{"id":12160,"date":"2013-07-10T06:29:01","date_gmt":"2013-07-10T05:29:01","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/anglist\/?p=12160"},"modified":"2017-10-17T15:47:03","modified_gmt":"2017-10-17T14:47:03","slug":"poezija-engleskog-romantizma","status":"publish","type":"post","link":"https:\/\/anglist.ffzg.unizg.hr\/?p=12160","title":{"rendered":"Britanski romantizam: poezija (arhiva)"},"content":{"rendered":"<p style=\"line-height: normal; text-align: justify;\"><span style=\"font-size: small;\"><strong>Naziv kolegija: Britanski romantizam: poezija<br \/>\n (raniji naziv kolegija: Poezija engleskog romantizma<\/strong><b>)<\/b><br \/>\n <strong>Nastavnik<\/strong><b>: dr. sc. Martina Domines Veliki<br \/>\n <\/b><strong>ECTS bodovi<\/strong><b>: <\/b>6<\/span><br \/>\n <span style=\"font-size: small;\"><strong>Jezik<\/strong>: engleski<\/span><br \/>\n <span style=\"font-size: small;\"><strong>Trajanje<\/strong>: 3. ili 5\u00a0 semestar<\/span><br \/>\n <span style=\"font-size: small;\"><strong>Status<\/strong>: izborni<\/span><br \/>\n <span style=\"font-size: small;\"><strong>Oblik nastave:<\/strong> 1 sat predavanja i 2 sat seminara tjedno<\/span><br \/>\n <span style=\"font-size: small;\"><strong>Uvjeti<\/strong>: polo\u017een <i>Uvod u studij engleske knji\u017eevnosti <\/i>ili<i> Uvod u studij engleske knji\u017eevnosti 1 i 2<br \/>\n <\/i><strong>Okvirni sadr\u017eaj predmeta<\/strong>: Kolegij \u0107e se kroz stvarala\u0161tvo Blakea, Wordswortha, Coleridgea, Byrona, Shelleyja i Keatsa baviti nekim temeljnim romanti\u010darskim konceptima kao \u0161to su pjesni\u010dko nadahnu\u0107e, sje\u0107anje na pro\u0161lost, sublimnost, deizam i misticizam, odnos subjekta i prirode te subjekta i jezika. Pobuna protiv dru\u0161tvenih nepravdi, osje\u0107aj za \u201emalog\u201c \u010dovjeka, \u017eelja za stapanjem s prirodom samo su neke od osnovnih osobina svakog romanti\u010darskog pjesnika koji sam postaje sredi\u0161njom temom svojih pjesama. Naglasak \u0107e biti na romanti\u010darima prve generacije koji su najsna\u017enije obilje\u017eili razdoblje engleskog romantizma.<\/span><br \/>\n <span style=\"font-size: small;\"><strong>Cilj<\/strong>: Cilj je kolegija upoznati studente s najzna\u010dajnijim pjesnicima engleskog romantizma te povijesnim, kulturnim, politi\u010dkim i estetskim okru\u017ejem u kojem su stvarali i na koje su sna\u017eno utjecali. Studenti \u0107e imati priliku promi\u0161ljati i analizirati odabrane pjesme, te \u0107e u dijalogu s nastavnikom stvoriti osobno vi\u0111enje pjesnika te ideolo\u0161kih i estetskih implikacija njihove poezije s kraja 18. i prve polovice 19. Stolje\u0107a. U tom \u0107e im pomo\u0107i niz kriti\u010dkih tekstova od tradicionalnih pa sve do post-strukturalisti\u010dkih pristupa romantizmu.<\/span><br \/>\n <span style=\"font-size: small;\"><strong>Studentske obveze<\/strong><b>: <\/b>kontinuirano pra\u0107enje (prvi kolokvij sredinom semestra i drugi u zadnjem tjednu nastave), u kona\u010dnu ocjenu ulazi i seminarski rad, poha\u0111anje nastave, te aktivnost na satu.<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: small;\"><strong>Sadr\u017eaj kolegija po tjednima:<\/strong>:<\/span><br \/>\n <span style=\"font-size: small;\">1. tjedan<strong>.<\/strong> Uvod u razdoblje engleskog romantizma. Periodizacija, prete\u010de romantizma<\/span><br \/>\n <span style=\"font-size: small;\"><b>2. tjedan.<\/b> William Blake. Selections from Songs of Innocence and Experience<\/span><br \/>\n <span style=\"font-size: small;\"><b>3. tjedan.<\/b> Blake continued \u2013 The Marriage of Heaven and Hell<\/span><br \/>\n <span style=\"font-size: small;\"><b>4. tjedan.<\/b> William Wordsworth, excerpts from the 1800 Preface to Lyrical Ballads, a selection of poems from Lyrical Ballads<\/span><br \/>\n <span style=\"font-size: small;\"><b>5. tjedan.<\/b> Wordsworth continued \u2013 a selection of poems from Poems in two Volumes<\/span><br \/>\n <span style=\"font-size: small;\"><b>6. tjedan.<\/b> Wordsworth continued \u2013 The Prelude (chosen books)<\/span><br \/>\n <span style=\"font-size: small;\"><b>7. tjedan.<\/b> Samuel Taylor Coleridge \u2013 selections from Biographia Literaria<\/span><br \/>\n <span style=\"font-size: small;\"><b>8. tjedan.<\/b> Coleridge continued \u2013 The Rime of the Ancient Mariner, Dejection: an Ode<\/span><br \/>\n <span style=\"font-size: small;\"><b>9. tjedan<\/b>. Kolokvij 1<\/span><br \/>\n <span style=\"font-size: small;\"><b>10. tjedan.<\/b> George Gordon Byron \u2013 excerpts from Childe Harold&#8217;s Pilgrimage<\/span><br \/>\n <span style=\"font-size: small;\"><b>11. tjedan.<\/b> Byron continued \u2013 Prometheus, Fare Thee Well<\/span><br \/>\n <span style=\"font-size: small;\"><b>12. tjedan.<\/b> Percy Bysshe Shelley \u2013 Ozymandias, Ode to the West Wind<\/span><br \/>\n <span style=\"font-size: small;\"><b>13. tjedan<\/b>. Shelley continued \u2013 To a Skylark, excerpts from A Defence of Poetry, Preface to Prometheus Unbound<\/span><br \/>\n <span style=\"font-size: small;\"><b>14. tjedan.<\/b> John Keats \u2013 To Autumn, La Belle Dame Sans merci, Ode on a Grecian Urn<\/span><br \/>\n <span style=\"font-size: small;\"><b>15. tjedan.<\/b> Kolokvij 2<\/span><\/p>\n<p style=\"line-height: normal;\"><strong><span style=\"font-size: small;\">Popis literature:<\/span><\/strong><br \/>\n <span style=\"font-size: small;\"><strong>Obvezatna:<\/strong>:<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Bloom, Harold &amp; Trilling, Lionel: <i>Romantic Poetry and Prose <\/i>(New York, London, Toronto : Oxford University Press, 1973) ili Wu, Duncan: <i>A Companion to Romanticism<\/i> (Oxford: Blackwell, 2001)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Abrams, M. H.: <i>The Mirror and the Lamp: Romantic Theory and the Critical \u00a0Tradition <\/i>(London: Oxford University Press, 1960)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Bloom, Harold: <i>The Visionary Company: A Reading of English Romantic Poetry <\/i>\u00a0(London: Cornell University Press, any edition)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Curran, Stuart (ed.): <i>The Cambridge Companion to British Romanticism<\/i> (Cambridge: Cambridge University Press, 1998)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Daiches, David: <i>A Critical History of English Literature in four volumes<\/i> (relevant \u00a0chapters) (London : Secker &amp; Warburg , 1992)<\/span><\/p>\n<p style=\"line-height: normal;\"><span style=\"font-size: small;\"><strong>Dopunska:<\/strong>:<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Abrams, M. H.: <i>Natural Supernaturalism: Tradition and Revolution in Romantic \u00a0Literature <\/i>(London: Oxford University Press, 1971)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Bennett, Andrew: <i>Romantic Poets and the Culture of Posterity<\/i> (Cambridge UP, 1999)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Brisman, Leslie: <i>Romantic Origins<\/i> (Ithaca and London: Cornell University Press, 1978)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Bromwich, David: <i>Disowned by Memory: Wordsworth&#8217;s Poetry of the 1790s<\/i> (Chicago and London: The University of Chicago Press, 2000)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Butler, Marilyn: <i>Romantics, Rebels and Reactionaries \u2013 English Literature and its \u00a0Background 1760-1830<\/i> (Oxford, New York: Oxford University Press, 1981)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Day, Aidan: <i>Romanticism<\/i> (London and New York: Routledge, 1996)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; de Man, Paul: <i>The Rhetoric of Romanticism<\/i> (New York: Columbia University Press, 1984)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Erdman, David: <i>Blake : Prophet against Empire<\/i> (New York : Dover, 1991)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Gill, Stephen: <i>The Cambridge Companion to Wordsworth<\/i> (Cambridge UP, 2003)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Hartman, Geoffrey: <i>Wordsworth&#8217;s Poetry 1787-1813 <\/i>(Harvard UP, 1987)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Mellor, Anne K.: <cite>Romanticism and Gender<\/cite> (Routledge, 1993)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Roe, Nicholas. <i>Wordsworth and Coleridge: The Radical Years<\/i> (Oxford: Clarendon \u00a0Press, 2003)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Reed, Arden: <i>Romanticism and Language<\/i> (Cornell University Press, 1984)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Bone, Drummond: <i>The Cambridge Companion to Byron<\/i> (Cambridge UP, 2004)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Morton, Timothy: <i>The Cambridge Companion to Shelley<\/i> (Cambridge UP, 2006)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Newlyn, Lucy: <i>The Cambridge Companion to Coleridge <\/i>(Cambridge UP, 2002)<\/span><br \/>\n <span style=\"font-size: small;\">&#8211; Wolfson, Susan: <i>The Cambridge Companion to Keats<\/i> (Cambridge UP, 2001)<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naziv kolegija: Britanski romantizam: poezija (raniji naziv kolegija: Poezija engleskog romantizma) Nastavnik: dr. sc. Martina Domines Veliki ECTS bodovi: 6 Jezik: engleski Trajanje: 3. ili 5\u00a0 semestar Status: izborni Oblik nastave: 1 sat predavanja i 2 sat seminara tjedno Uvjeti: polo\u017een Uvod u studij engleske knji\u017eevnosti ili Uvod u studij engleske knji\u017eevnosti 1 i 2 [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-12160","post","type-post","status-publish","format-standard","hentry","category-knjizevni-seminari-3-ili-5-semestar"],"_links":{"self":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/12160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12160"}],"version-history":[{"count":25,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/12160\/revisions"}],"predecessor-version":[{"id":30102,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=\/wp\/v2\/posts\/12160\/revisions\/30102"}],"wp:attachment":[{"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anglist.ffzg.unizg.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}