji\u017eevnosti ili Uvod u studij engleske knji\u017eevnosti 1 i 2 Kolegij je [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-27949","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-4-ili-6-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/27949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27949"}],"version-history":[{"count":9,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/27949\/revisions"}],"predecessor-version":[{"id":41215,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/27949\/revisions\/41215"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}