{"id":20917,"date":"2015-02-25T18:11:52","date_gmt":"2015-02-25T17:11:52","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=20917"},"modified":"2015-02-25T18:29:04","modified_gmt":"2015-02-25T17:29:04","slug":"contemporary-irish-literature-and-culture-2015","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=20917","title":{"rendered":"Contemporary Irish Literature and Culture: Playing with the Past"},"content":{"rendered":"<p style=\"line-height: normal;\"><span style=\"font-size: small;\">Dr. Aidan O\u2019Malley, visiting lecturer<\/span><br \/><span style=\"font-size: small;\"><strong>Subject<\/strong>: Modern literature<\/span><br \/><span style=\"font-size: small;\"><strong>Course title<\/strong>: Contemporary Irish Literature and Culture<\/span>: <span style=\"font-size: 10pt;\">Playing with the Past<\/span><br \/><span style=\"font-size: small;\"><strong>ECTS credits<\/strong>: 6<\/span><br \/><span style=\"font-size: small;\"><strong>Language<\/strong>: English<\/span><br \/><span style=\"font-size: small;\"><strong>Duration<\/strong>: 1 semester, 8th and 10th<\/span> (2015)<br \/><span style=\"font-size: small;\"><strong>Status<\/strong>: elective<\/span><br \/><span style=\"font-size: small;\"><strong>Course type<\/strong>: lectures, seminars<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong style=\"font-size: small;\">Overview<br \/><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\">This course examines a selection of the most important Irish literary and filmic texts of the last 30-40 years. At the heart of this module is an examination of how these texts play with and disrupt conceptions of the Irish past (and, indeed, of history itself). This process of unsettlement is viewed primarily from a postcolonial perspective\u2014in terms, that is, of how this engagement with the past reflects upon contemporary Ireland. To facilitate this, students will also be introduced to important essays in the development of postcolonial discourse in Ireland.<br \/>With one exception, the novels to be examined are placed at the end of this course in order to allow time for these to be read. Students intending to take this module should immediately acquire and read Flann O\u2019Brien\u2019s novel, <em>The Third Policeman<\/em>.<\/span><\/p>\n<p>A list of suggested secondary readings will be issued in the class.<\/p>\n<p><span style=\"font-size: 10pt;\">Course Requirements<br \/><\/span><\/p>\n<ul>\n<li><span style=\"font-size: 10pt;\">10-15 minute oral presentation<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Mid-term exam (you are not permitted to answer the question on the text you presented)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Final exam (you are not permitted to answer the question on the text you presented)<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">2,000 word essay based on your presentation. Plagiarism will result in a fail grade.<\/span><\/li>\n<li><span style=\"font-size: 10pt;\">Attendance and participation in class<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 10pt;\">\u00a0<span style=\"text-decoration: underline;\"><strong>Course Outline<\/strong><\/span><\/span><\/p>\n<ol>\n<li><span style=\"font-size: 10pt;\">Introduction to the course: overview of 20<sup>th<\/sup>-century Irish literature and history<\/span><\/li>\n<\/ol>\n<ol start=\"2\">\n<li><span style=\"font-size: 10pt;\">Documentaries: Peter Lennon (dir.), <em>The Rocky Road to Dublin <\/em>(1967); Maurice Sweeney (dir.), <em>Flann O\u2019Brien: The Lives of Brian<\/em>(2006)<\/span><\/li>\n<\/ol>\n<ol start=\"3\">\n<li><span style=\"font-size: 10pt;\">Rethinking Irish experience in a postcolonial frame: Seamus Deane, <em>Civilians and Barbarians<\/em> (1983); Declan Kiberd, \u2018A New England Called Ireland\u2019 (from <em>Inventing Ireland<\/em>, 1995)<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<ol start=\"4\">\n<li><span style=\"font-size: 10pt;\">Re-performing the past 1: Flann O\u2019Brien, <em>The Third Policeman<\/em> (1967)<\/span><\/li>\n<\/ol>\n<ol start=\"5\">\n<li><span style=\"font-size: 10pt;\">Re-performing the past 2: Brian Friel, <em>Making History<\/em>(1989)<\/span><\/li>\n<\/ol>\n<ol start=\"6\">\n<li><span style=\"font-size: 10pt;\">Re-performing the past 3: Terry Eagleton, <em>Saint Oscar<\/em>(1989)<\/span><\/li>\n<\/ol>\n<ol start=\"7\">\n<li><span style=\"font-size: 10pt;\">Re-performing the past 4: Thomas Kilroy, <em>Double Cross<\/em> (1986)<\/span><\/li>\n<\/ol>\n<ol start=\"8\">\n<li><span style=\"font-size: 10pt;\">Mid-term Exam<\/span><\/li>\n<\/ol>\n<ol start=\"9\">\n<li><span style=\"font-size: 10pt;\">Film 1: Neil Jordan(dir.), <em>The Crying Game<\/em> (1992),<em>The Butcher Boy<\/em> (1997),<em>Breakfast on Pluto<\/em> (2005)<\/span><\/li>\n<\/ol>\n<ol start=\"10\">\n<li><span style=\"font-size: 10pt;\">Film 2: John Crowley (dir.), <em>Intermission <\/em>(2003); Martin McDonagh (dir.), <em>In Bruges<\/em> (2008);John Michael McDonagh (dir.), <em>Calvary<\/em> (2014)<\/span><\/li>\n<\/ol>\n<ol start=\"11\">\n<li><span style=\"font-size: 10pt;\">Contemporary fiction 1: John McGahern, <em>Amongst Women<\/em>(1990)<\/span><\/li>\n<\/ol>\n<ol start=\"12\">\n<li><span style=\"font-size: 10pt;\">Contemporary fiction 2: Joseph O\u2019Connor, <em>Star of the Sea<\/em>(2002)<\/span><\/li>\n<\/ol>\n<ol start=\"13\">\n<li><span style=\"font-size: 10pt;\">Contemporary fiction 3: Donal Ryan, <em>The Spinning Heart<\/em>(2012)<\/span><\/li>\n<\/ol>\n<ol start=\"14\">\n<li><span style=\"font-size: 10pt;\">Final Exam<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong style=\"font-size: small;\">\u00a0<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr. Aidan O\u2019Malley, visiting lecturerSubject: Modern literatureCourse title: Contemporary Irish Literature and Culture: Playing with the PastECTS credits: 6Language: EnglishDuration: 1 semester, 8th and 10th (2015)Status: electiveCourse type: lectures, seminars Overview This course examines a selection of the most important Irish literary and filmic texts of the last 30-40 years. At the heart of this [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-20917","post","type-post","status-publish","format-standard","hentry","category-8-i-10-semestar-knjizevni-kolegiji"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/20917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20917"}],"version-history":[{"count":7,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/20917\/revisions"}],"predecessor-version":[{"id":20933,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/20917\/revisions\/20933"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}