{"id":25759,"date":"2016-09-09T13:36:58","date_gmt":"2016-09-09T12:36:58","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=25759"},"modified":"2021-09-20T17:29:00","modified_gmt":"2021-09-20T16:29:00","slug":"americki-film","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=25759","title":{"rendered":"Knji\u017eevnost i vizualnost: ameri\u010dki film, naracija i psihoanaliza"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Naziv kolegija: <\/strong>Knji\u017eevnost i vizualnost: ameri\u010dki film, naracija i psihoanaliza<br \/>\n<strong>Nastavnica: <\/strong>dr. sc. Tatjana Juki\u0107, red.prof.<br \/>\n<strong>ECTS-bodovi: <\/strong>6<br \/>\n<strong>Jezik: <\/strong>engleski<br \/>\n<strong>Trajanje: <\/strong>jedan semestar, 2. ili 4., ljetni<br \/>\n<strong>Status: <\/strong>izborni kolegij<br \/>\n<strong>Oblik nastave: <\/strong>1 sat predavanja, 2 sata seminara tjedno<br \/>\n<strong>Uvjeti za upis kolegija: <\/strong>upisan 2. ili 4. semestar diplomskog studija<br \/>\n<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>SILABUS:<br \/>\n<\/strong>1. tjedan<br \/>\nUvod u povijest ameri\u010dkog filma. Film kao ameri\u010dka umjetnost.<br \/>\n2. tjedan <br \/>\nKlasi\u010dni Hollywood. Narativni stil.<br \/>\n3. tjedan<br \/>\nFilm i naratologija, uvod.<br \/>\n4.tjedan<br \/>\nFilm i psihoanaliza, uvod.<br \/>\n5. i 6. tjedan <br \/>\nScrewball komedija: Hawks (His Girl Friday) i Sturges (The Lady Eve).<br \/>\n7. i 8. tjedan <br \/>\nScrewball komedija: Lubitsch (Ninotchka i To Be or Not to Be).<br \/>\nPrvi kolokvij i priprema za seminarski rad.<br \/>\n9. i 10. tjedan<br \/>\nMelodrama: Wyler (The Heiress) i Sirk (The Imitation of Life).<br \/>\n11. i 12. tjedan<br \/>\nThriller\/ Noir: Hitchcock (Rear Window i Vertigo).<br \/>\n13. i 14. tjedan<br \/>\nWestern: Ford (My Darling Clementine i The Man Who Shot Liberty Valance).<br \/>\n15. tjedan<br \/>\nDrugi kolokvij.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Na\u010din polaganja ispita:<\/strong> Kona\u010dnu ocjenu sa\u010dinjava uspjeh iz dviju pismenih provjera znanja (jedne sredinom i druge krajem semestra, 30% + 30% kona\u010dne ocjene), te iz eseja na zadanu temu (30% kona\u010dne ocjene), uz redovito poha\u0111anje nastave i aktivno sudjelovanje u njoj (10% kona\u010dne ocjene).<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Na\u010din pra\u0107enja kvalitete i uspje\u0161nosti izvedbe predmeta: <\/strong>Anonimna studentska anketa na kraju semestra.<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>LITERATURA:<br \/>\nOBAVEZNA<\/strong><br \/>\nBronfen, Elisabeth. Home in Hollywood. The Imaginary Geography of Cinema (izbor)<br \/>\nCavell, Stanley. Contesting Tears (izbor)<br \/>\nCavell, Stanley. Pursuits of Happiness (izbor)\u00a0\u00a0 \u00a0<br \/>\nCopjec, Joan. \u201eMore! From Melodrama to Magnitude\u201c<br \/>\nHarvey, James. Romantic Comedy in Hollywood. From Lubitsch to Sturges (izbor)<br \/>\nHeath, Stephen. \u201eCinema and Psychoanalysis: Parallel Histories\u201c\u00a0\u00a0 \u00a0<br \/>\nJuki\u0107, Tatjana. \u201eFilm, politika, psihoanaliza: Ernst Lubitsch\u201c\u00a0\u00a0 \u00a0<br \/>\nMulvey, Laura. &#8220;Visual Pleasure and Narrative Cinema&#8221;\u00a0\u00a0 \u00a0<br \/>\n\u017di\u017eek, Slavoj. Looking Awry. An Introduction to Jacques Lacan through Popular Culture. (izbor)\u00a0\u00a0 \u00a0<br \/>\n\u017di\u017eek, Slavoj (ur.) Everything You Always Wanted to Know about Lacan (But Were Afraid to Ask Hitchcock) (izbor)\u00a0\u00a0 \u00a0<br \/>\n<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>DOPUNSKA<\/strong><br \/>\nBergstrom, Janet (ur.). Endless Night. Cinema and Psychoanalysis: Parallel Histories. (izbor)<br \/>\nCrowe, Cameron. Conversations with Billy Wilder. (izbor)<br \/>\nDe Lauretis, Teresa. Alice Doesn&#8217;t. Feminism, Semiotics, Cinema. (izbor)<br \/>\nDe Lauretis, Teresa. Figures of Resistance. Essays in Feminist Theory. (izbor)<br \/>\nDeleuze, Gilles. Cinema 1. (izbor)<br \/>\nDeleuze, Gilles. Cinema 2. (izbor)<br \/>\nJuki\u0107, Tatjana. \u201eThe Awful Truth: On Metonymic Rationality in Hawks and Cavell\u201c<br \/>\nKaplan, E. Ann. Trauma Culture. The Politics of Terror and Loss in Media and Literature. (izbor)<br \/>\nKaplan, E. Ann. Women and Film. Both Sides of the Camera (izbor)<br \/>\nModleski, Tania. The Women Who Knew Too Much. Hitchcock and Feminist Theory (izbor)<br \/>\nNovak, Ivana; Jela Kre\u010di\u010d; Mladen Dolar (ur.). Lubitsch Can&#8217;t Wait. A Theoretical Examination. (izbor) <br \/>\nSilverman, Kaja. The Acoustic Mirror. The Female Voice in Psychoanalysis and Cinema. (izbor)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Knji\u017eevnost i vizualnost: ameri\u010dki film, naracija i psihoanaliza Nastavnica: dr. sc. Tatjana Juki\u0107, red.prof. ECTS-bodovi: 6 Jezik: engleski Trajanje: jedan semestar, 2. ili 4., ljetni Status: izborni kolegij Oblik nastave: 1 sat predavanja, 2 sata seminara tjedno Uvjeti za upis kolegija: upisan 2. ili 4. semestar diplomskog studija SILABUS: 1. tjedan Uvod u [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-25759","post","type-post","status-publish","format-standard","hentry","category-8-i-10-semestar-knjizevni-kolegiji"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/25759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25759"}],"version-history":[{"count":14,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/25759\/revisions"}],"predecessor-version":[{"id":40303,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/25759\/revisions\/40303"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}