{"id":12650,"date":"2013-09-12T19:47:52","date_gmt":"2013-09-12T18:47:52","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/?p=12650"},"modified":"2024-10-09T09:00:11","modified_gmt":"2024-10-09T08:00:11","slug":"povijesni-pregled-razvoja-fantastike-u-britanskoj-knjizevnosti","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=12650","title":{"rendered":"Povijesni pregled razvoja fantastike u britanskoj knji\u017eevnosti"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Naziv kolegija<\/strong><b>: Povijesni pregled razvoja fantastike u britanskoj knji\u017eevnosti<br \/>\n<\/b><strong>Nastavnica: <\/strong>dr. sc. Iva Polak, izv. prof.<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>ECTS-bodovi<\/strong><b>: <\/b>6<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Jezik<\/strong><b>: <\/b>engleski<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Trajanje<\/strong><b>: <\/b>1. ili 3. semestar<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Status<\/strong><b>: <\/b>izborni kolegij<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Oblik nastave<\/strong><b>: <\/b>2 sata<b> <\/b>predavanja, 1 sat seminara tjedno<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Uvjeti za upis kolegija<\/strong><b>: <\/b>upisan 1. ili 3. semestar diplomskog studija<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Opis kolegija:<\/strong> Kolegij nudi povijesni pregled &#8220;fanasti\u010dnih&#8221; tekstova na podru\u010duj dana\u0161njeg Ujedinjenog Kraljevstva, i pregled najva\u017enijih teorijskih tekstova koji se bave problemom fantastike. Tekstovi iz razdoblja starije engleske knji\u017eevnosti, srednjega vijeka, renesanse i neoklasicizma analizirat \u0107e se u dru\u0161tveno-povijesnom kontekstu kako bi se fingirao implicitni \u010ditatelj\/slu\u0161atelj i uo\u010dila druga\u010dija funkcija fantastike. Neka knji\u017eevna djela rade se zajedno s filmskim adaptacijama. Teorijska potka fantastike uklju\u010duje raspravu o mimezi, retorici stvarnog i nestvarnog, i o epistemolo\u0161kim ne\/stabilnostima. Raznolikost i nerijetko nepoklapanje suvremene kriti\u010dke aparature analizira se kroz kategorije impulsa, na\u010dina i \u017eanra\/pod\u017eanra. <\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Cilj<\/strong><b>: <\/b>Osvijestiti usporedno postojanje fantastike od samih za\u010detaka razvoja engleske, tj. britanske knji\u017eevnosti; uo\u010diti promjenjivost funkcije fantastike; osvijestiti teorijske odrednice fantasti\u010dne knji\u017eevnosti.<\/span><br \/>\n<span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Studentske obveze<\/strong><b>: <\/b>Kolegij se ocjenjuje kontinuiranom evaluacijom \u0161to podrazumijeva: dolazak na nastavu (maks. 4 izostanka), pripremu za i aktivno sudjelovanje na nastavi, te pisanje i pravovremeno podna\u0161anje kra\u0107ih eseja, odnosno pisanih radova. Ukupno se pi\u0161e sedam eseja od 800-1500 rije\u010di. Svaki esej dolazi s detaljnim uputama i pi\u0161e se po zavr\u0161etku tematske cjeline. Kako bi uspje\u0161no polo\u017eili kolegij, studenti trebaju dobiti pozitivnu ocjenu iz svakog eseja.Plagijat uo\u010den u jednom eseju dovoljan je za pad kolegija.<br \/>\n<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Sadr\u017eaj kolegija po tjednima:<br \/>\n1. TJEDAN<br \/>\n<\/strong>Uvod u temeljna problemska podru\u010dja: poimanje stvarnosti kroz povijest; mimeza-mimeti\u010dnost; fantastika-fantasti\u010dnost<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>2. TJEDAN<br \/>\n<\/strong>\u0160to je fantasti\u010dno u fantastici; problem povijesnog situiranja fantastike; fantastika kao na\u010din ili \u017eanr; uvod u teoriju \u017eanra (Todorov, Brooke-Rose, Chanady, Hume, itd.)<br \/>\nChristine Brooke-Rose (Poglavlje II.); Kathryn Hume (Poglavlje II. i V.)<br \/>\n1. esej<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>3. TJEDAN<br \/>\n<\/strong>Problem pozicioniranja fantastike u starijoj engleskoj knji\u017eevnost<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <i>Beowulf<\/i> , c. 8. st. (odabrani dijelovi) \u2013 povijesni kontekst; anglosaksonski slu\u0161atelj i ukodirani \u010ditatelj; problem stvarnog i nestvarnog; herojski ili fantasti\u010dni ep<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>4. TJEDAN<br \/>\n<\/strong>Beowulf (nastavak) &#8211; zna\u010daj epa za razvoj fantasti\u010dne knji\u017eevnosti; <\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>5. TJEDAN<br \/>\n<\/strong><\/span><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt;\">Beowulf i Tolkienova visoka fantastika; Tolkien. \u201eThe Monster and the Critic\u201c<br \/>\n2. esej<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>6. TJEDAN<br \/>\n<\/strong><\/span><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt;\">Fantastika u srednjem vijeku<\/span><br \/>\n<span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt;\">Geoffrey Chaucer. <i>The Canterbury Tales<\/i> &nbsp;(\u201eThe Nun&#8217;s Priest&#8217;s Tale\u201c) (1387-; Caxton 1. izdanje 1476) \u2013 kontekst Chaucerova razdoblja, srednjovjekovni oblici, basna, fantastika jednostavnog oblika<br \/>\n3. esej<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>7. TJEDAN<br \/>\n<\/strong><\/span><span style=\"font-family: tahoma, arial, helvetica, sans-serif; font-size: 10pt;\">Sir Thomas Malory. <i>Le Morte Darthur <\/i>(1485): intertekst srednjovjekovnih izvora; od epa do romanse; Arturijana kao mit i historiografija; likovi i pripovjedni nizovi; <i>Monthy Python and the Holy Grail<\/i> (1975) red. Terry Gilliam &amp; Terry Jones<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>8. TJEDAN<br \/>\n<\/strong><\/span><span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\">Tjedan bez nastave. Nadoknada \u010ditanja.<br \/>\n<\/span><span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>9. TJEDAN<br \/>\n<\/strong>Fantastika u renesansi<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> William Shakespeare. <i>The Tempest<\/i> (1623) \u2013 elizabetinska slika svijeta; Prosperove \u010darolije i &#8220;problem&#8221; njihovih kazali\u0161nih i filmskih adaptacije; primjena Todorova<br \/>\n4. esej<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>10. TJEDAN<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> Filmske adaptacije <em>Oluje<\/em>: analiza isje\u010daka iz <i>Silent Shakespeare<\/i> (1899-1901); <i>Prospero&#8217;s Books<\/i> (1991) red. Peter Greenaway; <i>The Tempest<\/i> (2010) red. Julie Taymor i analiza filma <i>Forbidden<\/i><i> Planet<\/i> (1956) red. Fred M. Wilcox; <br \/>\n5. esej<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>11. TJEDAN<br \/>\n<\/strong>Fantastika u neoklasicizmu<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> Jonathan Swift. <i>Gulliver&#8217;s Travels &nbsp;<\/i>(IV. putovanje) (1726, 1735) \u2013 utopijska knji\u017eevnost (Platon, Thomas More), menipejska satira, fantastika i alegorija, lokacija iv. putovanja; problem iv. putovanja<br \/>\n6. esej<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>12. TJEDAN<br \/>\n<\/strong>Fantastika u viktorijani<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> Lewis Carroll. <i>Alice&#8217;s Adventures in Wonderland <\/i>(1865) \u2013 viktorijanska dje\u010dja knji\u017eevnost; \u201ebesmisleni stihovi\u201c (Jabberwocky\/Hudodrakija); izvori\u0161te nadnaravnih elemenata<br \/>\n<\/span><span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>13. TJEDAN<br \/>\n<\/strong>Lewis Carroll. <i>Alice&#8217;s Adventures in Wonderland <\/i>\u2013 primjena Todorova<br \/>\n7. esej<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <strong>14. TJEDAN<br \/>\n<\/strong>Prema SF \u017eanru<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> H. G. Wells. <i>The Time Machine<\/i> (1895) i \u201eThe Grey Man\u201c \u2013 &#8216;ne\u010disti&#8217; SF; novum (Suvin)<\/p>\n<p><\/span><span style=\"font-size: 10pt;\"><span style=\"font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Literatura<\/strong><\/span><b><br \/>\n<\/b><span style=\"font-family: tahoma, arial, helvetica, sans-serif;\">Primarna literatura<strong><br \/>\n<\/strong><i>Beowulf<\/i> (odabrani dijelovi, dvojezi\u010dno izdanje)<\/span><\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> Geoffrey Chaucer. <i>The Canterbury Tales<\/i> (\u201eThe Nun&#8217;s Priest&#8217;s Tale\u201c)<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> Sir Thomas Malory. <i>Le Morte Darthur<\/i> (odabrani dijelovi)<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> William Shakespeare. <i>The Tempest<br \/>\n<\/i>Jonathan Swift. <i>Gulliver&#8217;s Travels, IV voyage<br \/>\n<\/i>Lewis Carroll. <i>Alice&#8217;s Adventures in Wonderland <br \/>\n<\/i>H. G. Wells. <i>The Time Machine; <\/i>\u201eThe Grey Man\u201c<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: 10pt; font-family: tahoma, arial, helvetica, sans-serif;\">Sekundarna literatura<strong><br \/>\n<\/strong>&#8211; Brooke-Rose, Christine.<i> A Rhetoric of the Unreal. Studies in Narrative and Structure, Especially of the Fantastic, <\/i>CUP, 1981. (Poglavlje II.)<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <i>&#8211; <\/i>Chanady, Amaryll Beatrice.<i> Magical Realism and the Fantastic: Resolved Versus Unresolved Antinomy, <\/i>Garland Publishing Inc, 1985. (izbor)<br \/>\n&#8211; Hume, Kathryn. Fantasy and Mimesis. Responses to REality in Western Literature.Methuen, 1984. (Poglavlje II. i V.)<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> &#8211; \u010capek, Karel.<i> In Praise of Newspapers and Other Essays on the Margin of Literature, <\/i>Allen&amp;Uwin, 1951. Eseji: &#8220;Towards a Theory of Fairy Tales&#8221;; &#8220;A Few Fairy-Tale Motifs&#8221;<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> &#8211; Jackson, Rosemary. <i>Fantasy. The Literature of Subversion, <\/i>Routledge, 1981. (izbor)<br \/>\n&#8211; Polak, Iva. <em>Futuristic Worlds in Australian Aboriginal Fiction<\/em>. Oxford:Peter Lang, 2017: poglavlje 1 i 2<br \/>\n&#8211; Suvin, Darko. &#8220;On the Poetics of the Science Fiction Genre&#8221;. <em>College English<\/em>. Sv. 32, Br. 3, 1972.: 372-382.<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> <i>&#8211; <\/i>Todorov, Tzvetan.<i> The Fantastic. A Structural Approach to a Literary Genre, <\/i>Cornell UP, 1975.<\/span><br \/>\n<span style=\"font-size: 10pt; font-family: tahoma,arial,helvetica,sans-serif;\"> &#8211; Tolkien, J.R.R.<i> The Monster and the Critics and Other Essays, <\/i>HarperCollins, 2006. Eseji: &#8220;The Monster and the Critics&#8221;; &#8220;On Fairy Stories&#8221;<br \/>\n<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: 10pt; font-family: tahoma, arial, helvetica, sans-serif;\">Svi knji\u017eevni i kriti\u010dki tekstovi bit \u0107e dostupni studentima u elektroni\u010dkom obliku. <br \/>\n<\/span><\/p>\n<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&nbsp;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Povijesni pregled razvoja fantastike u britanskoj knji\u017eevnosti Nastavnica: dr. sc. Iva Polak, izv. prof. ECTS-bodovi: 6 Jezik: engleski Trajanje: 1. ili 3. semestar Status: izborni kolegij Oblik nastave: 2 sata predavanja, 1 sat seminara tjedno Uvjeti za upis kolegija: upisan 1. ili 3. semestar diplomskog studija Opis kolegija: Kolegij nudi povijesni pregled &#8220;fanasti\u010dnih&#8221; [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-12650","post","type-post","status-publish","format-standard","hentry","category-7-i-9-semestar-knjizevni-kolegiji"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/12650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12650"}],"version-history":[{"count":44,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/12650\/revisions"}],"predecessor-version":[{"id":46771,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/12650\/revisions\/46771"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}