{"id":2592,"date":"2012-07-14T17:51:17","date_gmt":"2012-07-14T16:51:17","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/test\/wp\/?p=2592"},"modified":"2015-02-10T13:27:11","modified_gmt":"2015-02-10T12:27:11","slug":"fantastika-u-britanskoj-knjizevnosti","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=2592","title":{"rendered":"Povijesni pregled razvoja fantastike u britanskoj knji\u017eevnosti (2012-13)"},"content":{"rendered":"<div style=\"line-height: normal; text-align: justify;\">\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong> Naziv kolegija: <\/strong>Povijesni pregled razvoja fantastike u britanskoj knji\u017eevnosti<strong><br \/>Nastavnica: <\/strong> dr. sc. Iva Polak, docent<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>ECTS-bodovi: <\/strong> 6<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Jezik: <\/strong> engleski<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Trajanje: <\/strong>7. i 9. semestar<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Status: <\/strong> izborni kolegij<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Oblik nastave: <\/strong> 1 satpredavanja, 2 sata seminara tjedno<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Uvjeti za upis kolegija: <\/strong>upisan sedmi semestar<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Opis kolegija:<\/strong> Kolegij nudi pregled razvoja fantastike u okviru britanske knji\u017eevnosti, te pregled najva\u017enijih knji\u017eevno-kriti\u010dkih tekstova koji se bave problemom fantastike. Tekstovi koji pripadaju razdoblju starije engleske knji\u017eevnosti, srednjeg vijeka, renesanse i neoklasicizma analizirat \u0107e se sa stajali\u0161ta fantastike kao tematske odrednice dok \u0107e se kasniji tekstovi, dakle od trenutka ustoli\u010denja romana, proraditi u okviru fantastike kao specifi\u010dnog proznog \u017eanra. Neka knji\u017eevna djela rade se zajedno s filmskim adaptacijama. Rasprava o fantastici potaknut \u0107e pitanja knji\u017eevne mimeze, retorike stvarnog i ne-stvarnog, te razloge rane pojave fantastike u knji\u017eevnosti i umjetnosti naprosto, te njeno supostojanje s umjetni\u010dkim realizmom. Analizi tekstova prethodit \u0107e uvo\u0111enje u odgovaraju\u0107u terminologiju, odnosno u problematiku mimeze, stvarnog\/nestvarnog, fantastike, fantasti\u010dnog, fantasti\u010dne knji\u017eevnosti i njezinih pod\u017eanrova.<br \/><strong>Cilj: <\/strong> Osvijestiti usporedno postojanje fantastike od samih za\u010detaka razvoja engleske, tj. britanske knji\u017eevnosti, mijenjanje zna\u010denja i zna\u010daja fantastike kroz knji\u017eevnost, te svjesnije uo\u010davanje odrednica fantasti\u010dne knji\u017eevnosti.<br \/><strong>Studentske obveze: <\/strong>Ispunjavanje elemenata <span style=\"text-decoration: underline;\">kontinuirane provjere znanja<\/span>, koji se sastoje od redovitog poha\u0111anje nastave, provjere \u010ditanja primarne i sekundarne literature, pripreme za nastavu i pravovremene predaje seminarskog rada. Seminarski rad \u010dini 70%, a ostali elementi kontinuirane provjere znanja 30% ocjene. Za prolaznu ocjenu nu\u017eno je ispuniti sve elemente kontinuirane provjere znanja.<strong><br \/><\/strong><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Sadr\u017eaj kolegija po tjednima:<br \/>1. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Problem mimeze i kanona kroz povijest knji\u017eevnosti<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Kratki film: <em>Put na mjesec<\/em> (<em>Le voyage dans la lune<\/em>), Georges M\u00e9li\u00e8s (1902): promjenjivost SF-a<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>2. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u0160to je fantasti\u010dno u fantastici. Uvod u teoriju \u017eanra (Todorov\/Chanady\/Brooke-Rose)<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>3. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Problem fantastike u starijoj engleskoj knji\u017eevnost:<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><em>Beowulf<\/em>, c. 8. st. (odabrani dijelovi) \u2013 kontekst starije engleske knji\u017eevnosti, problem impliciranog\/ukodiranog \u010ditatelja; herojski ili fantasti\u010dni ep<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>4. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Fantastika u srednjem vijeku:<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Geoffrey Chaucer, \u2018The Nun\u2019s Priest\u2019s Tale\u2019 (<em>The Canterbury Tales<\/em>) c. 1380-1400. \u2013 kontekst Chauserova razdoblja, srednjovjekovni oblici, basna, fantastika jednostavnog oblika<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>5. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Fantastika u renesansi<br \/>William Shakespeare, <em>The Tempest<\/em>, 1611 \u2013 problem romanse; gradba nadnaravnog; fantasti\u010dne i SF reinskripcije<br \/><strong>6. TJEDAN<\/strong><br \/>William Shakespeare, <em>A Midsummer Night\u2019s Dream, <\/em>1595 \u2013 situiranje fantastike u &#8220;zeleni svijet&#8221; N. Fryea; \u010ditanje kroz Todorova i Chanady<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>7. TJEDAN<\/strong><br \/>Fantastika u neoklasicizmu<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Jonathan Swift, <em> Gulliver\u2019s Travels <\/em>(1726) (IV. putovanje) \u2013 uspostava romana, menipejska satira, fantastika i alegorija, problem \u010detvrtog putovanja; usporedba filmskih adaptacija iz 1939, 1977 i 1996: lokacija iv. putovanja; problem utopije (Platon, Thomas More)<strong><br \/>8. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Fantastika i viktorijana<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Lewis Carroll, <em>Alice\u2019s Adventures in Wonderland <\/em>\u00a0(1865) \u2013 viktorijanska dje\u010dja knji\u017eevnost; smislenost Carrollovih \u2018besmislenih stihova\u2019; izvori\u0161te nadnaravnih elemenata<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Raspodjela tema za seminarske radove.<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>9. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ra\u0111anje SF \u017eanra<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">H. G. Wells, <em>The Time Machine<\/em> (1895) \u2013 \u2018ne\u010disti\u2019 SF; novum (D. Suvin)<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">[Film: <em>The Time Machine<\/em> (1960), redatelj: George Pal]<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>10. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Popularizacija SF \u017eanra u Velikoj Britaniji i SAD-u<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ray Bradbury, <em>Fahrenheit 451<\/em> (1953)\u2013 distopija, SF<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">[Film: <em>Fahrenheit 451<\/em> (1966), redatelj: Fran\u00e7ois Truffaut]<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>11. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">J.R.R. Tolkien \u2013 epska\/visoka fantastika; Tolkien o fantastici<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>12. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Tolkien nastavak<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>13. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Alasdair Gray, <em>Lanark<\/em> (1981) \u2013 fantastika i realizam; metafikcija, intertekstualnost, postmoderna<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>14. TJEDAN<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Alasdair Gray, <em>Lanark<\/em> (1981) \u2013 nastavak<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Primarna literatura:<\/strong><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Jonathan Swift, <em>Gulliver\u2019s Travels, IV voyage<\/em><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Lewis Carroll, <em>Alice\u2019s Adventures in Wonderland<\/em><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">H. G. Wells, <em>The Time Machine<\/em><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ray Bradbury, <em>Fahrenheit 451<\/em><\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Alasdair Gray, <em>Lanark<\/em><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Knji\u017eevni tekstovi koji obuhva\u0107aju razdoblje do 18. stolje\u0107a rade se samo u ulomcima. Pretpostavlja se da su studenti diplomskog studija anglistike tijekom preddiplomskog studija pro\u010ditali <em>Oluju<\/em> i <em>San ivanjske no\u0107i \u00a0<\/em>W. Shakespearea. <br \/><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Sekundarna literatura:<\/strong><br \/>&#8211; Sandner, David (ur.). <em>Fantastic Literature. A Critical Reader, Praeger, <\/em>2004. (izbor)<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8211; Todorov, Tzvetan. <em>The Fantastic. A Structural Approach to a Literary Genre, <\/em>Cornell UP,1975. <\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8211; Chanady, Amaryll Beatrice. <em>Magical Realism and the Fantastic: Resolved Versus Unresolved Antinomy<\/em>, Garland Publishing Inc, 1985. <\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8211; Brooke-Rose, Christine. <em>A Rhetoric of the Unreal. Studies in Narrative and Structure, Especially of the Fantastic, <\/em>CUP<em>, <\/em>1981. (izbor)<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8211; Jackson, Rosemary. <em>Fantasy. The Literature of Subversion, <\/em>Routledge, 1981. <\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8211; Tolkien, J.R.R. <em>The Monster and the Critics and Other Essays<\/em>, HarperCollins, 2006. (izbor)<\/span><br \/><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8211; \u010capek, Karel. <em>In Praise of Newspapers and Other Essays on the Margin of Literature<\/em>, Allen&amp;Uwin, 1951. (izbor)<br \/><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Dodatni materijali dobivaju se na satu.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Povijesni pregled razvoja fantastike u britanskoj knji\u017eevnostiNastavnica: dr. sc. Iva Polak, docentECTS-bodovi: 6Jezik: engleskiTrajanje: 7. i 9. semestarStatus: izborni kolegijOblik nastave: 1 satpredavanja, 2 sata seminara tjednoUvjeti za upis kolegija: upisan sedmi semestarOpis kolegija: Kolegij nudi pregled razvoja fantastike u okviru britanske knji\u017eevnosti, te pregled najva\u017enijih knji\u017eevno-kriti\u010dkih tekstova koji se bave problemom fantastike. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-2592","post","type-post","status-publish","format-standard","hentry","category-7-i-9-semestar-knjizevni-kolegiji"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/2592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2592"}],"version-history":[{"count":46,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/2592\/revisions"}],"predecessor-version":[{"id":19161,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/2592\/revisions\/19161"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}