{"id":19012,"date":"2011-10-20T13:26:10","date_gmt":"2011-10-20T13:26:10","guid":{"rendered":"http:\/\/anglist.ffzg.unizg.hr\/?p=19012"},"modified":"2015-04-07T09:59:27","modified_gmt":"2015-04-07T08:59:27","slug":"tematika-rodnosti-u-modernoj-anglofonoj-knjizevnosti-i-kulturi","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=19012&lang=en","title":{"rendered":"Tematika rodnosti u modernoj anglofonoj knji\u017eevnosti i kulturi"},"content":{"rendered":"


SYLLABUS<\/span><\/b><\/font>\n<\/p>\n

Naziv
\nkolegija:<\/span><\/b> <\/span><\/font><\/b>
\n
\nTematika rodnosti u modernoj anglofonoj knji\u017eevnosti<\/span><\/font><\/p>\n

\n\u00a02010\/11.<\/span><\/p>\n

\nDr. sc .Ljiljana Ina
\nGjurgjan, red. prof.<\/span><\/b><\/p>\n


\nNaziv kolegija<\/span><\/b>: <\/span>
\nTematika rodnosti u
\nmodernoj anglofonoj knji\u017eevnosti<\/span><\/b><\/p>\n

\nLjetni semestar 2010\/11.<\/span><\/b><\/p>\n


\nJezik<\/span><\/b>:
\nengleski<\/span><\/span><\/p>\n

\nTrajanje<\/span><\/b>:
\n1 semestar, ljetni<\/span><\/p>\n

\nStatus<\/span><\/b>:
\nizborni<\/span><\/p>\n

\nOblik nastave<\/span><\/b>:
\n1 sat predavanja i 2 sata seminara tjedno<\/span><\/p>\n

\nUvjeti<\/span><\/b>:
\nupisan 8. odnosno 10. semestar <\/span><\/p>\n

\u00a0<\/p>\n

\nPon 13.15-14, Ut
\n11-12.30, A-105<\/span><\/b><\/p>\n

\n\u00a0<\/span><\/b><\/p>\n

\n

\u00a0<\/p>\n

\nNaziv predmeta<\/span><\/b>:
\nameri\u010dka i britanska knji\u017eevnosti i kultura XX. stolje\u0107a<\/span><\/p>\n

\nNaziv kolegija<\/span><\/b>:
\n<\/b>Tematika rodnosti u modernoj anglofonoj knji\u017eevnosti<\/span>
\nTC “Tematika rodnosti u modernoj anglofonoj knji\u017eevnosti” f C l “3” <\/span>
\n<\/b><\/p>\n

\nECTS bodovi<\/span><\/b>:
\n6<\/span><\/p>\n

\nJezik<\/span><\/b>:
\nengleski<\/span><\/p>\n

\nTrajanje<\/span><\/b>:
\n1 semestar<\/span><\/p>\n

\nStatus
\n(obavezni\/izborni):<\/span><\/b>
\nunutarnja izbornost\/izbornost<\/span><\/p>\n

\nOblici nastave s brojem
\nsati semestralno<\/span><\/b>:
\npredavanja 15 sati; 30 sati seminara<\/span><\/p>\n

\nUvjeti za upis kolegija<\/span><\/b>:
\nUpisan diplomski studij anglistike. Student mora pri upisu \u010detvrte godine
\nstudija imati polo\u017eene sve ispite preddiplomskog dijela studija anglistike
\nFilozofskog fakulteta u Zagrebu ili usporedivog programa anglistike s drugog
\nsveu\u010dili\u0161ta u Hrvatskoj ili u inozemstvu. Za vanjsku izbornost upisan diplomski
\nstudij i dozvola predmetnoga nastavnika. <\/span><\/p>\n

\nNa\u010din provjere znanja<\/span><\/b>:
\nkontinuirana evaluacija<\/span><\/p>\n

\nOkvirni sadr\u017eaj
\npredmeta: <\/span><\/b>
\nNaglasak u seminaru bit \u0107e na kulturalnoj definiciji rodnosti koja se izvodi iz
\ndjela moderne anglofone proze. Zapo\u010det \u0107emo s teorijskim promi\u0161ljanjme rodnosti
\nanalizom postavki Judith Butler, E. Bronfen i J. Fetterley. Daljnje razmatranje
\nstereotipizacije rodnosti u zapadnja\u010dkoj kulturi bazirat \u0107emo na filmu \u00abVeliki
\nGatsby\u00bb i Joyceovoj pripovijetki \u00abMrtvi\u00bb te njihovim interpretativnim kritikama-
\nNa primjeru Merilyn Monroe i inesrtima iz filma The Crying Game\u00bb analizirat \u0107emo
\nproizvodnju \u017eene u kulturni artefakt. Pomake u na\u010dinu reprezentacije \u017eene
\n(ludilo, ljutnja, preimenovanje, pomicanje granica rodnosti) analizrat \u0107emo na
\nprimjerima iz tekstova A. Rich, A. S. Byatt i A. Carter. Na ulomcima iiz
\nmodernisti\u010dkih romana i knji\u017eevne kritike definirat \u0107emo ideju mu\u0161kosti u
\nzapadnja\u010dkoj kulturi. Pripovijetka \u00abCounetparts\u00bb oprimjerit \u0107e odnos izme\u0111u
\nideala mu\u0161kosti i kolonijalnoga subjekta. Subverziju tog ideala i njezino
\nsankcioniranje analizirat \u0107emo na filmu \u00abThe Brokeback Mountain\u00bb. .<\/span><\/p>\n

\nCilj kolegija (o\u010dekivane
\nkompetencije): <\/span><\/b>
\nSvrha kolegija je upoznavanje s nekim od kapitalnih djela moderne kulture kao i
\nkulturalno i historiografsko promi\u0161ljanje rodnih odnosa. Kolegij na taj na\u010din
\nosposobljava polaznice\/ke za bolje razumijevanje kulture te ih osvje\u0161tava za
\nproblematiku rodnih odnosa\u00a0 i kulturolo\u0161ku semiozu. Kolegij nudi uvid u
\nsuvremeno knji\u017eevno i kulturolo\u0161ko promi\u0161ljanje rodnosti i osposobljava studente
\nza samostalnu analizu knji\u017eevnih tekstova i drugih tekstova kulture.<\/span><\/p>\n

\n\u00a0<\/span><\/i><\/b><\/p>\n

\nSyllabus:<\/span><\/i><\/b><\/p>\n

\n1.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span><\/span>tjedan<\/span><\/i>
\nUvod: Judith Butler, \u00abSubversive Bodily Acts\u00bb from Gender Trouble;<\/i> from \u00abImitation
\nand Gender Subordination\u00bb,\u00a0 Diana Fuss (ed) Inside\/Out, Lesbian Theories, Gay
\nTheories,\u00a0 <\/i>Judith Butler.Sex and Gender in Simone de Beauvoir’s Second
\n<\/i><\/span><\/p>\n

\n2.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span><\/span>tjedan<\/span><\/i>
\nF.S. Fitzgerald: *The Great Gatsby <\/i>(film), Judith Fetterley: \u00abFitzgerald’s
\ndroit de seigneur<\/i>\u00bb, The Resisting Reader: A Feminist Approach to
\nAmerican Fiction,<\/i> <\/span><\/p>\n

\n3.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span><\/span>tjedan<\/span><\/i>
\nJames Joyce: \u00abThe Dead\u00bb, Margot Norris: \u00abWho killed Julia Morkan: The Gender
\nPolitics of Art in the Dead\u00bb <\/span><\/p>\n

\n4.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span><\/span>tjedan<\/span><\/i>
\ninserti iz filma Andrew Dominika Blonde<\/i>, MacCannell: \u00abMarilyn Monroe Was
\nnot a Man\u00bb, Diacritics, summer 1997, vol. 17,no. 2. \u00a0Andy Warhol: Marilyn Monroe
\nportofolio.<\/span><\/p>\n

\n5.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span><\/span>tjedan<\/span><\/i>
\nLaura Mulvey: \u00abVisual pleasure and Narrative Cinema\u00bb, Film Theory and Criticism,
\nSlavoj \u017di\u017eek: \u00abPassionate Attachments\u00bb to Dis-Identification\u00bb<\/span><\/p>\n

\n6.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span>Neil Jordan, \u00abThe Crying Game\u00bb (insnerti iz filma), S. \u017di\u017eek, \u00abCourtly
\nLove , or, Woman as Thing\u00bb<\/span><\/p>\n

\n7.\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span><\/span><\/i>\u00a0<\/span><\/b>tjedan
\nkolokvij <\/b><\/span><\/i><\/p>\n

\n8.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span>\u00a0tjedan <\/i>\u00a0Angela Carter: The Company of Wolves, \u00a0Sally Keenan: \u00abAngela
\nCarter’s the Sadeian Woman: Feminism as Treason\u00bb in Alison Easton (ed.):
\nAngela Carter<\/i>, London: McMillan Press Ltd, 2000, S. \u017di\u017eek, \u00a0The Indivisible
\nRemainder, str. 171-178)<\/span><\/p>\n

\n9.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\n<\/span><\/span>tjedan<\/span><\/i>
\nAdrienne Rich: from \u00abTwenty-One Love Poems\u00bb Adrienne Rich: \u00abWhen We Dead Awaken\u00bb,
\nA.S. Byatt: from The Djinn in NInghtingale’s Eye <\/span><\/p>\n

\n10.\u00a0\u00a0
\n<\/span><\/span>tjedan<\/span><\/i>
\nViktorijanski koncept mu\u0161kosti \u2013 ulomci iz \u00abMrs. Dalloway\u00bb i \u00abTo the Lighthouse!
\nV. Woolf, \u00a0iz \u00abPortreta umjetnika\u00bb Jamesa Joycea te sekvenca iz kaubojskoga
\nfilma (u dogovoru sa studentima)<\/span><\/p>\n

\n11.\u00a0\u00a0
\n<\/span>\u00a0tjedan<\/i> James Joyce \u00abCounterparts\u00bb. ulomak iz filma \u00abUlysses\u00bb,\u00a0 \u00a0<\/span>Attridge\/
\nHowes (eds), Semi-Colonial Joyce, Cambridge U. P. 2000, str. 96-150<\/span><\/p>\n

\n12.\u00a0\u00a0
\n<\/span><\/span>\u00a0tjedan<\/span><\/i>
\ninserti iz filma Proulx\/ Lee\u00bbThe Brokeback Mountain\u00bb<\/span><\/p>\n

\n13.\u00a0\u00a0
\n<\/span>\u00a0tjedan<\/i>: rezervno vrijeme<\/span><\/p>\n

\n14.\u00a0\u00a0
\n<\/span><\/span>\u00a0tjedan<\/span><\/i>
\nkolokvij<\/b><\/span><\/p>\n

\n\u00a0<\/span><\/p>\n

\nObvezatna literatura<\/span><\/b><\/p>\n

\nReader (iz fotokopiraonice
\npod: Rodne studije prof..Gjurgjan)<\/span><\/p>\n

\nDodatna literatura<\/span><\/b>.<\/span><\/p>\n

\nBelsey, Catherine\u00a0 & Moore,
\nJane: The Feminist Reader: Essays in Gender and the Politics of
\nLiteraryTheory<\/i>\u00a0 <\/span><\/p>\n

\nButler, Judith :
\nSubversive Body Acts <\/i><\/span><\/p>\n

\nEaston, Elison (ed.):
\nAngela Carter<\/i>, London: McMillan Press Ltd, 2000<\/span><\/p>\n

\nFetterley, Judith :The Resisting Reader: A Feminist
\nApproach to American Fiction<\/i><\/span><\/p>\n

\nFuss, \u00a0<\/i>Diana:
\nInside\/Out, Lesbian Theories, Gay Theories,<\/i><\/span><\/p>\n

\nLacan, Jacques: Four
\nFundamental Concepts of Psychoanalysis<\/i><\/span><\/p>\n

\nMulvey, Laura: Film
\nTheory and Criticism<\/i> <\/span><\/p>\n

\nJulie Rivkin \u2013 Michael Ryan:
\nLiterary Theory: An Anthology<\/i>, Blackwell, 1998, str. 527-777<\/span><\/p>\n

\nMoi, Toril:\u00a0 Sexual\/Textual
\nPolitics: Feminist Literary Theory<\/i>,<\/span><\/p>\n

\u00a0
\n
<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[104],"tags":[],"class_list":["post-19012","post","type-post","status-publish","format-standard","hentry","category-8-i-10-semestar-knjizevni-kolegiji-2"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/19012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19012"}],"version-history":[{"count":1,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/19012\/revisions"}],"predecessor-version":[{"id":21327,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/19012\/revisions\/21327"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}